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Les disparues

Titre original : The Missing
  • 2003
  • R
  • 2h 17min
NOTE IMDb
6,5/10
41 k
MA NOTE
Tommy Lee Jones, Cate Blanchett, and Jenna Boyd in Les disparues (2003)
Trailer 1
Lire trailer1:31
11 Videos
88 photos
AventureDrameOccidentalThrillerDrames historiquesSurvie

En 1885, au Nouveau-Mexique, une femme médecin de pointe établit une alliance difficile avec son père qui s'est éloigné, lorsque sa fille est kidnappée par un sorcier apache.En 1885, au Nouveau-Mexique, une femme médecin de pointe établit une alliance difficile avec son père qui s'est éloigné, lorsque sa fille est kidnappée par un sorcier apache.En 1885, au Nouveau-Mexique, une femme médecin de pointe établit une alliance difficile avec son père qui s'est éloigné, lorsque sa fille est kidnappée par un sorcier apache.

  • Réalisation
    • Ron Howard
  • Scénario
    • Thomas Eidson
    • Ken Kaufman
  • Casting principal
    • Tommy Lee Jones
    • Cate Blanchett
    • Evan Rachel Wood
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    41 k
    MA NOTE
    • Réalisation
      • Ron Howard
    • Scénario
      • Thomas Eidson
      • Ken Kaufman
    • Casting principal
      • Tommy Lee Jones
      • Cate Blanchett
      • Evan Rachel Wood
    • 249avis d'utilisateurs
    • 114avis des critiques
    • 55Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 8 nominations au total

    Vidéos11

    The Missing
    Trailer 1:31
    The Missing
    The Missing
    Trailer 2:31
    The Missing
    The Missing
    Trailer 2:31
    The Missing
    The Missing Scene: Maggie Asked You To Leave
    Clip 1:18
    The Missing Scene: Maggie Asked You To Leave
    The Missing Scene: They Want Our Horses And Guns
    Clip 0:51
    The Missing Scene: They Want Our Horses And Guns
    The Missing Scene: You Can't Leave Me Mama
    Clip 0:59
    The Missing Scene: You Can't Leave Me Mama
    The Missing Scene: How Bad Are You Hurt
    Clip 1:01
    The Missing Scene: How Bad Are You Hurt

    Photos88

    Voir l'affiche
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    + 80
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    Rôles principaux51

    Modifier
    Tommy Lee Jones
    Tommy Lee Jones
    • Samuel Jones
    Cate Blanchett
    Cate Blanchett
    • Magdalena Gilkeson
    Evan Rachel Wood
    Evan Rachel Wood
    • Lilly Gilkeson
    Jenna Boyd
    Jenna Boyd
    • Dot Gilkeson
    Aaron Eckhart
    Aaron Eckhart
    • Brake Baldwin
    Val Kilmer
    Val Kilmer
    • Lt. Jim Ducharme
    Sergio Calderón
    Sergio Calderón
    • Emiliano
    Eric Schweig
    Eric Schweig
    • Chidin
    Steve Reevis
    Steve Reevis
    • Two Stone
    Jay Tavare
    Jay Tavare
    • Kayitah
    Simon Baker
    Simon Baker
    • Honesco
    Ray McKinnon
    Ray McKinnon
    • Russell J. Wittick
    Max Perlich
    Max Perlich
    • Isaac Edgerly
    Ramon Frank
    • Grummond
    Deryle J. Lujan
    • Naazhaao - Hunter
    Matthew E. Montoya
    • Tsi Beoyuao - Blowing Tree
    • (as Matthew Montoya)
    Joe Saenz
    • Mba'tsu-Naabitin - Wolf Trail
    Gandi Shaw
    • 'Izhashe - Bird
    • Réalisation
      • Ron Howard
    • Scénario
      • Thomas Eidson
      • Ken Kaufman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs249

    6,540.6K
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    Avis à la une

    8SnoopyStyle

    Good dark material departs from usual Ron Howard fare

    It's 1885 New Mexico, Samuel Jones (Tommy Lee Jones) has return to reconcile with his estranged daughter Maggie Gilkeson (Cate Blanchett). He had abandoned her 20 years ago, and she rejects him right away. When her oldest daughter Lilly (Evan Rachel Wood) is kidnapped by Indian outlaws, Maggie must seek his father's help.

    This is a departure from the usual Ron Howard fare. It's moody atmosphere can be attributed mostly to Tommy Lee Jones' performance. It's a fascinating side note to Howard's career and great to see him imitate 'The Searchers'. There is a lot of ugliness being shown but the ending is too traditional for this stark dark tale. I think Howard couldn't really go to the lower depths in the end. It's a great effort for an accomplished director to go outside his comfort zone.
    bob the moo

    A good solid western

    Maggie Gilkeson is a single mother working as a doctor in New Mexico. She is hardy and seemingly strong. When an old man with Indian looks shows up seeking treatment, she finds that he is her father, whom she has blamed for her mother's death when he abandoned them as a child. She rejects his attempts to apologise and sends him on his way. When an Indian raiding party kidnaps Maggie's eldest, Lily, she has to turn to Samuel for his ability to track them.

