Bab'Aziz: Le Prince Qui Contemplait Son Âme

Images are of a haunting beauty: the immensity of the desert, the rare trees, birds, rocks trying to make their life there, the sudden oasis with houses made of clay, the paradox of ghost houses surrounded by myriads of people, the mosque, unexpected and weird, like the church from Tarkovski's Stalker.

The music is great, and makes the movie a ballad: it is like the songs make the statement and images and dialog just emphasize. Of course songs are not translated, but give you the mood.

It is not easy at all to follow the story: it comes from a very different culture, with its own rhythms, its own poetry, its own logical connections. For us it is like floating in plain paradox.

For those who haven't seen it yet, think at the movies of Parajanov. It is not an easy movie, but if you overcome the difficulties, you'll get the incomparable beauty of the story.

There are moments that do not come often to us - we should be prepared for them. Encounter with love, with death. Death as the way to enter the great realm that we lost at birth.

And the granddaughter, learning this lesson of life on the way, along with us, who are watching the movie and follow her journey.

Great movie!

I came across this wonderful movie in a DVD shop in Basel and was attracted by the well designed DVD cover. I ordered the DVD from net and the Movie turned out one of the best movies I have ever seen where the visible indicates towards the even bigger invisible world.. and the outer images turn you joyfully inward. Sufism is a hidden mystic tradition and its secrets are well hidden. But in this movie if you are alert will be introduced to some of most beautiful dances and recitals. The music is uplifting and the photography simply beautiful.I congratulate the director of the movie for his courage and sense of beauty. In addition the movie is full of paraables and portrayal of desert which is ever so associated with Sufis. The temple in the sand and the Zikhr cereomony left me asking for more..

I saw this dazzling work of art at the Palm Springs film festival January 10 and it got my vote for best film of the week. It was as beautiful as it was touching and funny. Maryam Hamid gave a flawless performance as the charming and sweet Ishtar. Parviz Shaminkhou was superb as her determined and caring dervish grandfather. Blind but not sightless, he finds his way across the constantly changing terrain guided only by his heart, in search of that place he is meant to be. The hypnotizing music of Armand Amar was the perfect accompaniment to the stunning Tunisian landscape where each scene was more magnificent than the next; a dream within a dream. Do not miss this film.

This is more than a film. It is a cinematic teaching tale. It can function on the level of that sort of Sufi contemplation device in which direct experience--through contemplation of a parable--is more important than preaching and didacticism. It is designed with careful artistry so that it is comprehended by the faculty of consciousness mystics call "the heart" rather then by the intellect. The Sufi (and Islamic)traditional saying "Die before you die" has never been so well conveyed. The central figures of Baba and Ishtar embodied by the actors are compelling to the point of beauty, with enough mystery and paradox that you will never be able to put your finger on precisely why, and in what way, you have been moved. But many, many people will be: what ever faith they practice, and even if they do not have one. This film will leave you with the powerful sense that the realm of spirit is the greater reality. -- Joe Martin

As others have said, this movie can qualify as a "best movie of my life". The person that commented about the movie not focusing exclusively on the pure/ascetic aspects of Sufi has a valid point, but it is on purpose that this is the case.

I strongly recommend watching the other two movies of the "dessert trilogy" where the very same path towards illumination, is seen from the outside (first movie), then from the point of view of the one drawn into joining in (second movie) and with Bab'aziz comes the end of the cycle.

Behind the movie and the trilogy itself, the Director (Nacer Khemir) is of course the conduit that guides to the viewers the source of the light. To dedicate all your artistic career to a single trilogy over so many years, puts Mr. Khemir in the line of the Muslim craftsmen that adorned so beautifully the buildings we see throughout the movies... He succeeded in turning a medium (cinematography) mostly used by anti-traditional messages in a veritable page of a scripture. The movie is able to lead people to "search more" and provides them a valid direction as well.

Some of Nacer's interviews one can find on the net are worth watching too...