Les vampires du désert

I just picked up this film while perusing the horror section at my local video store. The box states "...sexiest vampire movie since 'The Lost Boys'!".

The only things those two films have in common is that they're both aimed for a teen audience, both seem to have a 'token female', and both are rife with homoerotic subtext.

This film is, without a doubt, a 'B' movie. It is most definitely not the best vampire film I've ever seen, and it's not even the best 'B' vampire film I've seen. But if you go into it expecting a 'B' movie, you'll enjoy it. It's even better if you make fun of it a little, ala Mystery Science Theater 3000.

It wasn't a film I would buy, or even rent again. But as something to throw in on a cold, rainy night when I had nothing better to do? Enjoyable.

SUMMARY: B-movie. Men under 30 who consider themselves outsiders will dig this road trip to Hell. Others, pick another film.

WHY I SAW IT: I'm too old for this film, but the young ladies in my local "Roswell" fan club wanted to see Brenden Fehr ("Roswell", "Final Destination") and Kerr Smith ("Dawson's Creek", "Final Destination"). WB fans, watch for the cameo by Sara Downing ("Courtney Banks" on "Roswell" and star of the upcoming TV series "Dead Last").

THE STORY: Ambitious, dutiful Sean is paid to drive a Mercedes sports car from L.A. to Miami. In this road movie, he encounters quirky characters in the deserts, canyons and plains of the Southwest. The pace picks up when he meets cynical slacker Nick and they rescue traumatized beauty Megan. The reluctant alliance of these mismatched people anchors the story as events go from disturbing to terrifying.

IDEA CONTENT: None of the common Hollywood refusal to recognize evil as writer/director J.S.Cardone pits ordinary guys against vampires who once were human cowards who "saved their lives" by becoming demons. Even more loathsome are the human criminals who serve the vampires and disguise their crimes as those of serial killers. News-junkies will be reminded of American and Russian politicians who pose as friends of the common people. With their organized-crime partners, they trash the economy and society while putting the blame on "selfish consumers" and "greedy businessmen". Those who know mythology will recognize the classic sequence of Ominous Foreshadowing, Leaving Home, Wilderness Journey, Crisis of Decision, the Mighty Action, and Personal Transformation.

ESTHETICS: Slightly-flawed, down-to-earth script skillfully alternates horror with humor, terror with sexiness. Well-chosen music. Several beautiful actresses.

DIRECTION: Downplays charisma in favor of realistic performances from well-cast actors.

EDITING: Muffled sound in one scene. Well-paced, well-cut action. The night chase by two carloads of vampires stands out.

WHY IT'S RATED "R": Four-letter words. Topless and nude starlets. Merciless bloody violence, not graphic enough for the splatterfans.

MY VOTE: For this subgenre and intended audience, 8 on a scale of 10.

You know, sometimes you'll see a B-movie horror flick where the story really grabs you and you think, man, if they just had a better budget, cast, effects, this really could have been something. Then in turn you'll see a movie with a decent cast, director and money to spend, but its obvious the script was written two days before shooting began.

I'm sorry to say that the Forsaken is more of the latter and less of the former. For us boys, there's plenty of explosions, car chases, the odd bit of nudity, but the plot is so wafer thin it falls to pieces at the first breeze.

As a 'popcorn' 'no-brainer' of a movie it's pleasant enough, the cast perform well with what little they've been given, but for me personally the ending felt like it had been 'tacked on' in a rush. That and the fact the whole thing feels like a marketing ploy to earn a sequel spoiled it for me really. Still if you're at a loose end and you like your horror flicks might be worth a watch for Johnathon Schaech (Star turn in my opinion) as the head vampire. Just don't get your expectations up.

The Forsaken opened here (the UK) yesterday with very little fanfare or publicity. Not being a big vampire movie fan, I went to see the film more out of curiosity than anything else. I was pleasantly surprised. The picture, written and directed by J S Cardone, attempts to drag the vampire film kicking and screaming into the twenty-first century. Of course, this in itself is nothing new. Over the past few years we have endured a number of films that mix the standard bloodsucking fare with the more modern way of life, so much so the collective movies have spawned their own sub-genre. Cardone's film stands out, though. More subtle than 'From Dusk Till Dawn' and a hell of a lot more convincing than last year's 'Dracula 2000', The Forsaken unfolds with a po-faced seriousness often lacking in the modern horror film. So much so that Cardone's film emerges as a dirty, dark, grubby little feature which mercifully eschews ironic, post-modern banter and throw-away comedy lines in favor of a sustained and bleak atmosphere. The film has many strong points. Despite both leading men coming from successful teen-oriantated television shows (Kerr Smith from 'Dawson's Creek' and Brendan Fehr from 'Roswell'), The Forsaken never feels like a teen horror movie. It is rough and unpolished, dark and mean.The cast are solid. Smith makes for a sympathetic hero and Fehr convinces as a man with a mission. Schaech steals the picture, though, as the head honcho. Looking a lot older than I suspect he actually is, complete with a grey wisp in his hair, Schaech wanders through the film with an air of quiet menace that serves the picture well. His jagged, sculptured face tells a thousand stories and he restrains himself from overplaying. One interesting fact about the movie is that, as far as I am aware, there are no shots of glaring fangs in the movie, no sharp teeth. The only 'vampirism' I can recall seeing were Schaech's elongated finger nails. Fresh.

Of course the film is not perfect. It is littered with sudden outbursts of loud, obnoxious songs obviously placed to market the soundtrack album. Which is a shame, because the score, when heard, is really rather good. Schaech is under-used, and the gimmick editing employed to signify his murderous rampaging is confusing and redundant. The film will not be to everyone's taste. Too off-the-beaten-track for mainstream audiences and not enough splatter for the gore-hounds, the film is left stuck somewhere in between. The film also contains a number of misjudged scenes that border on being needlessly nasty and vile. The killing of a state trooper is particularly grim. But these are minor gripes.

The Forsaken is a good film that, I suspect, will be loved or loathed by anyone who takes the time to watch it. I loved it.

I'm not a fan of Dawsons Creek, by that I mean I never got to see it but if I can ever watch it I will, but I have heard of Kerr Smith and it was the only reason I watched this movie. What I found, however was actually a really good and in parts scary, sexy, vampire movie. People say it's not original, I think it is. The vampire lore has been modernised (modernized) very well in certain tv shows, but Forsaken Desert Vampires really did scare me, and I felt something for the poor people who I felt were just like me in this horror nightmare being chased by vampires. If you dont like great acting, scary scenes, drama or great music than don't watch this movie, cause it has it all. Plus it has Kerr in a singlet and cars, what else do you need?? I was 17 when I first saw it, and think it's great for people in and around that age bracket.