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Ajouter une intrigue dans votre langueMomoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanes... Tout lireMomoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.Momoko, a strange and seemingly emotionless girl obsessed with 18th century France, befriends a Yanki biker and the two experience the ups and downs of their unusual lives in a rural Japanese town.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 14 victoires et 3 nominations au total
Kyôko Fukada
- Momoko Ryugasaki
- (as Kyoko Fukada)
Avis à la une
This a well-done girls' coming-of-age tale, like a Japanese 21st-century Alice in Wonderland - one Lewis Carroll would probably have liked. And I presume whoever gave the Kamikaze Girls title to the American edition would have titled the Alice work Kamikaze Alice. The underlying themes are independent thinking, the value of friendship, and the need to pursue one's creative impulses while critically evaluating surrounding people and opportunities.
Most the adult figures in the film are - in one way or another - failures. Though seen in an exaggerated, humorous, or empathetic light, they serve as guideposts to the two girls who come to realize that salvation (or "sallvation" as Ichigo misspells it for emphasis) lies not in following the crowd, not in seeking leaders' approval, but in following one's own dreams - as much as they can be realized in this limited, 3-dimensional, mortal world.
Early in the film, I feared it was headed to be too sweet, especially with the main characters being Momoko (Peaches) and Ichigo (Strawberries). But this sweetness is quickly counterbalanced with the challenges and adventures they face.
This is a fun and very unique film, good for people of all ages. In ways, it's set in a society that seems closer to the U.S. of the 1950's - around the "beat" and the James Dean eras, when youth could be wild without police being called, and yet neighborhoods could leave front doors unlocked without fear and kids could even hitch-hike - an age of greater homogeneity when America had some cultural unity and - with exception of its black-white scar - was not afraid of itself.
I obtained this film, by the way, in VCD format (not the best, but adequate), I believe, from HKFlix. I couldn't find it anywhere in DVD format.
Most the adult figures in the film are - in one way or another - failures. Though seen in an exaggerated, humorous, or empathetic light, they serve as guideposts to the two girls who come to realize that salvation (or "sallvation" as Ichigo misspells it for emphasis) lies not in following the crowd, not in seeking leaders' approval, but in following one's own dreams - as much as they can be realized in this limited, 3-dimensional, mortal world.
Early in the film, I feared it was headed to be too sweet, especially with the main characters being Momoko (Peaches) and Ichigo (Strawberries). But this sweetness is quickly counterbalanced with the challenges and adventures they face.
This is a fun and very unique film, good for people of all ages. In ways, it's set in a society that seems closer to the U.S. of the 1950's - around the "beat" and the James Dean eras, when youth could be wild without police being called, and yet neighborhoods could leave front doors unlocked without fear and kids could even hitch-hike - an age of greater homogeneity when America had some cultural unity and - with exception of its black-white scar - was not afraid of itself.
I obtained this film, by the way, in VCD format (not the best, but adequate), I believe, from HKFlix. I couldn't find it anywhere in DVD format.
Maybe the one and only movie with a theme about Embroidery, that still can be considered "cool". Kyoko Fukada as cute Lolita-look Aficionado and Anna Tsuchia in a tough Biker-Gang Wardrobe make up a most strange, yet sympathetic pair of friends. Makes you laugh, makes you feel warm, yeah, even nostalgic. "Kamikaze Girls" is the archetypal essence of Manga-Culture come alive, pure J-Pop Fanservice in psychedelic, overbidding videoclip visuals (including one hysterical Anime story sequence), and one of those rare movies, where you don't ever want to see the credits. Also features a great entrance by my favorite Pin-up Idol Eiko Koike.
Simply absurd, imaginative, unreal. A naive Kyoko Fukada in Lolita shape, fan of embroidery and Rococò and its fabulous lacy dresses , meets a bad-to-the-bone female thug that will change her life. The story is the quintessence of pop culture's exaltation, a movie so coloured that makes Cutie Honey a faded charcoal, a demential opera as much as Excel Saga, a reflection on the true importance of friends and dears.
Kyoko Fukada's acting is perfect, she makes what she does better: an ingenuous little girl. Anna Tsuchiya is a very talented actress, can't wait to see her on the new Katsushito Ishii..
Kyoko Fukada's acting is perfect, she makes what she does better: an ingenuous little girl. Anna Tsuchiya is a very talented actress, can't wait to see her on the new Katsushito Ishii..
