NOTE IMDb
7,3/10
43 k
MA NOTE
Pete Perkins tente d'honorer la promesse faite à son meilleur ami décédé en l'enterrant dans sa ville natale du Mexique.Pete Perkins tente d'honorer la promesse faite à son meilleur ami décédé en l'enterrant dans sa ville natale du Mexique.Pete Perkins tente d'honorer la promesse faite à son meilleur ami décédé en l'enterrant dans sa ville natale du Mexique.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 9 nominations au total
Julio Cesar Cedillo
- Melquiades Estrada
- (as Julio César Cedillo)
Irineo Alvarez
- Manuel
- (as Irineo Álvarez)
Avis à la une
The "Three burials of Melquiades Estrada" is a multi-layered story of death, retribution, loneliness, and remembrance. Although it takes place in modern day Texas, its main character Pete Perkins, superbly played by Tommy Lee Jones, seems to be living resolutely in the past. He is determined to seek justice for his best friend's death and forces the guy responsible for to a journey across the borders in Mexico to locate the village of the deceased for a proper burial. This journey will bring forward the stark contrast between the values of two ways of life and the landscape transversed is both geographical and emotional.
Modern civilization throughout the film is mainly represented by 4WD cars, sniper rifles, dinners, shopping malls, trailers, and TV-sets incessantly showing soap operas, while the characters revelling into those manifestations are invariably emotionally numb, disaffected people, trapped to a perfunctory life from which they seem unable or unwilling to escape. Concomitantly the values of the old west, based on friendship, loyalty and commitment have ebbed, though they are still existent as embodied by the relationship of Pete with his best friend. Pete is forced to pursue his own sense of justice after being repeatedly scorned by the contemptuous behavior of the authorities towards him and his demand for rightful punishment of the culprit, a cool, violence prone and emotionally detached border-guard.
The story is masterly told in a sturdy manner that perfectly serves the complexity of the excellent screenplay by an apposite use of flashbacks and wonderfully shot sequences. All the performances are top notch in their expressive minimalism, greatly contributing to the lasting emotional impact of this outstanding film.
Modern civilization throughout the film is mainly represented by 4WD cars, sniper rifles, dinners, shopping malls, trailers, and TV-sets incessantly showing soap operas, while the characters revelling into those manifestations are invariably emotionally numb, disaffected people, trapped to a perfunctory life from which they seem unable or unwilling to escape. Concomitantly the values of the old west, based on friendship, loyalty and commitment have ebbed, though they are still existent as embodied by the relationship of Pete with his best friend. Pete is forced to pursue his own sense of justice after being repeatedly scorned by the contemptuous behavior of the authorities towards him and his demand for rightful punishment of the culprit, a cool, violence prone and emotionally detached border-guard.
The story is masterly told in a sturdy manner that perfectly serves the complexity of the excellent screenplay by an apposite use of flashbacks and wonderfully shot sequences. All the performances are top notch in their expressive minimalism, greatly contributing to the lasting emotional impact of this outstanding film.
This above average film concerns Pete Perkins , a foreman (Tommy Lee Jones) from a Texas town , nearly the Mexican border . There also lives a violent patrolman called Mike (Barry Pepper) , along with his embittered wife (J. Jones) . When his pal , Melquiades (Cedillo) , is murdered , he is rapidly buried . But Perkins pulls off the promise his best friend bringing him at his natal village , called Jimenez . Then , he decides the kidnapping of the arrogant policeman . After the second burial into a public graveyard , he claims the body that is tied to a mule and along with the patrolman start a dangerous journey to Mexico pursued by the patrol chief (Dwight Yokoam) .Nobody is beyond redemption. For justice. For loyalty. For friendship.
