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On the Beach

  • Téléfilm
  • 2000
  • 3h 15min
NOTE IMDb
6,9/10
4,5 k
MA NOTE
Armand Assante, Bryan Brown, and Rachel Ward in On the Beach (2000)
TragédieDrameScience-fiction

Ajouter une intrigue dans votre langueAfter a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.After a global nuclear war, the residents of Australia must come to terms with the fact that all life will be destroyed in a matter of months.

  • Réalisation
    • Russell Mulcahy
  • Scénario
    • Nevil Shute
    • John Paxton
    • David Williamson
  • Casting principal
    • Armand Assante
    • Rachel Ward
    • Bryan Brown
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    4,5 k
    MA NOTE
    • Réalisation
      • Russell Mulcahy
    • Scénario
      • Nevil Shute
      • John Paxton
      • David Williamson
    • Casting principal
      • Armand Assante
      • Rachel Ward
      • Bryan Brown
    • 109avis d'utilisateurs
    • 12avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 8 victoires et 7 nominations au total

    Photos45

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    Rôles principaux72

    Modifier
    Armand Assante
    Armand Assante
    • Cmdr. Dwight Towers
    Rachel Ward
    Rachel Ward
    • Moira Davidson
    Bryan Brown
    Bryan Brown
    • Dr. Julian Osborne
    Jacqueline McKenzie
    Jacqueline McKenzie
    • Mary Davidson Holmes
    Grant Bowler
    Grant Bowler
    • Lt. Peter Holmes
    Allison Webber
    • Jenny Holmes
    Tieghan Webber
    • Jenny Holmes
    Steve Bastoni
    Steve Bastoni
    • First Officer Neil Hirsch
    David Ross Paterson
    David Ross Paterson
    • Chief Wawrzeniak
    • (as David Paterson)
    Kevin Copeland
    • Sonarman Bobby Swain
    Todd MacDonald
    Todd MacDonald
    • Radioman Giles
    Joe Petruzzi
    Joe Petruzzi
    • Lt. Tony Garcia
    Craig Beamer
    • Crewman Reid
    Jonathan Oldham
    • Crewman Parsons
    Trent Huen
    • Crewman Samuel Huynh
    Donni Frizzell
    • Crewman Rossi
    Jonathan Stuart
    • Crewman Burns
    Sam Loy
    • Seaman Sulman
    • Réalisation
      • Russell Mulcahy
    • Scénario
      • Nevil Shute
      • John Paxton
      • David Williamson
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs109

    6,94.4K
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    Avis à la une

    MiKappler

    How I came to see this movie...

    DISCLAIMER: Text contains hints with regard to the ending of this movie. -----------------

    I came to this movie accidentally. I never read the book, nor did I knew that there was an earlier version of it.

    I was temporariliy working far away from home, when late one evening I zapped through my english tv channels and I saw something about a submarine. As I enjoyed the hunt for "Red October" and "Crimson Tide" a lot, and submarines are always of interest, I took a closer look - and found that what I saw was kind of boring. Too much relationship-blabla, too much "feelings" than I wanted to see at that time. (I am not that type of person who only watches Action-movies all the time, but what I saw really bored me at that time.)

    As the other channels did not offer too favourable alternatives, I had a look from time to time into that "submarine-movie", and I wondered about the combination of this feelings-and-relationship-stuff with a submarine ?!? Every time I stayed a little bit longer and I learned more about the background and the plot, with the nuclear disaster. However - part 1 ended, and, at that time, the movie was of enough interest that I looked out for part 2 in the tv magazine.

    I still had not too many details on the content of the movie when finally part 2 was on tv. I watched it from the beginning, and although there were some parts which really did not interest me too much (maybe because I never saw the complete developement of the characters), I could not resist to watch it to the end...

    But what kind of end is this ? An american movie without an happy ending ? Mankind all dead ? This was too realistic, and it was surprisingly detailed. Where in this famous "1984" movie they had to change the end for some audience, this movie ending was the direct opposite of it, and I was not prepared for it in some way.

    This was not the first time I was confronted with the nuclear theme and thinking about it, but I was unprepared for this direct, extreme and final ending that the movie had a kind of impact on me for almost a week. (And normally I am really not the type who is affected by movies that much!)