"Kamikaze Girls" is a Japanese film directed by Tetsuya Nakashima that follows the unlikely friendship between Momoko, a teenage girl with a passion for frilly Victorian-style clothing, and Ichigo, a rough-around-the-edges girl who rides a motorcycle and belongs to a biker gang. The film is a quirky and entertaining exploration of Japanese youth culture, and features strong performances from its two lead actresses.
One of the standout aspects of "Kamikaze Girls" is its unique and visually striking aesthetic. The film is a feast for the eyes, with elaborate costume design and a color palette that pops off the screen. Momoko's elaborate Victorian-style outfits are particularly memorable, and the contrast between her and Ichigo's more rough-and-tumble style adds to the film's visual appeal.
The film is also notable for its exploration of Japanese youth culture, particularly the subcultures of "Lolita" fashion and biker gangs. While the film is light-hearted and comedic in tone, it also touches on deeper themes of friendship, self-discovery, and the challenges of fitting in. The relationship between Momoko and Ichigo is at the heart of the film, and the two actresses have great chemistry, bringing a sense of warmth and authenticity to their characters.
Overall, "Kamikaze Girls" is a fun and entertaining film that is sure to appeal to fans of Japanese cinema and youth culture. Its unique aesthetic and strong performances make it a must-see for any film lover.
One of the standout aspects of "Kamikaze Girls" is its unique and visually striking aesthetic. The film is a feast for the eyes, with elaborate costume design and a color palette that pops off the screen. Momoko's elaborate Victorian-style outfits are particularly memorable, and the contrast between her and Ichigo's more rough-and-tumble style adds to the film's visual appeal.
The film is also notable for its exploration of Japanese youth culture, particularly the subcultures of "Lolita" fashion and biker gangs. While the film is light-hearted and comedic in tone, it also touches on deeper themes of friendship, self-discovery, and the challenges of fitting in. The relationship between Momoko and Ichigo is at the heart of the film, and the two actresses have great chemistry, bringing a sense of warmth and authenticity to their characters.
Overall, "Kamikaze Girls" is a fun and entertaining film that is sure to appeal to fans of Japanese cinema and youth culture. Its unique aesthetic and strong performances make it a must-see for any film lover.
A completely enchanting and engrossing comedy-drama about two 17 year old girls, vastly different from each other (one a self-absorbed dreamer with a love for Rococco period fashion and behavior; the other a rebellious biker chick), who become friends and change each other's lives. The film makes the most of this simple plot line, and it's the compelling personalities of the characters, beautifully overplayed by Kyoko Fukada and Anna Tsuchiya, respectively. The film is told through a color-saturated visualization and stylish direction by Tetsuya Nakashima, who adopts a manic style not unlike that of Jean-Pierre Jeunet in AMELIA or Tom Twyker in RUN LOLA RUN, with jump-cut flashbacks, bizarre cut-aways and edits; the effervescent vitality of Nakashima's direction coupled with the performances of the lead and supporting cast really make this film a fascinating and repeatedly watchable experience. Also of note is a terrific score, which varies from J-Pop to American hard rock and punk, to classical (one fight scene is set to Strauss' Blue Danube) and really sets the film's aural tone and pacing; Yoko Kanno (MEMORIES, ESCALFLOWNE, GHOST IN THE SHELL: STANDALONE COMPLEX, and Nakashima's previous SUMMER TALE) is responsible for the underscore and several of the songs.
Le saviez-vous
- Anecdotes"Himiko" is the name of Japan's first "historical" Empress. Himeko was reported in Chinese histories as the ruler of Japan during their Wei dynasty, dying in 248 AD. Being a woman ruler and priestess (as reported by the Chinese), she is something of a feminist icon in Japan. Also, like the Himiko in the film, she is believed by some to be mythical.
- Citations
Ichigo Shirayuri: Hey, Momoko. Women shouldn't cry in public.
Momoko Ryugasaki: But there's no one here.
- Crédits fousAt the end of the film, Momoko and Ichigo pose together in a photo booth.
- ConnexionsReferences Combat sans code d'honneur (1973)
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- How long is Kamikaze Girls?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 34 424 $US
- Week-end de sortie aux États-Unis et au Canada
- 2 795 $US
- 11 sept. 2005
- Montant brut mondial
- 5 290 748 $US
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By what name was Kamikaze Girls (2004) officially released in India in English?
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