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Rites of Passage

  • 1999
  • Not Rated
  • 1h 35min
NOTE IMDb
5,9/10
1,4 k
MA NOTE
James Remar, Dean Stockwell, and Jason Behr in Rites of Passage (1999)
CriminalitéDrameMystèreThriller

Ajouter une intrigue dans votre langueAn attorney decides to take a trip with his father to their isolated family cabin to talk things out but their ensuing family argument is suddenly interrupted by two escaped convicts.An attorney decides to take a trip with his father to their isolated family cabin to talk things out but their ensuing family argument is suddenly interrupted by two escaped convicts.An attorney decides to take a trip with his father to their isolated family cabin to talk things out but their ensuing family argument is suddenly interrupted by two escaped convicts.

  • Réalisation
    • Victor Salva
  • Scénario
    • Victor Salva
  • Casting principal
    • Jason Behr
    • Dean Stockwell
    • James Remar
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    1,4 k
    MA NOTE
    • Réalisation
      • Victor Salva
    • Scénario
      • Victor Salva
    • Casting principal
      • Jason Behr
      • Dean Stockwell
      • James Remar
    • 28avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire et 1 nomination au total

    Photos6

    Voir l'affiche
    Voir l'affiche
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    Rôles principaux18

    Modifier
    Jason Behr
    Jason Behr
    • Cambell Farraday
    Dean Stockwell
    Dean Stockwell
    • Del Farraday
    James Remar
    James Remar
    • Frank Dabbo
    Robert Glen Keith
    Robert Glen Keith
    • D.J. Farraday
    Jaimz Woolvett
    Jaimz Woolvett
    • Red Tenney
    Marianna Elliott
    Marianna Elliott
    • Trooper Macintosh
    Rondell Sheridan
    Rondell Sheridan
    • Trooper Dixon
    George Georgiadis
    George Georgiadis
    • Cabby
    Nancy Sawyer
    • Jaimie Cutter
    Joseph Foss
    • Clerk
    Brenda James
    Brenda James
    • Ginny Farley
    • (scènes coupées)
    Joseph Kell
    Joseph Kell
    • Gary Desoto
    Thomas G. Waites
    Thomas G. Waites
    • John Willio
    • (as Thomas Waites)
    Andreas Michael Lamelas
    • Young Cambell
    • (as Andreas Michaels)
    Kenny Cloutier
    • Young D.J.
    Andrew Cooper
    • Billy
    • (as Andy Cooper)
    John Heff
    • Auditor
    • (non crédité)
    Victor Salva
    Victor Salva
    • Piano Player at Hotel
    • (non crédité)
    • Réalisation
      • Victor Salva
    • Scénario
      • Victor Salva
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs28

    5,91.3K
    1
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    10

    Avis à la une

    jm10701

    Melodrama so heavy and so obvious it gives me a headache

    I have been spoiled by watching non-American movies. I used to say European movies, but movies from South America, some parts of Asia, and even Mexico are now as good as European movies. What movies from other countries often have that American movies almost never have is subtlety. Whether it's comedy, drama, suspense, sex, or any other genre, American movie makers assume American audiences have to be hit over the head with whatever they're watching or they won't get it.

    In this movie, for example, when Son catches Dad with Girlfriend in Hotel, then when Dad and Son catch Younger Gay Son in Cabin, EVERYBODY has to overact, so that the audience will be sure to get the point that bad stuff is happening. Why, oh why does Hollywood think we're stupid? Is it because we are? Maybe. In any case, this movie's drama is far too heavy-handed for me.

