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La Méthode

Titre original : El método
  • 2005
  • Tous publics
  • 1h 55min
NOTE IMDb
7,1/10
13 k
MA NOTE
Ernesto Alterio, Pablo Echarri, Eduard Fernández, Carmelo Gómez, Najwa Nimri, Eduardo Noriega, Adriana Ozores, and Natalia Verbeke in La Méthode (2005)
Theatrical Trailer from Palm Pictures
Lire trailer1:22
1 Video
8 photos
DrameThriller

Sept candidats espagnols à un poste en entreprise sont placés dans une pièce et informés sur des écrans d'ordinateur de leurs tâches, l'un d'entre eux étant un observateur. Que la psychose c... Tout lireSept candidats espagnols à un poste en entreprise sont placés dans une pièce et informés sur des écrans d'ordinateur de leurs tâches, l'un d'entre eux étant un observateur. Que la psychose commence .Sept candidats espagnols à un poste en entreprise sont placés dans une pièce et informés sur des écrans d'ordinateur de leurs tâches, l'un d'entre eux étant un observateur. Que la psychose commence .

  • Réalisation
    • Marcelo Piñeyro
  • Scénario
    • Jordi Galceran
    • Mateo Gil
    • Marcelo Piñeyro
  • Casting principal
    • Eduardo Noriega
    • Najwa Nimri
    • Eduard Fernández
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,1/10
    13 k
    MA NOTE
    • Réalisation
      • Marcelo Piñeyro
    • Scénario
      • Jordi Galceran
      • Mateo Gil
      • Marcelo Piñeyro
    • Casting principal
      • Eduardo Noriega
      • Najwa Nimri
      • Eduard Fernández
    • 39avis d'utilisateurs
    • 34avis des critiques
    • 68Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 11 victoires et 14 nominations au total

    Vidéos1

    The Method
    Trailer 1:22
    The Method

    Photos7

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    Rôles principaux8

    Modifier
    Eduardo Noriega
    Eduardo Noriega
    • Carlos de Aristegui Santos
    Najwa Nimri
    Najwa Nimri
    • Nieves
    Eduard Fernández
    Eduard Fernández
    • Fernando
    Pablo Echarri
    Pablo Echarri
    • Ricardo
    Ernesto Alterio
    Ernesto Alterio
    • Enrique
    Carmelo Gómez
    Carmelo Gómez
    • Julio
    Adriana Ozores
    Adriana Ozores
    • Ana
    Natalia Verbeke
    Natalia Verbeke
    • Montse
    • Réalisation
      • Marcelo Piñeyro
    • Scénario
      • Jordi Galceran
      • Mateo Gil
      • Marcelo Piñeyro
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs39

    7,112.6K
    1
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    10

    Avis à la une

    8incitatus-org

    A sadistic analysis of the contemporary business world.

    Seven candidates show up at some multinational in Madrid, all of them in the last round of a recruitment process. While the city is immersed by anti-globalization protests on the streets down below, the candidates are turned on each other for the selection. A sadistic analysis of the contemporary business world, pushed just that little bit further to earn it the title of a satire.

    The cruel game is played out in the confines of the office, with the candidates fending for themselves under the presumed watchful eye of the named, but anonymous, entity which is the corporation. The tension mounts quickly, as the strong characters clash head-on in their perfectly developed manipulative manners after their years in business life. An excellent cast plays clever but tough dialogues in scenes which are a little too close to reality for comfort. A clear message surfaces as the film comes to a close, leaving a sour aftertaste. Not an uplifting movie to watch, but ingeniously crafted. Bare in mind that you may want to lay in the sun after surviving this one.
    7reeagbo

    Good script, actors and suspense

    The script is based in in a theater play, and though I'm not familiar with the original, I guess the action probably remains close to the original (someone correct me if I'm wrong).

    The cast is a good bunch of popular actors and actresses here in Spain, some of them somewhat popular out of Spain. See Eduardo Noriega, Carmelo Gómez, Ernesto Alterio and Natalia Verbeke. I find the acting very believable in general, maybe Noriega is not that real, but maybe this is what he is supposed to do in his role.

    The story: Seven people are dated to have their final interview for an important position in a big company. All of them get together for the interview in the same place and the method used by the company for the final selection is call Gronholm method.

    All the action takes place in the interview room and the restrooms. This, in spite of being drawback for the entertainment, makes it more interesting. The director gets rid of superfluous elements and leaves space for character development.

    In opposition, and in order to prevent the public from getting lost in so much isolation, the director sets the action in the same day and place of a World Bank and IMF, although this doesn't really have an influence on the story.

    My only complaint has to do with some restroom scenes that I believe don't add anything to the movie and look really silly to me.

    Very entertaining and good story.
    8gatomorto2

    Casting is the scent of this movie.

