Le poids du déshonneur

This is an all too common problem: someone somewhere convinces bona fide movie stars, in this case Meryl Streep and Liam Neeson, no less, to appear in a feature film that, without movie star names attached, would have ended up as made for TV. This is a weak script with bad, predictable dialogue - very disappointing with such a cast. With some reworking, it might have been a very powerful family story, perhaps never as compelling as Ordinary People, for instance, but better than it was.

The plot of Before And After is a good idea, but is ruined by the trite treatment given here. Liam Neeson (Ben) and Meryl Streep (Carolyn) turn in surprisingly weak acting jobs here. It gets boring real fast. Personally, I was annoyed by the obvious attempts to manipulate viewers into sympathizing with the Ryan family, for instance when Martha (Jacob's girlfriend) was portrayed as selfish and promiscuous, and when Martha's mother was shown as ugly, bitter and snipy in contrast with saintly Carolyn. The postcard device was also confusing and contrived, and the lawyer was too much of a stereotyped caricature. The only character I cared about was Judith (Jacob's sister), as an innocent victim of the rest of the family's panicked stupidity. Too much oversimplified moralizing, not enough character development. A timewaster.

The locations are pleasing to the eye, and Meryl Streep is effortlessly convincing as the mother. But Liam Neeson's performance doesn't ring true for a moment, Edward Furlong appears to be less shocked by the gruesome events than simply stoned, and the outcome of the plot is awkward and unconvincing. "Before and After" is basically a small-scale family melodrama that belongs on the TV screen; without these high-profile actors, I wonder if it would ever have gotten theatrical distribution. (**1/2)

'Before and After' is the kind of movie that you expect to be really fantastic. Great actors, good plot. It has huge potential. Unfortunately, the actual script seriously flaws this movie. There stand brilliant actors such as Liam Neeson, Meryl Streep, and Edward Furlong. But the actual words coming out of their mouths were often so silly, it makes you wonder how the same person who wrote 'The Silence of the Lambs' also wrote this screenplay. Overall, despite the script flaws, it has quite a good mystery, and besides the young daughter, a brilliant cast. It is worth a watch, if just for the main casts' beautiful performances.

In this film, a typical middle-class couple tries to cover up what they think is a homicide, after their son runs away without saying anything. Actors' work is consistent, but characters are so clichéd and annoying that it's hard to like them. Meryl Streep plays the good and naive mother, always in the shadow of her husband in a relationship that seems sexist and artificial. She is the portrait of the obedient housewife who does what the husband wants. I understand that the film is from the nineties, but even then there were other ideas about the role of women in the family. Liam Neeson is an impulsive and even violent father, whom its almost impossible to like, even though he shows that he likes his son and tries to protect him. Finally, Edward Furlong plays the teenager in revolt at who bad things happen, the idiot who dated a promiscuous girl who slept with anyone who appeared without pants in front of her. Ah, I almost forgot Alfred Molina, who played a lawyer who would be better off selling vacuum cleaners than in a courtroom. In short, it's a deep and engaging melodrama, but it makes the mistake of being totally predictable, like a TV movie.