Ne le dis à personne

Excellent film. I'd never heard of the book it's based on. The movie does have the kind of complex characters that are more associated with novels than with cinema.

It's Hitchcockian to some extent - its premise is a classic "wrong-man" scenario, with suspense, humour and chase sequences. But the de rigeur romantic element here is, for the most part, tinged with a strange melancholy , and it's this that gives the film such an unusual atmosphere.

Leading man François Cluzet is probably weary of being compared to Dustin Hoffman, but the fact is there is more than a passing resemblance. Nevertheless, Cluzet is very much his own man, and is as good, if not better, than the Hoffman of, say, 'Marathon Man', which inevitably comes to mind as one watches Cluzet taking to his heels in the breathless, breathtaking chase sequence.

Although Cluzet carries the movie, the rest of the cast, which contains a number of very distinguished French actors, is first-rate.

The plot is full of twists and turns, and the story-telling full of time-jumps, so you really need to concentrate. I'll need to get the DVD to check I understood it right.

All in all, it's an excellent edge-of-your-seat thriller: a splendid, somewhat scary, night out at the movies.

A very good second film for this young director, and in a genre which is not always a "day at the beach" for french directors... I'm not talking about directors like Melville or others of that generation, but for some of Canet's generation which prefer too easily to use sophisticated special effects and endless fights to fill up their scenes. Canet always stays close, very close to his characters and their feelings, and his storyline/plot and gives the audience an excellent humanistic suspense…

The film exists by itself, and doesn't need to be compared to the novel (that I read and liked), because it's transposed in another culture, with different rhythms, variations in the original characters

**** SPOILERS*****

(thanks Mr. Canet for making the psychopath "fingers" killer … a woman ! . Good idea !. And François Berleand, as a police inspector who has a little obsessive-compulsive disorder, and giving yourself the most disgusting part). Excellent choices that add subtle details to the french version.

Two hours of good cinema, good directing of actors, and needless to say that François Cluzet is a great great actor (Gee, brought me to tears at the end, very moving last scene BTW).

An excellent adaptation, well directed, not pretentious ! Canet gets his degree. Congratulations !

This movie is extremely engaging, well-acted, detailed, moving, thrilling, exciting and satisfying to watch. The stakes get higher and higher as the plot unfolds. What is so unexpected is the many facets the film has, it's not told on one-level there is a mixture of comedy and tragedy that is totally charming and believable. There is a great sense of involvement that gets the viewer attached to the characters and the unique situation that presents itself. It's a total roller- coaster of a movie that has you on the edge of your seat. An extraordinary story that is interestingly told. I've never felt the desire to write a comment on a movie before so the fact that I've taken the time to do it says a lot about the power of it's content. I really recommend this film, it takes you on a journey that divulges secrets beautifully as the story unravels. I left the film crying with a mixture of joy and sadness.

The pediatrician Alexandre Beck (François Cluzet) misses his beloved wife Margot Beck (Marie-Josée Croze), who was brutally murdered eight years ago when he was the prime suspect. When two bodies are found near where the corpse of Margot was dumped, the police reopen the case and Alex becomes suspect again. The mystery increases when Alex receives an e-mail showing Margot older and alive.

I am a big fan of French cinema, but "Ne le Dis à Personne" is an awesome thriller and superseded my expectations. The story and the characters are well-developed and there are simply no flaws in the complex plot, with all the situations being perfectly explained. The cast is fantastic, giving credibility to their characters. Only now I have seen the number of awards and nominations of this great film. Congratulations, the people that made this film really deserve them. My vote is nine.

Title (Brazil): "Não Conte a Ninguém" ("Do not Tell Anybody")

Note: On 09 Oct 2021, I saw this film again.

This French adaptation of Harlan Coben's convoluted thriller is doomed, by its language, to be overlooked by the majority of English-speaking moviegoers which is a huge shame, because it is a very stylish film that deserves a wider audience. It's strange that an American book has been made by the French, especially one with such obvious commercial potential, but had Hollywood bought the rights, I can't help thinking it would have produced something altogether different. Just watch that long chase scene midway through the film and listen to the soundtrack, distinctly downbeat in comparison to the type of music most American films would use, it nevertheless ratchets up the tension just as well. And there is a mutual moment of revelation for both us and the beleaguered Doctor Alexandre Beck (Francois Cluzet) played to U2's 'With or Without You' which sent a small shiver racing down my spine.

I read Coben's book a couple of year's ago, and I'm not sure whether it's a good thing or not. While prior knowledge of the plot undoubtedly helps you to keep track of what's going on up on the screen – and even then I was struggling at times – the impact of the stories twists are inevitably blunted. As far as I can recall, the film stays fairly loyal to the book, although I'm pretty sure the creepy female assassin changed sex somewhere during the transition from page to screen.

Francois Cluzot, who initially looks too old for the part, quickly grows into the part of a doctor who begins receiving emails from the wife whose murder he has been suspected of for 8 years. Cluzot looks a little like a darker, more rugged Dustin Hoffmann and copes well with the range of emotions he is asked to portray. Canet's direction is solid, and wisely avoids any posturing or flashiness in telling what is essentially a what-you-see-is-what-you-get type of thriller, and only in the final half-hour, before a sit-down-and-let-me-tell-you-what-happened finale, do things begin to drag a little, although this is perhaps forgivable considering the dizzying pace at which the story has been told until then.