Ouvre les yeux

How I wish I had seen this film before seeing Vanilla Sky. There is so much subtlety, so many interesting ideas in this that have been butchered or simply lost in translation in the Hollywood version. The ending of Vanilla Sky pretty much explains everything... Abre Los Ojos leaves most of it up to interpretation and the viewers' imagination. Upon my recent second viewing, I realized how many hints there are towards the twist in the film, and how many ideas and subjects for good discussion that are in the film. The direction in Vanilla Sky seemed fine before, but in comparison, it's really daft and unimaginative. The majority of the good stuff in VS is stolen directly from ALO. A lot of it is changed to fit Hollywood's standards(and we all know how... high... they are), and the authenticity of the great idea is almost lost through this. This is the third Alejandro Amenabar movie I've seen(the other two are Thesis and The Others), and definitely my favorite so far. Not many films can catch and keep your interest even when you've already seen a (bastardized and cheaper) version of it already. I couldn't take my eyes off it. Like Amenábar's other films, this is slow and deliberate(whereas Crowe's version, in comparison, seems somewhat rushed, trying to get to the end as fast as possible, despite being a full half hour longer), and it really works to the films benefit. The music is wonderful, and it fits perfectly in every scene. The mood and atmosphere of the film is great. The effects are excellent... by comparison, those of Vanilla Sky are overly flashy and obvious. Here, they're beautiful and very subtle, like the rest of the film. The cinematography is very good, and far superior to that of VS. I realize that this seems more like a comparison between the two films than a review, but I can't seem to find the words to express just how great this is. See it for yourself. And in the name of all that is good and just, see it before you even consider watching Vanilla Sky. I recommend this to fans of intelligent films and/or Alejandro Amenábar. This is quite probably the best film he has made so far(though I haven't seen Mar Adentro yet). 9/10

Well, as it is in most 'fights' one has to see both before being able to see who the winner is and in this case it is Abre los Ojos (the original). It is not THAT MUCH better than Vanilla sky, but the ending does the trick. The ending in Abre los ojos, is much better and more comprehensible than the vague and somewhat pointless ending in Vanilla Sky, which makes the film just a notch better than the star-laden Hollywood remake. The other parts of the films are mostly equal to one another or should I say, the rest Cameron Crowe copied from Abre los ojos. If there is one thing that I didn't like about this film, is how it was spoiled for me by having seen Vanilla Sky earlier. Almost everything Crowe copied, which made this film rather boring at times and which also makes it difficult for me to rate this one. I can tell you though, that if could choose again I'd definitely see Abre los Ojos first and not see Vanilla Sky at all.

7,5 out of 10 (for the statistics, with a 7 to be handed out on voting)

Note: this review has been amended to remove some sexist comments I included at the time. Apologies for any offence caused. I was young and stupid at the time, thinking I was being 'cool'.

While Vanilla Sky was a solid film, this still ranks as the better version. It's quite a contrast in styles. While Vanilla sky tried being over the top, Abre Los Ojos proved to be more subtle and controlled. Penelope Cruz, even though she was playing the same role, she was far more articulate and natural in her native tongue. Maybe we should stop remaking great foreign films, and appreciate them for what they are as opposed to what we want them to be.

Sadly due to the lack of availability of 'Open Your Eyes' in Australia (until now) I saw Cameron Crowe's 'Vanilla Sky' first. Too bad. 'Open Your Eyes' is the original and best version, and would have impressed me even more if the surprises in the plot hadn't been ruined for me by the remake. So I strongly urge you to watch this movie first for maximum impact. It's a real killer, and especially recommended if you are a fan of mind-blowing movies such as Frankenheimer's underrated 'Seconds', Cronenberg's brilliant 'Videodrome' and 'eXistenZ'), or have read a Philip K.Dick novel or two.

Eduardo Noriega (star of Amenabar's previous movie, the taut, suspenseful 'Tesis', also worth a look) is much more believable than Tom Cruise as the increasingly baffled protagonist caught in a never-ending nightmare, and Penelope Cruz's performance here is subtler and more appealing than her reprise of Sofia in Crowe's overblown and self-indulgent remake. Alejandro Amenabar has made three excellent imaginative thrillers in a row, and looks like being one of the most potentially exciting directors currently working. 'Open Your Eyes' comes with my highest recommendation. This one is essential viewing.

Although the plot is confusing at times, a second viewing helps to untangle the convoluted story about dreams and reality. Most of the time we are not sure if what we are watching is really happening or whether it is a profoundly disturbing nightmare. Cesar (Edouardo Noriega) whose head is badly fractured in a high speed car crash quite understandably has blurred recollections of events involving his good buddy Pelayo and his girl friends Sofia and Nuria. As his doctor explains: In dreams characters are often substituted, one for the other.

There is much I like about this film. First of all I like the script. The dialogue between Sofia and Cesar at first meeting and afterwards is so natural, so believable. The four main characters are absolutely charming and have a rapport between each other that is rarely seen in films. This is either good casting or good acting, or maybe a bit of both. As the story unfolds we are completely absorbed. This is true entertainment on the highest level. O.K. we may not be fully cognisant of what is happening at times, but we glue ourselves to the screen expecting that an explanation will come in due course.

There are some chilling lines e.g. Just before Nuria steps on the accelerator: "Do you believe in God?"

There are some mysterious questions put to Cesar e.g. "Who is Eli? You called out 'Eli...Eli' while you were dreaming. Is she a girl?" No such person. What then? The mystery deepens.

There is quality photography in the film. The rain in the park. And before that the reflections of foliage flashing in the car windows with glimpses of tense faces.

The make-up team too does a great job On Cesar's handsome face. What a transformation!

On top of all this we get a lesson on cryonics and the possibility of immortality. What more do you want for your money?

Take it from me. This is a film you must see.