This enjoyable film is a touching and violent drama with elevated cinematographic values . The protagonist results to be a ¨Quixote¨ who obstinately undertakes a perilous journey whose objective looks to fulfill the promise by whatever means . The movie realizes an awesome actors ' reunion , showing the different characters and explores their apprehension , ambitions , fears and circumstances . Intelligent and thoughtful screenplay by Guillermo Arriaga (21 grams , dog loves) . The screenplay was written in Spanish by Guillermo Arriaga but was translated in to English by Tommy Lee Jones . Director/Actor Jones gave each cast member a copy of Albert Camus' "The Stranger" to read so that they would understand alienation , a big theme in both the novel and the film . Sensitive and evocative musical score by Marco Beltrani (Red eye) . The film is a nice co-production , being produced , among others , by the great producer and director French Luc Besson . Special mention for glimmer and fascinating cinematography by Chris Menges (Pledge , Michael Collins) and occasionally director (World apart , Criss cross) , he splendidly reflects impressive outdoors from Texas border and Mexico . Tommy Lee Jones won a deserved prize in Cannes , being his theatrical directing debut , his only other directing credit was the TV movie Good old boys (1995) . Tommy Lee Jones's acting and direction is magnificent . Much of the movie was shot on Tommy Lee Jones's own ranch . Remaining cast is frankly excellent with terrific performances (Pepper , Jones , Melissa Leo) . Rating : Better than average . Well worth watching , it's a must see for Tommy Lee Jones enthusiasts.
This enjoyable film is a touching and violent drama with elevated cinematographic values . The protagonist results to be a ¨Quixote¨ who obstinately undertakes a perilous journey whose objective looks to fulfill the promise by whatever means . The movie realizes an awesome actors ' reunion , showing the different characters and explores their apprehension , ambitions , fears and circumstances . Intelligent and thoughtful screenplay by Guillermo Arriaga (21 grams , dog loves) . The screenplay was written in Spanish by Guillermo Arriaga but was translated in to English by Tommy Lee Jones . Director/Actor Jones gave each cast member a copy of Albert Camus' "The Stranger" to read so that they would understand alienation , a big theme in both the novel and the film . Sensitive and evocative musical score by Marco Beltrani (Red eye) . The film is a nice co-production , being produced , among others , by the great producer and director French Luc Besson . Special mention for glimmer and fascinating cinematography by Chris Menges (Pledge , Michael Collins) and occasionally director (World apart , Criss cross) , he splendidly reflects impressive outdoors from Texas border and Mexico . Tommy Lee Jones won a deserved prize in Cannes , being his theatrical directing debut , his only other directing credit was the TV movie Good old boys (1995) . Tommy Lee Jones's acting and direction is magnificent . Much of the movie was shot on Tommy Lee Jones's own ranch . Remaining cast is frankly excellent with terrific performances (Pepper , Jones , Melissa Leo) . Rating : Better than average . Well worth watching , it's a must see for Tommy Lee Jones enthusiasts.
At times 21 Grams others Don Quixote. A meaningless killing, leads to three burials and a quest with a corpse through Mexico, Arriaga(the screenwriter here, formerly of Babel, Ammores Perros, 21 Grams) as always weaves in themes both global and personal, political and poetic, with a skill and restraint not often seen. Ostensibally a modern western, this film shares with those others an ostensibly simple event told through a variety of chronologies and characters, great stuff. As with those other films it does tend to have a slow pace, but it does so give the viewer a grander scenic sense of the landscape Arriaga and Tommy Lee Jones, who direction should not be overlooked, unfold for us, a literate, mindful, grossly underrated modern western which manages to say many powerful things about the world today and human life in general.
I just had the pleasure of seeing this wholly original modern-day American western. Just when you think you have this film's plot pigeon holed it takes you in a different direction. THREE BURIALS OF MELQUIADES ESTRADA is in part a revenge story, but it's also much more than that. There are no one dimensional characters. As much as you want to hate Barry Pepper's numbed border patrol officer, you can't help but feel sorry for him. And Tommy Lee Jones' Pete will break your heart. He and Pepper have never been better and Jones' direction is natural and subtle. My only problem with the film was sometimes it got a little too quirky for its own good. But for the most part I believed every moment and really cared for these lost characters. It's one of those films that really leaves you thinking about a lot of stuff, from mortality and loss to the very real problems of racism and inhumanity. It's never preachy or self aware and isn't out to impress, it's just telling a story. I highly recommend this movie. It's by far one of the best films I've seen recently.