    In less than ten minutes, I already know everything there is to know about these three characters, and I'm willing to bet the "twists" other reviewers rave about are the same oh-so-predictable "twists" Hollywood has been delighting noise-deafened, brain-dulled audiences with since Witness for the Prosecution 60 years ago. I'd much rather have to take time and figure out for myself what's going on between characters than be hit so hard by the director and actors with such a heavy drama hammer that it leaves me reeling and nauseous.
    NJMoon

    Big Behr's Right Passage

    It's a pity that RITE OF PASSAGE is not more widely available and never received the praise it deserves. This is a complex film - an unusual mix of thriller and family drama. Queer cinema fans will like this one because of the matter of fact presentation of the sexuality of the leading character Cambell (intelligently played by Jason Behr.) Although this is Behr's film, he's in terrific company throughout, especially with veteran Dean Stockwell as his tough-as-nails dad. Watching these two come to terms (as well as Cam's brother), is the film's main dramatic thrust. The thriller elements are far from ignored, however. There are plot twists and turns a-plenty (only one of which seemed a bit contrived) and the story is a virtual roller-coaster of emotions. If you can get it on DVD, Behr and Salva provide an insightful commentary track and give you a glimpse of some more plot devices (and some super performances) left on the cutting room floor.
    onepotato2

    Situation Familiar...

    This movie draws you in then blows it providing plot complications of the "Oh come on!" variety. Someone as telegenic as Jason Behr would not need to write to a felon to find a shoulder to cry on. All he has to do is open his front door and select from the crowd waiting there to do him. Any one of them would put up with any amount of whining he needs to do.

    I was in a writing class once and we were asked to write a story called "The Father." That was the only requirement. 12 out of 13 people handed in a story that ended with a father-son hug and the exchange: "I love you son..." "I love you dad." Ugh! It's a scene that facile minds find endlessly satisfying but it's very, very lame. Perhaps this movie gets filmed over and over again because emerging gay teens require their generations hottie in the role of the gay son.

    I've never called my brother "Bro." Does anybody?
    8msecour

    Engaging thriller

    The theme is old by now: estrangement between a gay son and his father. However, this issue is only a part of a complex web of surprises that creates a very entertaining thriller. This is a beautiful film, not just about sexuality, but about relationships. My wife and I were captivated with the story, sitting on pins and needles waiting to see how it would end. Highly recommended.
    Kirpianuscus

    decent

    a family crisis. two strangers. the past as start point for intense confrontation. one of films who could be only a nice try for define the impact of difficulties to assume family values. and only a strange pressure saves the situation. it is one of films who propose characters more than a story. and the characters are only senders of words, accusation, victims of the circle of personal interests. each actor does a decent work and the effort of Victor Salva to give a coherent picture of fight,force of danger,the sentimental derive, confession and the expected verdict is OK. and the basic virtue is the reassembles with a Tchekov play. same need of truth, vulnerabilities, wrong options and the flavor of end. same game of words for protect fragile position. so, a decent drama.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      There was an additional scene, available on the DVD, called "Hello Mutha," and which included first Cambell and D.J. talking by the cabin fireplace which drinking beer, and then father Del comes in and they sing together, and Del praises both of them and kisses them on their heads, and then Del and finally D.J. go up to bed, leaving Cambell alone by the fire. Other than D.J. telling Cambell that "he liked Billy, and had no problem with him," the rest of the conversation is unclear, and no other character names seem to be discussed or acknowledged in the scene.
    • Citations

      Campbell Farraday: Billy's dead, he died a year ago. I guess he didn't fight it much or take is meds or something, because you can beat it now if you try - I just gotta think he didn't try.

    • Connexions
      References L'Étrange Créature du lac noir (1954)

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    FAQ

    • How long is Rites of Passage?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 27 octobre 1999 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • En helvetisk helg
    • Lieux de tournage
      • Big Bear Lake, Big Bear Valley, San Bernardino National Forest, Californie, États-Unis(cabin and woods scenes)
    • Sociétés de production
      • World International Network (WIN)
      • Daly-Harris Productions
      • Davis Entertainment Classics
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 35 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

    Contribuer à cette page

    Suggérer une modification ou ajouter du contenu manquant
    James Remar, Dean Stockwell, and Jason Behr in Rites of Passage (1999)
    Lacune principale
    By what name was Rites of Passage (1999) officially released in Canada in English?
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