NOTE IMDb
4,9/10
13 k
MA NOTE
Sadie Blake, une jeune journaliste, se réveille brusquement à la morgue. Elle découvre alors qu'elle n'appartient désormais plus au monde des vivants, mais à celui des vampires.Sadie Blake, une jeune journaliste, se réveille brusquement à la morgue. Elle découvre alors qu'elle n'appartient désormais plus au monde des vivants, mais à celui des vampires.Sadie Blake, une jeune journaliste, se réveille brusquement à la morgue. Elle découvre alors qu'elle n'appartient désormais plus au monde des vivants, mais à celui des vampires.
- Réalisation
- Scénario
- Casting principal
Christina Ahn
- Beth
- (as Christina Stacey)
Avis à la une
It was a vampire flick with a lot of different views on vampires... Lucy Lui was obviously gorgeous in it. The acting was good. But what disappointed me so was the lack of story. Yeah there is a "back story" and a "revenge story" but no... "STORY". You know? They don't explain Sadie Blakes (Lucy Lui's character) job, they don't explain their new definition of vampire, the flash backs are randomly in and out so you don't know which side is up. Its a nice kick back film, but nothing to get excited about. I'm hoping there's a part two to explain all of that stuff... oh and the dude from the Shield, he did a very good job in his role. But again... no plot OR character development.
Despite its unwieldy, off-putting title, Rise: Blood Hunter (aka simply Rise) isn't as terribly cheesy and disgusting as I imagined it would be. A reporter (Lucy Liu) wakes up in a morgue's body drawer and discovers she's been changed into a blood-seeking, human-chomping immortal, or something, and rather than gleefully embrace her new self she decides to track down the evil bastards who put her in that condition, making her a sort of avenging angel for all those who have been similarly wronged.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
Sadie Blake (Liu) is a sexy, classy young lady who's just written a front-page story about teen goth clubs. One of her coworkers, the nerdy computer stereotype, tracks down a phone number that one of the teens handed to Sadie - turns out it's not a phone number but the first in a series of clues that leads to a website devoted to some weird bloodsucking cult. Sadie, of course, thinks the story's over and goes on a quickie vacation to Mexico with her sister, but when she returns, you guessed it, her coworker's dead. Sadie follows clues like a good little Nancy Drew and winds up getting kidnapped (several times) and killed (several times), all to figure out who or what's behind everything.
The story jumps around a lot, flouting the conventions of time as we know them; things simply don't happen in the exact order we'd expect them to, which clouds Sadie's motives and intentions quite a bit. Is she good? Is she even human? After all, once she's been attacked by the vampire people, she's not exactly the picture of health, and she's gotta eat to survive. Is her ultimate goal of revenge enough to offset the unpleasant facts? It helps that there's a typically hissable bad guy, Bishop (James D'Arcy). He's eternal, of course, and he kills and mutilates and rapes for the sheer joy of it. There are no moral or ethical quandaries with this guy. Plus he has an effete, brandy-swilling British accent, making all the more unctuous and slimy. (Well, he's slimy also because he's often covered in someone's blood.) Now, granted, this isn't a pleasant, sedate movie to watch. It's full of gore and guts, although not so much as, say, a movie like Saw or Hostel. It's still not for the weak of stomach. You might remember how, in Kill Bill, The Bride traveled all over to wipe out those who'd wronged her - but the film didn't show us this in the order in which each avenging occurred, did it? So you'd see Uma Thurman wander over to Viveca Fox's house not knowing if she'd already visited Lucy Liu. Well, you would know, of course, if you picked up on the subtle hints, and that's exactly how it is here. At one point, Sadie runs into alcoholic, world-weary cop-with-a-conscience-and-a-cause Clyde Rawlins (a fantastic Michael Chiklis) and mutters something about having seen him before. And if you watch the movie closely, you see exactly where. It's as if there are no coincidences in the movie, and I think that works in its favor.
Still, it IS just a revenge flick, albeit one with vampires and a kick-ass crossbow. Liu is very, very good - she's not the screaming, hands-in-the-air type of heroine, but she's also not the balls-out gut-stomping Lara Croft type, either. Remember, Lucy Liu is petite; she doesn't automatically have this intimidating screen presence, so she uses what she has and makes the most of it. In her case, I'd have to say it's her eyes, flashing terror or courage in.... well, in the blink of an eye.