Ay, carramba! A diablo of a marketing challenge: a bilingual movie, with an impossible-to-remember title, a story of white trash, Mexican wetbacks (that's the film's language), cruel Border Patrol "cowboys," and Tommy Lee Jones as the director and the uniquely memorable lead character... and a film that's one of the year's best.
"The Three Burials of Melquiades Estrada" opens with a somewhat confusing sequence of flashbacks, and for the first half hour, you wish you were watching something more "orderly," but you'll be hooked anyway. For the next hour and a half, however, there is a crescendo of images and situations hitting the viewer over the head, amazing and moving.
Taking the corpse of a friend - and his very much alive killer - back to Mexico for a "proper burial" and to mete out justice, Jones' voyage is a quirky, epic adventure, based on the brilliant writing of Guillermo Arriaga (of "21 Grams"), and filmed to perfection by Chris Menges (of "The Killing Fields" and "The Mission").
Besides Jones (who won the 2005 Cannes Festival best actor award for this), "3 Burials" features fabulous performances by Barry Pepper ("25 Hours"), Julio Cedillo, and a large group of remarkable supporting actors on both sides of the border.
Jones says something in the production notes that could sound arrogant or affected... except that it's true: "Some visual influences have been the kabuki theater, the art of Donald Judd and Dan Flavin, and the films of Akira Kurasawa, Sam Peckinpah, and Jean-Luc Godard." Amen.
"The Three Burials of Melquiades Estrada" opens with a somewhat confusing sequence of flashbacks, and for the first half hour, you wish you were watching something more "orderly," but you'll be hooked anyway. For the next hour and a half, however, there is a crescendo of images and situations hitting the viewer over the head, amazing and moving.
Taking the corpse of a friend - and his very much alive killer - back to Mexico for a "proper burial" and to mete out justice, Jones' voyage is a quirky, epic adventure, based on the brilliant writing of Guillermo Arriaga (of "21 Grams"), and filmed to perfection by Chris Menges (of "The Killing Fields" and "The Mission").
Besides Jones (who won the 2005 Cannes Festival best actor award for this), "3 Burials" features fabulous performances by Barry Pepper ("25 Hours"), Julio Cedillo, and a large group of remarkable supporting actors on both sides of the border.
Jones says something in the production notes that could sound arrogant or affected... except that it's true: "Some visual influences have been the kabuki theater, the art of Donald Judd and Dan Flavin, and the films of Akira Kurasawa, Sam Peckinpah, and Jean-Luc Godard." Amen.
Le saviez-vous
- AnecdotesThe screenplay was written in Spanish by Guillermo Arriaga but was translated in to English by Tommy Lee Jones.
- GaffesWhen Pete and Mike are in the ruins at Jiminez, a crew member can be clearly seen crouching in a corner as the camera pans past him.
- Citations
Melquiades Estrada: Promise me one thing, Pete. If I die over here, carry me back to my family and bury me in my home town. I don't want to be buried on this side among all the fucking billboards.
- Crédits fousThe title of the film and the various title cards are in both English and Spanish.
- Bandes originales9 Million Pictures
Written by Augie Meyers
Performed by Augie Meyers
© Brujo Music, Administered Worldwide by Bug Music Inc.
Courtesy of French Fried Music
Courtesy of Brujo Music
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- How long is The Three Burials of Melquiades Estrada?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Los tres entierros de Melquiades Estrada
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 5 027 684 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 859 $US
- 18 déc. 2005
- Montant brut mondial
- 12 045 362 $US
- Durée2 heures 1 minute
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Trois enterrements (2005) officially released in India in English?
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