    With so few westerns being released to our multiplexes it is important not to go crazy with hype when one is released. In the UK we will have this film and Open Range released within a few weeks of one another and nearly every review you read can't help but draw attention to that as if somehow the recent Westerns we've had are some sort of golden age. I watched this just as I watch any film of any genre, whether the western happens to be neglected recently or not. The plot here is basically the journey and Jones' attempts at a sort of redemption. The film is perhaps a touch long, but it still fills the running time well. The action stuff is good but it is also well complimented by the more emotional core. It isn't perfect of course, but it does well and makes for an engaging and entertaining film. Of the things I'd like to have seen gone, the whole black magic side of the film didn't work for me and gave the story a mysticism that I didn't think it actually needed.

    The cast are very good though. Jones manages to actually play an unexplained white man who was `with the Indians' without it being unbearably laughable. He is a more interesting character than the writing would have done alone or with a lesser actor. Blanchett makes up for her dire work in LOTR with a gutsy performance that gradually transforms as the film goes. Schweig is a great baddie despite his low screentime. It is good that the PC brigade didn't mean that this character had to be twisted in keeping with the modern cliché that all Indians are moral and upright. Boyd is much better here than in that terrible Dickie Roberts thing. She does have to do a little too much screaming at times but generally is up to the task. Support from Kilmer, Clint Howard and others are welcome in support and there is not really a weak link in the cast.

    Overall this is not a great western, and wouldn't really stand out in the genre. However it is one of the better films out in the cinema right now. It has a good central story with reasonably good characters and it is only the mystical stuff and some weaknesses in the script that stops it being better.
    JohnDeSando

    Blanchette carves out a memorable stand-alone heroine.

    `The Missing' is as close to a feminist movie as can be telling a story that engrosses on the traditional level of the Western without offending warring cultural factions. Cate Blanchette plays a frontier single mom and local healer, whose teenage daughter is abducted by Apaches and army deserters to sell for prostitution in Mexico.

    She must find her daughter and also deal with her estranged father, played by Tommy Lee Jones, who deserted his family 20 years ago to live with the Apaches and now tracks them with Blanchette to find his granddaughter.

    Blanchette is not John Wayne, who played one of the `Searchers' in John Ford's memorable Western, certainly a source for this story. She lacks Wayne's easy bigotry about Indians, yet she carries toughness in adversity every bit as strong as Wayne at his most macho.

    Nor is she Audrey Hepburn in John Huston's `The Unforgiven,' who is mostly protected from abduction-minded Kiawas by Burt Lancaster. No, Blanchette carves out a memorable stand-alone heroine in another sterling performance, certainly one of the top 2 actresses in film today.

    Cinematographer Salvatore Totino uses aerial shots to capture the vast but imprisoning New Mexico landscape; James Horner's swelling music now and then feels as if it can't wait for another `Titanic'; Ron Howard's direction is unobtrusive, in the same way he allowed Russell Crowe to save Howard's middling `Beautiful Mind' screenplay. Actually Howard prepared himself by directing the Mel Gibson `Ransom,' also about abduction and pursuit.

    The realism starts in the first scene with Blanchette extracting a tooth from an almost toothless hag and proceeds with multiple bloody encounters, too many for me in a long movie that could have edited out several encounters. But seeing Blanchette and Jenna Boyd as her younger daughter act with apparent full chops is to be happy that we no longer have to rely on Wayne for rugged individualism. As Gloria Steinem reminds us, `When both sexes realize that either one can be on top, we're all going to enjoy our relationships a lot more.'
    7PudgyPandaMan

    A haunting Western

    I'm typically not a fan of Westerns - being female may have something to do with it. But I liked this one. It has a good story, along with superb character development that causes you to care what's going on in the film.

    The most stand out aspect for me was the villain played by Eric Schweig. He totally creeped me out. I looked up his IMDb photos and he looks nothing like he did in the film - so the makeup department had a lot to do with making his face as ugly as they did. It really adds to the evil nature of this man.

    Jones is quite convincing as a white man wanting to be Indian. His face looks so aged and weathered - you believe he has lived out in the harsh western wilderness all his life. I'm a big fan of his and could watch him do his thing all day.

    The director and writers did a good job of creating tension and suspense in the film. There are numerous fight and chase scenes that had me on the edge of my seat. There is quite a bit of explicit violence so this isn't one for young kids to watch.