    If you want to see a movie with the best special effects,explosions, gunfigths and other exciting sequences, you are in the wrong lounge. But if you like movies with interesting argument, funny dialogs and very good performances, without any doubt, you'll enjoy with this movie. The first called my attention was the very high quality casting of this film,probably five of ten best actors of Spain are in this movie (Javier Bardem was busy in other productions). The actors are impressive, specially Eduard Fernandez and Pablo echarri. The argument is very curious and it will captivate you from the beginning.Finally the director do a good job giving the film the right rhythm. topnotch!!!
    10Potty-Man

    Gripping, exciting, thought provoking, and all around brilliant!

    From the moment all the main characters are gathered inside the conference room, you know you're in for a rare treat. The first part plays out like a classic, Agatha Christie-like whodunit, where you know just as much as the rest of the characters, and are as qualified as they are to make your assumptions.

    The rest of the movie is just as interactive. The method of restricting our point of view to that of the character's makes you as much a part of what's going on as they are. It almost feels like a reality TV show, where you get to be one of the judges.

    From the get-go, the movie grips you. It doesn't waste any moment and delves straight into the drama. The actors all do such an excellent job that you can't take your eyes off the screen. The pacing is perfect - here is not a dull moment - and the film's structure is brilliant.

    There is one particular recurring motif which first appears in the first few scenes - dividing the screen into thirds. See if you can find similar compositional arrangements in key moments and deduce their meaning. It is the kind of movie where every tiny element serves a purpose (symbollic or otherwise), and it will make you think. Don't get me wrong - you will enjoy the movie as pure entertainment. But those who wish to search for deeper meanings, commentary about human nature, subtle social critique etc. will be far from disappointed.

    In my opinion, the movie was perfect in every way (reminding me of "12 Angry Men", one of my all time favorites). I can't urge you enough to go see it. It is one of the best movies of the year.
    5krigler

    Excellent premise marred by lazy characterization

    The absurdity and grotesque one-upmanship of an executive job interview is sometimes perfectly captured in El Metodo, with an anti-capitalist demonstration used as an invisible backdrop with subtle symbolism. Directing is handled with confidence, and there is some memorable acting, although towards the end the ugly head of melodramatic overacting rears, destroying the atmosphere.

    Also demolishing is the flawed characterization. One huge problem of the basic concept is that people interviewing for a high level managerial position have very rarely got anything to lose. Failure only gets the applicants back to other well paid, plush jobs. Such is a case with these people too; apart from their dignity and self-respect, there is nothing much at stake. Bigger problem is that even those they could easily keep were it not for their conveniently convoluted behaviour. From the writer's perspective it's simply a matter of bad characterization choices and some silly plotting. The competing interviewees behave with enormous stupidity sometimes to conveniently fit the dramatic wishes of the storyteller. One of the protagonists, a woman is rendered a victim about halfway through the film, a weak character unable to resist the sexual advances of a fellow male participant. This completely stupid and unrealistic plot development alone almost makes everything that follows implausible and shallow. (I mean, who in the world has sex in his mind during a supposedly important job interview? Come on, even the most macho males can control their animal urges - if they can't, there's no way they get to an executive position.) It's a pity the filmmakers could not muster up more courage to let the situation play itself out without sensationalist, melodramatic actions and resort to such cheap moves. What started out very well and tense, derails because of increasingly melodramatic plot solutions from the midpoint on.

    It's a pity also that apart from a nicely symbolic final image and some subtly added subtext the storytellers did not make more of the anti-capitalist protests apparently going on simultaneously. It's a device completely wasted.

    All in all, a film worth watching once for some nice psychodrama elements, but ultimately a terribly missed opportunity. For a similar premise, but a much more thrilling story watch "The Killing Room".

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    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Jordi Galceran, the author of the play in which this film is based, was deeply upset by the changes director Marcelo Piñeyro introduced in the film.
    • Gaffes
      When Julio ask others if they have the same message in their computer screens, they answer no. In the next take its clearly seen that the message appears in all computer screens.
    • Citations

      Carlos de Aristegui Santos: Nothing, Peeping Tom, mind your own business, get back to your peep hole.

    • Connexions
      Referenced in Rewind This! (2013)

    Meilleurs choix

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    FAQ19

    • How long is The Method?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 septembre 2006 (France)
    • Pays d’origine
      • Espagne
      • Argentine
      • Italie
    • Site officiel
      • Director's Official Site
    • Langues
      • Espagnol
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • The Method
    • Lieux de tournage
      • Madrid, Espagne
    • Sociétés de production
      • Tornasol Films
      • Arena Films
      • Cattleya
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 3 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 7 017 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 3 407 $US
      • 8 juil. 2007
    • Montant brut mondial
      • 3 470 651 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 55min(115 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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