Avis Metacritic

Spicing up the entire package is a screenplay by Canet and Philippe Lefebvre that bristles with wit and energy.

It’s Cluzet’s intense performance that makes this genre piece a heart-wrenching experience.

Crisply and competently filmed, Tell No One is an intriguing sample of new-school French cinema at the more commercial end of the spectrum.

Beautifully written and acted, Tell No One is a labyrinth in which to get deliriously lost.

Thrillers aren't always so thrilling, but Tell No One is -- and absorbing, sometimes perplexing and often stirring as well.

Tell No One is a French variation on "The Fugitive," but it's a more subtle, discreet animal.

Among the movie's many delights are the fluctuating rhythms of its pacing, an atmospheric volatility that sets off the doctor's blooming paranoia against his sunlit, leafy surroundings, and a terrific cast that includes Kristin Scott Thomas.

It's difficult to enjoy a thriller in which the big reveal is such a clunker, but if there's an exception to that rule, Tell No One might be it.

Canet and Lefevre pruned subplots and fixed the novel's ending -- it's now merely preposterous rather than patently absurd – but it's the cast that makes the genre clichés feel vivid and even fresh.

Though almost laughably intricate in its plotting, this thoroughly Gallic adaptation of Harlan Coben's novel reps an entertaining sophomore outing for thesp-turned-director Guillaume Canet.