    While writing this, the movie is repeated on tv and I see once again people drinking final drinks or racing with ferraris into death. And once again, I have this terrible feeling that all of this is too realistic.

    Some people may be able to write about this movie only with regard to the performance of the actors, comparing with the book and the old version, or complaining about technical details. They may be right, but for me personally, this seems to be a kind of irrelevant compared to the content and the story of the movie. I consider that a bad movie could not have such an impact on the viewer, and I was glad to read that I am not the only one with this kind of experience.

    I agree with most other comments, that as many people as possible should have a better understanding of the effects of nuclear warfare, and if this movie can be effective to increase this understanding, it is a good movie. Maybe people should watch it like me, not knowing too much about the ending and not taking too much care about single characters. Movies like this you should not just watch, but you must also think about.

    Before switching now back to Cartoon Network, I am sending this little comment to IMDB and I start to wonder if I could mention this movie on my website...
    KarlMaldensNose

    Grimly competent

    One can't help but compare this to the 1959 version and it stands up pretty well. At least there are Aussies portraying Aussies. Heck, there's even Aussies portraying Americans, some sort of indication of how advanced the Australian film industry has come since those far off days of the original.

    I found this tv-movie more watchable than I first suspected it would be. Being Australian and made for tv I knew that there would be a very high romance factor to secure the female half of the viewing audience. And I was not disappointed in this presumption. Love interest was there in spades. True love in the form of the Holmes family, new love between Moira and Captain Towers the US sub commander, lost love between Moira and Professor Osborn (real-life married couple Rachel Ward and Brian Brown), and a more masculine love between Towers and his crew.

    The expedition to Alaska to investigate the mysterious message was handled well, as was each aspect in general. From the breakdown of society, to the pathos of seeing the portrayal of the end of humanity. All assisted by clear camera-work, excellent sets, competent acting (in the case of Armand Assante as Towers bordering on the very good) and a competent presentation of the "message" of nuclear doom.

    I note in some of the other comments here a technical question about nuclear warheads on the submarine. The most obvious goof I noticed in the movie was that there should have been no need for people to have resorted to horse and pedal power so soon. Australia being self-sufficient in crude oil and possessing refineries. This was probably not the case when Neville Shute wrote the novel in the '50's. That is just one of my own little observations.

    All in all a very watchable made for tv movie, even tho it be one that put a downer on the rest of my evening.
    marko-f

    Shocking. This movie lets you realise that the end of mankind is not unthinkable...

    What would I do when I was confronted with my certain death and the end of mankind? That question was getting more and more to me when I watched On The Beach. Very confronting and on the eve of a war in Iraq, not at all unthinkable.

    The plot is simple: War has broke out (in this case between the US and China, but it could be Iraq or North-Korea too...) and the US strikes with nuclear weapons. Australia gets spared initially, but its inhabitants face certain death as clouds of radio active fall-out nears. Within two months, no one human will be alive. Unless... There is a chance that some people close to the north pole survived. An American nuclear submarine that survived the war is boarded by an Aussie liaison officer and a cynical scientist, that used to date the sister-in-law of the officer, to search for possible survivors.

    Not much action, but for those who like to think while watching a movie, this film will stick to you. There are story lines that resemble soap opera's. That might be true on the surface, but it is completely different when you keep in mind that they all are going to die. You feel the difficulties in the way the characters choose to die.

    The movie is played well, directed well and has great photography. The director uses several filming techniques that are rarely used so that the viewer gets time to think about the situation and feel the dilemma of the character.

    Unless you cannot bear to be confronted with your own mortality, this is a must-see.
    8mstomaso

    Too real to be science fiction?

    Even writing the most basic mention of On the Beach's plot involves spoilers, so I've checked the spoiler radio button and will proceed to discuss the film with minimal reservation. I won't give away the ending, however.

    On the Beach is based on the mid-20th century novel of the same name by Neville Shute, and offers a more elaborate and engrossing treatment of its subject than the original classic film (1959) starring Gregory Peck, Ava Gardner and Fred Astaire. This Showtime original is an hour longer than its predecessor, and will likely bore some of the more impatient members of its audience. Unlike most contemporary sci-fi, this is no action film, but a sombre, depressing, examination of the self-destruction of the human race through nuclear war.

