The Deal

This film feels like a 70s TV series and is disposable. For example, take a look at the plane scene with Selma Blair and Christian Slater. Why, in this day and age, yes 2005 is still 'this day and age' use such an obvious fake airplane interior cabin? Little things like that annoy me and lose me because it's so avoidable.

Moving onto the story - I thought I must have been distracted, as we often are today, but looking at my cell phone, because I kept having to rewind to the beginning to figure out when and how this slop started. It just kind of 'starts'. There's no character development, and Slater's foiled 'hookups' have no depth or development behind them.

Director Harvey Kahn was completely deprived of any inspiration in bringing to screen this political thriller story, happening in the corridors of the big corporate companies dealing with dirty oil deals, in a close but probable future where the western world is immersed in a war with the Arab oil-rich countries.

Nothing can really save this production. The screenplay is routine and full of stereotypes, not batter in complexity than a mid-level TV movie. Acting of Christian Slater is fair, and Selma Blair getting full time screen is quite promising as an actress, but not enough to carry the film higher. Directing is mediocre, it keeps the conflict being obscure and confusing at the start, does not make anything happening on the screen more clear or more interesting later, and moves the camera in a neutral and dry manner.

Routine stuff, nobody would have been sorry if this film was not made.

It's rough to call something people worked on so hard for 'uneven' but there it is. The Deal is, simply put, about a 'deal'. It's a Wall Street thriller. And at the other end of the deal is oil. A planet in trouble where the carbon monoxide level is the highest it's been in three quarters of a million years, where 50,000,000 people are estimated to be on the run from climate catastrophes within four years, where the top twenty two median temperatures have been recorded in the past twenty six years, and so forth.

It's been done before and it will be done again until the dependence on fossil fuels is ended, until the electric car is allowed to proliferate, until the oil barons get their hands off the automobile industry, until things settle down in the middle east, and so forth.

Everyone does a fair job in this one except Angie. Sorry Angie, but for reasons that can't be exposed here but that will become apparent to viewers you just don't cut it.

The movie's uneven because its thrill factor is propelled through at least half way by withholding important facts about the plot. And at that point you just have to see everything turns out all right with the usual modicum of plot devices tossed in.

Slater stars in and co-executive produces this film, which means they got to use both his likeness and his money to try to help this film succeed, and it still flops. The movie is second-rate (or worse) in virtually every respect. With the exceptions of some of the names in the credits, this movie has almost no redeeming qualities, and of course the credits occur right at the beginning of the movie, so it's all down hill from there.

Loggia's a solid character actor, and Slater's decent playing the same character he always plays. Even though he's 36 now, he looks like he should be drinking a Shirley Temple during the bar scenes. Blair is a stone, and an anorexic-looking, awkward stone at that. She has no talent that I can detect, with a delivery that has all the depth and warmth of a petri dish. Think Keanu Reeves, only less attractive and with boobs. Very small boobs. She's also 32, not young enough to play the recent Harvard grad she's supposed to be. Angie Harmon is gorgeous, but unimpressive as an actor, and no one else in the movie gives any sort of memorable performance.

Blair's character's romance with Slater's is completely unbelievable, as there's no chemistry between them, so the audience is left thinking "What did I miss?" when the two of them suddenly start kissing for no apparent reason. Evidently the romantic music playing on the soundtrack while they sat in meetings with clients was supposed to demonstrate the build-up of their amorous feelings. It didn't.

The plot is the one thing this movie should have going for it, given the current state of gas prices and the war in Iraq, but it's such an obvious parallel and so close to home that it's too easy to dismiss, thereby undermining the entire premise of the film. Not that the poor writing, poor direction and poor acting do much to revive it, but this Deal should have died on the table.

"The Deal" is an entertaining, but flawed political thriller.

Christian Slater plays Tom, a man about to close a huge oil deal. But everything doesn't go as scheduled, because blackmail and murder go hand in hand on Wall Street. Christian Slater is very convincing in his role. Selma Blair looks bored. John Heard does nothing to advance the plot. Angie Harmon plays a Russian spy. Her accent is off the mark.

The movie tries to be different because the climax involves not gunfire (well, there's some) but talking. It doesn't really work. But overall, it's worth seeing for Slater's performance.

For more insanity, please check out: comeuppancereviews.com