    I think the movie weaves a good tale of hardship, tragedy, failings, forgiveness and redemption. The title, I think, refers to not only her daughter that is missing - I think it refers to several themes missing in the life of Cate Blanchett's character. First, there is the missing dad that abandoned her. There's the missing trust of men in general since she apparently was the victim of rape - and that subsequently resulted in the birth of her daughter. There are also the fathers of her daughter's who are no where to be seen - so that her daughters are having to grow up without a dad as well. No husband either (just a live-in boyfriend). She is totally alone and has to fend for herself and her girls. Blanchett does a great job of bringing the steeliness of her character to life.

    Without giving away what happens, I found the ending very touching.
    8modern_maiden

    Bleak, chilling suspense on the frontier.

    The premise of this film that the main character (played by Cate Blanchett) is a rancher and doctor living in the wilds of New Mexico. Her daughter is kidnapped by a group of outlaws led by a psychopathic witch doctor. At the same time, her estanged father (played by Tommy Lee Jones) enters her life, and she is faced with her deep hatred of him, weighed against her need for his help. The rest of the story I won't give away.

    I've read whisperings of Oscar nominations, which may be a fair statement, but although these rumors have been directed towards Blanchett, I would say that Jones had the stronger performance. Blanchett was excellent as well though, depicting a hard-laboring no-nonsense rancher perfectly, not trying to inject any glamour into her role whatsoever, as might have been the case if certain other big name actresses had played the role. I am forever amazed by Blanchett's versatility! The girls playing the daughters were excellent

    too, specially the youngest one, who had a number of intense emotional scenes.

    I liked the bleak feeling presented in the film...the raw climate, the hopelessness combined with determination that the characters portrayed. The heroic rescue attempts were not without their screw-ups, making the story much more realistic than a typical Western shoot-em-up hero movie.

    I also enjoyed the element of mysticism, which was pulled off without being too corny. The main villain in this film was quite possibly the creepiest, ugliest villain to grace the screen in years! Yet somehow it wasn't too trite either.

    My personal beef with most Hollywood epics is that friggin' annoying sweeping soundtrack music, which practically spells out to you how you are supposed to feel, replacing the emotion that should have been created by the acting and directing. Thankfully, the soundtrack didn't overwhem this film. Just some well placed ambient music which supplemented the scenes nicely.

    Definitely one of the better films I've seen lately. I rate it 8/10.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Tommy Lee Jones and Eric Schweig learned some Chiricahua Apache for this film. Their instructors were two of the last three remaining fluent speakers.
    • Gaffes
      Jones and Dot were wearing hats before they were washed downstream during the flash flood. But when they were climbing out of the water onto dry land, they weren't wearing their hats. In the next scene when they were riding their horses they were wearing their hats again. There is no way they could have found their hats after the flash flood.
    • Citations

      Maggie: Why didn't you stay?

      Samuel: [long pause] There's an Apache story about a man that woke up one morning and saw a hawk on the wind. Walked outside and never returned. After he died he met his wife in the spirit world. She asked him why he never came home, he said "Well, the hawk kept flying".

      [pause]

      Samuel: There's always the next something, Maggie. And that will take a man away.

    • Versions alternatives
      Although the film was shot in the Super 35 format for 2.39:1 and protected for 1.33:1, the VHS and the Full Screen DVD mostly Pans and Scans as if it were shot in Anamorphic Widescreen instead of properly framing it for Full Frame as most Super 35 films are. Only a few shots in this movie were reframed properly.
    • Connexions
      Edited into New Frontiers: Making 'The Missing' (2004)
    • Bandes originales
      The Daring Young Man on the Flying Trapeze
      (uncredited)

      Lyrics by George Leybourne

      Music by Gaston Lyle

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    FAQ

    • How long is The Missing?
      Alimenté par Alexa
    • What are the differences between the theatrical version and the Extended version of the movie?

    Détails

    Modifier
    • Date de sortie
      • 17 mars 2004 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Langues apaches
      • Espagnol
    • Aussi connu sous le nom de
      • Las desapariciones
    • Lieux de tournage
      • Valles Caldera, Nouveau-Mexique, États-Unis
    • Sociétés de production
      • Revolution Studios
      • Imagine Entertainment
      • Daniel Ostroff Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 60 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 27 011 180 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 10 833 633 $US
      • 30 nov. 2003
    • Montant brut mondial
      • 38 364 277 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 17 minutes
    • Couleur
      • Color
    • Mixage
      • SDDS
      • Dolby Digital
      • DTS
    • Rapport de forme
      • 2.39 : 1

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    Tommy Lee Jones, Cate Blanchett, and Jenna Boyd in Les disparues (2003)
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    By what name was Les disparues (2003) officially released in India in Hindi?
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