Ajouter une intrigue dans votre langueFilmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8 film, answering machine messages, video diaries, early short films, a... Tout lireFilmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8 film, answering machine messages, video diaries, early short films, and more - culled from nineteen years of his life.Filmmaker Jonathan Caouette's documentary on growing up with his schizophrenic mother -- a mixture of snapshots, Super-8 film, answering machine messages, video diaries, early short films, and more - culled from nineteen years of his life.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 9 victoires et 13 nominations au total
- Self
- (as Bam-Bam)
- Self
- (as Girl in Student Film)
- Blue Velvet cast
- (as Kellie Brisbane)
- Blue Velvet cast
- (as Apocalypse Clown)
Avis à la une
Jonathan Caouette, its director, is now in his thirties; but it's like he had planned it all his life, like if he had known it would be a completed project all along. Here we see a lot of films inside of the big film, that Caouette put together to show who he is, what he does, how he feels and how the people who live around him act.
More than the rest, there is a focus on his mother, Renee LeBlanc, who suffers from schizophrenia and didn't live with him for a long time. She lives with him now and Jonathan lived with his grandparents for a lot of years, and he didn't know his father but he tried to find him; and he also lived with foster parents and he always knew he was gay.
This and more is seen in the images he put together in a program anyone with a Macintosh Apple- computer can use. I don't want to say much more because "Tarnation", although not great, is really magical and inspiring Magical because is like nothing you've ever seen before; inspiring because it shows and speaks of the creativity of the filmmaker. It will give to anyone who's thinking about doing cinema ideas about tons of things, unstoppably.
And "Tarnation" is also a film for any true cinema lover, because it contains references to a lot of names and important influential cinematographic figures. But influential for him, who, as he inspires us, shows us who inspired him One example that comes to mind is the fact that Caouette and a friend made a musical stage version of David Lynch's "Blue Velvet" when they were in high school.
He says it in the film's tag-line: "Your greatest creation is the life you lead", and he is right. So be encouraged, and if you feel that you should make a film out of every day you live, don't worry and write about it; or carry a camera with you through the day. This is the kind of message "Tarnation" wants to leave, cinematically.
Emotionally, it wants to show the truly difficult experiences of a genius who, somehow, had a whole movie in his head and wanted the world to know he's not afraid of showing these experiences with and in it Life is like that, you can't escape it; write that down.
What makes Caouette's documentary impressive is that you sometimes forget that he is the one creating the masterpiece. Since he is in front of the camera from a young age until thirty years later, it is easy for one to forget that he is creating these images for us. I think that is important for us to remember because he places every snapshot, every audio, and every snippet of video in the film to show a purpose. While we all can watch the film and derive our purpose or point about the film (which is what makes cinema amazing), I saw it as this very sad and vicious circle of life. Mother lives with parents, who are mentally unstable, she eventually is that way as well, which then slowly translates onto her son. It is a sad and destructive cycle that happens daily in America as well as around the world. It is a central focus to many of our films and media, the idea that if you grow up in an environment of chaos, you will eventually create that same chaos years later. It is a wild thought that can be visually seen in the film Tarnation.
Outside of the broad range of emotions that were surging through me while I watched this riveting piece of art, there were some elements that I just thought were bold, creative, and extremely stylish. I loved the use of words to tell the story. Normally, in these documentaries you are forced to listen to that calming voice telling you what is happening, what did happen, and what will happen next. In this film, Caouette uses the typed words to give us both that sensation of neutrality (and sometimes numbness) and to honestly focus our attention towards the images on screen. There are times when the voice-over technique can become overpowering, and you begin to focus yourself onto the words of the narrator, instead of the events unfolding on screen. With the typed words from Caouette, we focus on him, his mother, and the environment that is imploding around him.
