NOTE IMDb
5,8/10
1,6 k
MA NOTE
Ajouter une intrigue dans votre langueA family's Passover gets screwy after the patriarch unknowingly ingests a hit of Ecstasy.A family's Passover gets screwy after the patriarch unknowingly ingests a hit of Ecstasy.A family's Passover gets screwy after the patriarch unknowingly ingests a hit of Ecstasy.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires au total
Kane Ritchotte
- Young Ethan
- (as Kane Richotte)
Avis à la une
With so many praising reviews, this must be fantastic movie. Right? Wrong. I have no clue why almost every reviewer rewards this movie with a 9/10 or 10/10. If this is one of the best movies you guys ever saw, then please go watch some real movies.
I expect to actually laugh or at least have some smiles when watching a comedy. About 40 minutes into the movie I realized I hadn't even smiled once. Where are the jokes? I have a very broad taste in humor and like both sophisticated and lame jokes, but I had a really hard time trying to find any jokes in 'Where do we eat'. Of course, after those 40 minutes I couldn't stand it any longer and switched it off, so maybe the last 50 minutes really explode from all the fun.
It didn't seem that the movie is really bad, it's just not funny. Pitch this as a family drama and it might be sort of acceptable. As a comedy, I can't rate it over 4/10.
I expect to actually laugh or at least have some smiles when watching a comedy. About 40 minutes into the movie I realized I hadn't even smiled once. Where are the jokes? I have a very broad taste in humor and like both sophisticated and lame jokes, but I had a really hard time trying to find any jokes in 'Where do we eat'. Of course, after those 40 minutes I couldn't stand it any longer and switched it off, so maybe the last 50 minutes really explode from all the fun.
It didn't seem that the movie is really bad, it's just not funny. Pitch this as a family drama and it might be sort of acceptable. As a comedy, I can't rate it over 4/10.
First movies are by definition hit and miss. They are usually self indulgent (often justifiably so) and either modest or insane. This movie is astonishingly none of those things. The movie is a mass-appeal charmer with some real touching moments blended in with the many physical comedy bits the movie uses to elicit laughs.
The laughs come easy and the viewer forgets the movie is a debut movie, filmed on a modest budget as opposed to a Hollywood blockbuster. The effects are effective, funny and just low-tech enough to fit the visionary elements of the movie. The cast demonstrates legitimacy and insight, even in performing characters that are comically extreme and yet more than on dimensional, led by memorable performances by Michael Lerner, Max Greenfield and the venerable Jack Klugman.
It's a charming movie about a Jewish experience but really, it is one that any family gathering has elements of and thus the movie is familiar to the viewer within the first minutes. The jokes are cute, accessible, funny and insulting only to the most oversensitive among the Jewish diaspora. The few Jewish in-jokes that non-Jews would wonder about are not particularly germane to the plot, but could be tightened up in the future.
You can't fake laughter. 700 saw this movie in its opening night gala world premiere at the Palm Beach Film Festival. I laughed, they laughed and hopefully, a star is born in the creative juices percolating in Salvador Litvak's head.
The laughs come easy and the viewer forgets the movie is a debut movie, filmed on a modest budget as opposed to a Hollywood blockbuster. The effects are effective, funny and just low-tech enough to fit the visionary elements of the movie. The cast demonstrates legitimacy and insight, even in performing characters that are comically extreme and yet more than on dimensional, led by memorable performances by Michael Lerner, Max Greenfield and the venerable Jack Klugman.
It's a charming movie about a Jewish experience but really, it is one that any family gathering has elements of and thus the movie is familiar to the viewer within the first minutes. The jokes are cute, accessible, funny and insulting only to the most oversensitive among the Jewish diaspora. The few Jewish in-jokes that non-Jews would wonder about are not particularly germane to the plot, but could be tightened up in the future.
You can't fake laughter. 700 saw this movie in its opening night gala world premiere at the Palm Beach Film Festival. I laughed, they laughed and hopefully, a star is born in the creative juices percolating in Salvador Litvak's head.
10llarusso
I saw this movie over the weekend at the Boston Film Festival and just loved it. It's a Seder supper that is going terribly wrong with the world's most dysfunctional family. But then it takes an unexpected turn and... well that's what makes this film so great. It's not just a run of the mill comedy. It's not predictable. It manages to surprise and delight you. Plus, it has some excellent visual effects. I laughed, I cried and in the end, found it truly heartwarming. Michael Lerner's performance brought me to tears. Lesley Ann Warren is fabulous. Jack Klugman as the crabby grandfather is excellent. Adored Shiri Appleby's performance also. I can't find anything bad to say about this film. I can't wait to see it again!!!
Along with Adam Goldberg's Shaft-parody, "The Hebrew Hammer," the marvelous indie "When Do We Eat" is one of the two finest contemporary comedies with Jewish themes -- a far cry from the traditional Jewish cinema pantheon of "Fiddler," "Crossing Delancy," "Yentl" and "The Chosen." Uproariously funny, sexy and occasionally profane, yes -- but it's also deeply affectionate as "When Do We Eat" pokes fun at the righteousness of the orthodox, Passover traditions, and maddening family members from stoners to sex workers and Moshe Dayan look-a-likes. The script is sharp, the acting terrific ("Quincy" alum Jack Klugman is a riot as the Holocaust-surviving grandfather), and the hallucinogenic production values - inspired by legendary Hagadah books - is brilliant. An antidote to anyone who laments the laundering of authentic Jewish content from ostensibly Jewish TV sit-coms and films. Bravo!
I thought this film was nicely done and very evident of how even the most dysfunctional of families can come together and forgive one another for past wrongs. The cast gave great performances and were very believable as a family in great need of forgiveness and spiritual guidance.
I don't think the film tried too hard to be funny; I thought that the film did a great job of getting the humor of the situation across in a lighthearted and warm way. Although I was confused by some parts of the script, the story was pretty easy to follow and intermittent flashback scenes added to the film's charm and the ending was very nice! I would recommend this film to anyone, Jewish or not. I highly enjoyed it!
I don't think the film tried too hard to be funny; I thought that the film did a great job of getting the humor of the situation across in a lighthearted and warm way. Although I was confused by some parts of the script, the story was pretty easy to follow and intermittent flashback scenes added to the film's charm and the ending was very nice! I would recommend this film to anyone, Jewish or not. I highly enjoyed it!
Le saviez-vous
- AnecdotesMichael B. Silver and Mark Ivanir where both in Royal Pains (2009-2016) playing Ken Keller and Dmitry Vasilyev respectively along with Mark Feuerstein and Paulo Costanzo
- Citations
Ira Stuckman: Pop, Kennedy killed the hat. Nobody wears them.
- ConnexionsReferences Le Magicien d'Oz (1939)
- Bandes originalesHoliday Blessing
Written by Svika Pik and Mark Adler
Performed by the When Do We Eat? Hallelujah Chorus
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Безумная семейка
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 431 513 $US
- Week-end de sortie aux États-Unis et au Canada
- 134 006 $US
- 9 avr. 2006
- Montant brut mondial
- 431 513 $US
- Durée1 heure 26 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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