So despite some predictability, the movie does work, thanks to Liu and the novelty of the disjointed sequencing. There are quite a few chills, and the plot doesn't stray too far from its main revenge thread, thus simplifying matters.
Just got home from the Tribeca Film Festival premiere of Rise, and it exceeded by expectations a bit. Gutierez was there to introduce the film, and he said something along the lines of 'This movie was shot in 30 days with very little budget, John Toll did a great job with the cinematography, and I give you permission to laugh at cheesy lines even if they're not meant to be funny.' The main reason I went to see the film was that I'm a huge Michael Chiklis fan, and if you enjoy his role in 'The Shield,' you'll love him here. Lucy Liu carries out her role well...I wouldn't normally picture her in this kind of movie, but she actually was convincing even when lines were a bit cheesy (this is a vampire movie!). Gutierrez did a very good job with music selection to help build suspense, there's some scenes in pretty industrial settings that had a lot of the audience hiding behind their fingers.
The movie is a bit bloody and gory, though it certainly could have been more intense, it is not for the faint of heart. Editing and cinematography were great - John Toll, who was cinematographer for Vanilla Sky, The Thin Red Line, and Braveheart - obviously knows what he's doing, and he really contributes to the mood of the film.
All in all, if you're looking for a good scare with some funny lines, this will certainly do the trick.
The movie is a bit bloody and gory, though it certainly could have been more intense, it is not for the faint of heart. Editing and cinematography were great - John Toll, who was cinematographer for Vanilla Sky, The Thin Red Line, and Braveheart - obviously knows what he's doing, and he really contributes to the mood of the film.
All in all, if you're looking for a good scare with some funny lines, this will certainly do the trick.
"Sadie Blake" (Lucy Liu) is a young reporter who has recently received praise for her investigative writing on the topic of weird happenings in the Los Angeles area. One day she happens to stumble upon a case that is more serious than anything she has ever handled before and she pays for it with her life. But then she reawakens on a morgue slab with a thirst for human blood and an intense desire to retaliate against those who put her there. The director (Sebastian Gutierrez) uses a number of flashbacks which, in this particular case, fits in rather well with the storyline. Along with that there is some nudity involved but it also tended to complement the film rather than detract from it. As far as the acting was concerned this was Lucy Liu's film to either make or break and in that regard she put in a decent performance all things considered. In short, I thought this was a good vampire movie and I have rated it accordingly.
I just saw this at the Tribeca Film Festival and I have to say that the movie wasn't all too bad. It was very formulaic and predictable, but still entertaining to a decent degree. It's take on vampires was slightly different, in that the vampires don't have fangs or have a weakness to sunlight, they just kill and drink blood. For a low budget movie that will probably go straight to DVD here in the US, it will be worth a rental - especially in that Lucy Liu bares her boobage in numerous scenes.
Carla Gugino is in the movie and sat a row in front of us at the screening in Chelsea. Holy schnikey's she has one smoking body... let's hope she sticks around as Amanda in Entourage for a few more episodes.
Carla Gugino is in the movie and sat a row in front of us at the screening in Chelsea. Holy schnikey's she has one smoking body... let's hope she sticks around as Amanda in Entourage for a few more episodes.
Le saviez-vous
- AnecdotesThis was Mako's last live action film. TMNT: les tortues ninja (2007) used recorded dialog Mako had performed making it a voiceover role.
- Gaffes(at around 43 mins) When the detective is first shown placing photographs on his wall, there's already a picture of Harrison's bloody wheelchair wheel at the top. However, that crime scene is not discovered until several minutes later.
- Citations
Sadie Blake: Death is different now
- Crédits fousThe persons portrayed in this motion picture are not intended to portray or represent any particular individual at LA Weekly.
- Versions alternativesThe film was released in two versions: an R-rated version running 98 minutes and an unrated (completely reedited) version running 122 minutes.
- Bandes originalesKeMo Thera-P
Written by Jonathan Hylander, Raymond Gurrola, Sean Johnson and Joseph Hylander
Performed by E>K>U>K
Published by JWCT Songs (BMI)
Courtesy of Pulse Recording
by arrangement with format
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Rise: Blood Hunter
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 114 306 $US
- Week-end de sortie aux États-Unis et au Canada
- 59 371 $US
- 3 juin 2007
- Montant brut mondial
- 2 850 927 $US
- Durée
- 1h 37min(97 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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