Also, the music. One cannot talk about this film without mentioning the soundtrack to this film. You know those moments where you need to express yourself and the only way that works is by making a mixed CD? Well, this is Caouette's mixed CD. The music choice for the film seemed to come from his heart, from his passion spawned this music. Not only was I listening to some great songs for the first time, but this was just another avenue for me to understand Jonathan and the world in which he resides. The music really help set the mood and tone for the entire film. It helped build the tension and give us that raw human emotion that built the foundation to this movie. Jonathan's mother was the main character of this film, then I would say that the music was the co-star. This film would not have been as effective if it wasn't for the amazing sound choices.
Finally, I would like to say that Caouette has built a masterpiece here. He has taken a personal story and created more emotions and personality than most Hollywood big budget productions could have. It was real. This is something that Hollywood continues to strive for, but cannot quite reach it. Caouette has, and I wouldn't be surprised if he did it again. I think what I loved so much about this film is that it is another story about our world. I don't think we see enough real-life stories about our neighbors and friends, but instead are bombarded with superficial heroes that are paid more money than we will ever see and somehow always win the perfect girl at the end. Happiness is not always the ending to every story.
Overall, I was impressed. This was an outstanding film that deserves every bit of recognition that is handed to it. Caouette has created a masterpiece and is changing with this film the face of documentaries. I expect to see rip-offs of this popping up in the near future. He inspires those of us who want to create our own stories to do so, and is a pioneer of the struggling filmmaker. I suggest this film to all my friends and family, not just for the cinematic pleasure that is contained in it, but also because Caouette could be the modern day Warhol at least that is what I saw when I witnessed the power of this film. Wow.
Bravo Mr. Caouette, Bravo!!!
Grade: ***** out of *****
I shouldn't actually dismiss it outright, there were some good qualities to the film. It had a striking juxtaposition of visual images and sound; sometimes complimentary and sometimes contrasting. The use of split screen and other special effects did add interest, but the movie was ultimately personal in a bad way. Instead of drawing me more into the story it dwelt on personal issues and images way too long. Indulgent is the word I could use. He has every right to include every second he did, but he lost me along the way and I had the right to go to a film made for an audience. I was not offended by the homosexuality, but maybe if I were Gay I would have been a little more interested, or if I had come from as traumatic a childhood, or if the whole exposition had not relied on writing on the screen, or if...
Well, there are several things I could imagine that MIGHT have made me more interested in what should have been a compelling experimental documentary (the closest thing I can call it. But as it was, I sat there becoming more convinced I should have gone to see The Motorcycle Diaries, for which a trailer had played before this feature disappointing feature.
I am sure it will become a staple of gay film festivals and abnormal psychology classes, so you'll have a chance to see it again.
Gaël - Paris - France
my IMDb vote : 8/10
I don't really care though, because I really liked it. It just makes me mad when people can just trash such hard work. So what, the movie was upsetting, you didn't have to actually be put through it, why are you complaining.
In contrast I think the movie was very uplifting how it turned out. Although I can agree that its not something you would watch if you just want to be entertained, but its still worth watching and I can guaranty that if you see it with good expectations, you'll like it. It was an extremely interesting film and also very much original. I definitely recommend it to anyone that is interested in psychology. The movie itself is very well shot and has great sound and music. Again, I think most people will be happy they saw it and please disregard what others say (and what I say). See it and decide for yourself.
Le saviez-vous
- AnecdotesIt cost $218 to make but the budget rose to $400,000, once music and video clip royalties were included.
- Citations
Jonathan Caouette: Am I on? My name is Hilary Chapman Lauralou Gorea. This is like a testimony isn't it?
- ConnexionsEdited from Rosemary's Baby (1968)
- Bandes originalesIce-Pulse
Written and performed by The Cocteau Twins
Meilleurs choix
- How long is Tarnation?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Проклятие
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 220 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 592 014 $US
- Week-end de sortie aux États-Unis et au Canada
- 12 740 $US
- 10 oct. 2004
- Montant brut mondial
- 638 521 $US
- Durée1 heure 28 minutes
- Mixage
- Rapport de forme
- 1.37 : 1