Linda Linda Linda

Having just had a week filled with watching two Shakespearean tragedies, I was ready to be uplifted and found the perfect answer in Nobuhiro Yamashita's Linda Linda Linda. It is not only a feel-good movie, it is a feel-great movie that had the audience dancing in the aisles (figuratively, if not literally). Yamashita has managed to put together not only one of the best rock films but also one of the most truly honest films I have seen about what life is like for teenagers. It also has a very infectious song, Linda Linda Linda, arranged by former Smashing Pumpkin James Iha that will roll around forever inside your brain. The songs are not lip-synced but are actually performed by the talented actress musicians.

The plot is simple and can be summarized in a paragraph or two but the strength of the film is not in its story but in its quirky humor, natural conversations, great music, and the small moments that convey the roller coaster existence of high school life. Four girls attending Shibazaki High School in Japan want to compete at the annual Holly Rock Festival but things are not going their way. With less than three days before the competition, Moe (Shione Yukawa), the lead guitarist, has just broken two fingers in an accident and is unable to play. Two members, Kei (Yu Kashii) and Rinko (Takaya Mimura) have had a falling out over Rinko's attempt to recruit a boy to play in the bandand are not on speaking terms.

A patchwork solution is proposed where Kei decides to be the guitarist while Kyoko (Aki Maeda) moves to drums and Nozomi (Shiori Sekine) plays the bass. All that is left is to find a singer and a song, no small task. With days left to prepare, the girls agree to choose the first person who walks in the corridor in front of them. Since the first person was a boy, they decide to pass. They also pass on Rinko, a vocalist they used in a former band.

Since Rinko doesn't want to sing the song they've chosen, they pick the next girl walking by, a Korean exchange student named Son (Bae Du-na) who agrees to sing but without much knowledge of Japanese, rehearsals are a struggle to communicate. Calling themselves the Paran Maum, the girls have to sneak around the school and rehearse at night, often falling asleep on the floor. The pace of the film is slow and the girls face challenges but they are real life events, not "movie" problems. Kyoko is attracted to Kazuya (Katsuya Kobayashi) but needs to find the confidence to let him know. Kei must learn to work within the confines of a group and give up some control and Son has to become comfortable enough with the language to perform.

While the story may sound like a teenage soap opera, Linda Linda Linda stays away from cliché and the film is without contrived plot twists or dramatic confrontations with parents (who are mostly non-existent in the film). Along the way, however, there are some very endearing moments. One is Son's attempt to enter a karaoke club without buying a drink and her back and forth conversation with the attendant borders on the painfully hilarious.

Another great scene is when a young boy tries to communicate in broken Korean to Son that he loves her but there is more than a language barrier. The acting in Linda Linda Linda is uniformly excellent, especially the performance of Bae Du-na who moves from being shy and inarticulate to front and center stage and sweeps you away with her great smile. The ending of the film is so perfect that I dare not give it away except to say that the feeling the film leaves you with is one of pure and simple joy.

please ignore the other comment . this movie is simple and effective. i saw it during the festival du nouveau cinema in montreal. i just randomly picked it even if the synopsis didn't seem that interesting...

set in japan, its about 4 teenage girls who form a rock band so that they can play a song at their school festival. the characters are well developed. the images are reallllly nice.(a la jim jarmusch) its like a teen movie made for people who don't usually like teen movies. the pace is a bit slower than usual teen movies but its much more mature and still ends up being funny.

plus, the soundtrack, by james iha (ex-smashingpumpkins), is quite good

go see it. or rent it or whatever.

Those few people who commented this movie is 'boring' are missing the point entirely. Perhaps it is a matter of taste, what you are looking for in a movie. If you are looking for those quick pick-me-up rock'n roll flicks, with heroes/heroines get the girl/boy and fat recording contracts after performing jaw-dropping numbers, overcoming incredible odds, then perhaps this movie is not for you.

But pick you up in a bigger and more satisfying way this movie does. This movie is realistic in that it does not need artificial plot devices and major suspension of belief on the part of the audience. It just shows what ordinary teenage high school girls trying to put together a rock band in a few days for a festival would do in those precious few days of their lives. This is perhaps the last significant thing they will do before they head out to the real world (and maybe college).

Kudos to the director who sets the right pace for the scenes. In my opinion, Japanese movies in general have slower pace than necessary, but for this movie it was the right one and gives the audience the feeling that they really spent those few days with them. It is time well invested and gives the viewer a big payoff.

Of course Bae Doona absolutely steals all the scenes she is in. Not only she is an amazing talent, but these roles come naturally to her since she cut her tooth in a highly-acclaimed high school TV drama before taking on motion pictures. Look for her in the forthcoming 'The Host (2006)'(Korean title 'Gwoemul').

All in all, a very satisfying movie. And I just had to buy the Blue Hearts CDs. The songs just would not leave my head!

Although not quite on the same level as another coming of age Japanese teen musical Swing Girls (2004), Linda Linda Linda still has that kooky charm and punk rock vibe that makes it worthwhile checking it out.

Nothing major happens, no big love drama or major fall outs in this film or bullies trying to stop them, and that's refreshing to say the least. For me this probably has the beautiful Bae Doona;s best performance to date (I might slightly give the nod to A Girl At My Door but this film runs it close). She steals the film, as the kooky exchange Korean student turn front woman, to think she was 26 at the time of this film and a bit older then the other three female leads but she makes you believe she's a teenage girl.

The other three members of the band are very good, especially Aki Maeda (Battle Royale) as the drummer. But none come close to topping Bae Doona. The ending has a bittersweet feel to it, as some else mentioned in their review that it's the last significant thing that they probably do. With shots of empty corridors and grounds of the school, it's kind of eerie in a strange way. Also big up the music of the Blue Hearts, you end up humming Linda, Linda for weeks after hearing it.

I did have some problems with it. I did have some trouble with the pacing and I felt a few scenes could have been trimmed to make a tighter film. But overall it's nit picking as this film has it's heart in the right place, plus Bae Doona stealing the show. Well worth checking out.

I saw this film at the 2005 Toronto International Film Festival. Named for a song by legendary Japanese "punks" The Blue Hearts, this film tells the story of four girls who form a band for an end-of-year high school festival. They decide to play covers by The Blue Hearts, and although the film only covers a few frantic days of practice, the pace is sometimes glacial. I'm not sure that this is a bad thing, though it felt like the film wanted to go in two directions. On the one hand, it was a typically sentimental Japanese film about the passing of youth, and the director gives us a few shots of each of the girls smiling wistfully while gazing off in the distance. On the other hand, it's a film about a thrown-together-for-the-hell-of-it cover band, and it could have used a bit more of that kinetic attitude. That being said, it was hugely enjoyable (though probably a good 15 minutes too long), and Bae Doo Na, who plays the gawky Korean exchange student, literally steals the film. Her transformation from gawky outsider to sassy singer, though unrealistically quick, is endearing. And only in a Japanese film would someone get to sing the lyrics, "Like a rat, I want to be beautiful" and make it sound heartfelt.