    Never over-the-top, alarmist, or politically biased, On the Beach simply presents the stark reality of its premise, and uses finely developed characters to give context, shape and meaning, to the experience. the cast is easily equal to its predecessor, with Armand Assante and Rachel Ward particularly illuminating their roles.

    Assante plays an American nuclear submarine commander who has outrun the nuclear fall out and managed to surface near Australia, as that continent prepares to experience the first effects of the radiation now permeating earth's atmosphere. All around, people are preparing to die. The most sought after commodity is a do-it-yourself family suicide kit. Immediately enlisted by the Australian government to carry out a top-secret mission to investigate an IP signal coming from Anchorage Alaska, Assante is assigned an Australian military liaison (Grant Bowler) and a scientist (Bryan Brown)and asked to turn his boat around in search of humanity's last hope. In his few days on land before this fateful journey, Assante befriends his liaison's family, developing a special affinity for his sister-in-law, the playful Rachel Ward.

    My plot summary takes us about 1/3rd of the way through the story, but sets up all the major elements of On the Beach.

    Why does this film work so well? The cinematography is good, but not excellent. The direction is excellent and the cast is exceptionally good. But more than anything else, On the Beach makes its point because the script and story are deeply humanized by the complex and bold characterizations. The characters have interesting back-stories and deal with their harrowing predicament in very different ways. You not only feel as if you know these people, but you like them and sympathize with them - even the more despicable characters.

    This is a great piece of classic science fiction, recommended to all, but those with a limited attention span should opt for the 1959 version instead.
    spacefan

    Two Words: Depressing and Haunting

    I found this movie depressing as hell. But I also found it haunting. I thought the acting and direction were really superb. And, by the way, I saw the original with Gregory Peck and Ava Gardner. If anyone thinks a remake can't approach the original in style and quality, you will change your mind when you see THIS remake. The other thought that you will mull over in your mind, as with the original, is how human beings could be so monumentally stupid as to allow this to happen. I came away from this movie with the same sensation I had after I saw the movie The Day After. Other than a few references to the nuclear war that got the cast of characters into this dilemma, the movie did not dwell on nuclear war--only the aftermath. The aftermath of such folly is what the movie DID dwell on and how a species, namely homo sapiens, become extinct. What stands out in this movie is HOW they die. Each character or couple ending their lives in their own way and on their own terms. This movie remake is a must see...

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Rachel Ward and Bryan Brown are husband and wife in real life. This marks their fourth on-screen collaboration.
    • Gaffes
      When they walk around in protective suits in Anchorage, their only concern is their limited air supply. Suits do not protect from gamma rays; they only stop getting yourself contaminated with radiation-emitting particles. Thus the time being exposed to radiation should be more critical than air supply.
    • Citations

      Cmdr. Dwight Towers: I carried warheads on my boat. That is correct. I was damn proud of it too. I served my country the best way I know how. And the only question I ask myself these days and I'm asking it every single millisecond now whatever the hell's left of what I've got, if where was I, where were you? Where were any of us? 'Cause I don't know what the hell two insane nations were doing facing each other down all those years. All that had to be done was that the brains, you know, the rational minds, the so-called best, you know all they had to do was just come, just come, come to the tables, negotiate, break a little bread. Do you know we had a combined arsenal of sixty-five thousand nuclear warheads. I have failed to find the logic in that. No logic.

    • Connexions
      Featured in The 58th Annual Golden Globe Awards 2001 (2001)
    • Bandes originales
      Into My Arms
      Written by Nick Cave

      Performed by Nick Cave & The Bad Seeds

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    Détails

    Modifier
    • Date de sortie
      • juin 2009 (France)
    • Pays d’origine
      • Australie
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • USS Charleston
    • Lieux de tournage
      • Sorrento, Victoria, Australie(Beach house and beach)
    • Sociétés de production
      • Coote Hayes Productions
      • Edwards/Sullivan Productions
      • Showtime Networks
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 10 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 3h 15min(195 min)
    • Couleur
      • Color
    • Mixage
      • Stereo
    • Rapport de forme
      • 1.85 : 1

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