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La terre qui pleure

Titre original : Trilogia: To livadi pou dakryzei
  • 2004
  • Tous publics
  • 2h 50min
NOTE IMDb
7,8/10
5,6 k
MA NOTE
La terre qui pleure (2004)
DrameL'histoireRomance

Après l'entrée de l'Armée rouge dans Odessa, les réfugiés grecs rentrent chez eux. L'histoire d'amour entre Alexis et Eleni, qui ont grandi ensemble, commence.Après l'entrée de l'Armée rouge dans Odessa, les réfugiés grecs rentrent chez eux. L'histoire d'amour entre Alexis et Eleni, qui ont grandi ensemble, commence.Après l'entrée de l'Armée rouge dans Odessa, les réfugiés grecs rentrent chez eux. L'histoire d'amour entre Alexis et Eleni, qui ont grandi ensemble, commence.

  • Réalisation
    • Theodoros Angelopoulos
  • Scénario
    • Theodoros Angelopoulos
    • Tonino Guerra
    • Petros Markaris
  • Casting principal
    • Alexandra Aidini
    • Nikos Poursanidis
    • Giorgos Armenis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    5,6 k
    MA NOTE
    • Réalisation
      • Theodoros Angelopoulos
    • Scénario
      • Theodoros Angelopoulos
      • Tonino Guerra
      • Petros Markaris
    • Casting principal
      • Alexandra Aidini
      • Nikos Poursanidis
      • Giorgos Armenis
    • 34avis d'utilisateurs
    • 18avis des critiques
    • 73Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 6 nominations au total

    Photos44

    Voir l'affiche
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    + 40
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    Rôles principaux74

    Modifier
    Alexandra Aidini
    Alexandra Aidini
    • Eleni
    Nikos Poursanidis
    Nikos Poursanidis
    • Alexis
    Giorgos Armenis
    Giorgos Armenis
    • Nikos
    Vasilis Kolovos
    Vasilis Kolovos
    • Spyros
    Eva Kotamanidou
    Eva Kotamanidou
    • Kassandra
    Toula Stathopoulou
    Toula Stathopoulou
    • Woman in the Coffee House
    Thalia Argyriou
    Thalia Argyriou
    • Danai
    Smaro Gaitanidou
    Smaro Gaitanidou
    Mihalis Giannatos
    Mihalis Giannatos
    • Zisis
    Grigoris Evangelatos
    Grigoris Evangelatos
    • Teacher
    Aliki Kamineli
    Aliki Kamineli
    Andromahi Hrysomalli
    Andromahi Hrysomalli
    Alex Moukanos
    Alex Moukanos
    • Nondas
    Thodoros Teknetzidis
    Thodoros Teknetzidis
    Dimitris Kolovos
    Dimitris Kolovos
    Foulis Boudouroglou
    Foulis Boudouroglou
    Theofilos Alexopoulos
    Than. Alexopoulos
    • Réalisation
      • Theodoros Angelopoulos
    • Scénario
      • Theodoros Angelopoulos
      • Tonino Guerra
      • Petros Markaris
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs34

    7,85.5K
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    Avis à la une

    10nefelagertis

    History concepted in a Tragic way

    Angelopoulos again makes the most of an intellectual way of cinema, which is though full of poetry and with the stain of compassion. History and human relationships are emphasized through the symbolic order of ancient Greek tragedy and that is what makes the film have a more "heavy" character, which makes it a little harder to follow than a usual Hollywood production- do not misjudge me, I love it too. As long as it concerns the scenario the modern history of Greece becomes only the environment in which the man wrecks along with his fate. Angelopoulos recons the mechanizations of History upon man and tries to make a clear statement upon it. The film itself is the most mature of the Greek director and has all his personal characteristics bound together in an excellent work!
    9bluesantorini

    Well thought out devotional movie!

    What a spectacular film. If you don't have a good 162min free of your time, then make it a priority to change it. This movie was full of sensational scenery and the director had taken a photographer's approach in catching the atmosphere at hand. Coming from a Greek background and taking my 65 year old father to see this film, as he was resorted to tears, I came to realise that this is not just a fictional film, but that reality was close to home and to the heart for many Greek refugees who were forced to flee their country. It was full of nostalgia, music (inspiration by each instrument) and dedicated actors (Eleni as a mother, weeping from the loss of her children). The only thing I didn't like, was that the film was too long to fit on a tape and the movie was interrupted when the tape ran out, half way through. A 5min interval was then in place, as which many lost their passion and thought the movie was finished. However, once again, this movie made me so emotional, and gave me lots of empathy to humanity. It is so unfortunate that we were only shown the film as a "ONE OFF" in Australia at the world film festival. (both sessions sold out before time) Well done Angelopoulos!! Can't wait till it hits our shores, so it can be bought on DVD (that's if it ever gets here). I recommend it, go on, I dare you too to!
    8lastliberal

    Our feeble democracy committed suicide.

    Anytime you sit down to a historical piece, especially a part of a trilogy, you must be prepared for an investment of time. In this case, it is 3 hours more or less, depending on the version.

    The period that the first part of the Trilogy covers is 1919 -1949. Theodoros Angelopoulos presents 30 years of Greek history beginning with the return of the exiles from Odessa after WWI to the rise of the Colonels.

    Eleni, who witnesses the history, is played by an unknown, Alexandra Aidini. He does not use her in the second film.

    She is to marry Spyros (Vassilis Kolovos), but loves his son Alexis (Nikos Poursadinis), She runs off with him. They had two children that were taken and given to a rich woman. They managed to get them back after the village flooded. Alexis heads to America, while Eleni loses the children again after she is imprisoned. The war takes a toll on the family. There is much weeping among the women and those who didn't wear black, did so now.

    But, the film is really not about the characters. It is about Greece, and the pain she has endured in this century.

    It is a dark and dreary film with plenty of rain and cloudy skies. It is not meant to be joyful as the period is not joyful, as we watch dreams shattered, and people surviving, but just barely.

    With music by Eleni Karaindrou and cinematography by Andreas Sinanos, you are not bored by the lack of dialog. In fact, you are left to enjoy and experience the time and the film.

    Those who enjoy Bergman, Fellini, Kurosawa, and other great masters, will certainly enjoy Theodoros Angelopoulos. I hope he finished this trilogy, as he will be almost 80 when he does.
    8kourdos

    amazing, interactive, fulfilling

    I had watched years ago some older films of Aggelopoulos and i was expecting a slow movie, with minimal dialogues, many symbolisms, weak plot and superb photography. I got exactly what i expected and something more: i left the theatre with an extreme satisfaction.

    The film: Greece roughly between 1920 and 1950 (but it is so current and contemporary because it deals with global, recurring themes). The life of the nation through events: national catastrophes, refugees, social and political unrest, world and civil wars. The life of the person through emotions: love, lust, pride, hope, love, desperation, ambition, love, death. And many symbolisms and extremely powerful and beautiful scenes with references from ancient myths to current international affairs. And rain, lots of rain :-) The plot and the development of the characters may appear weak. We are used to ready meals from the business of cinema, which overwhelm us with fast dialogues, "strong" performances and "exciting" situations. And that's fine. But cinema and people need also the approach of Aggelopoulos, we need some space and time, to reflect and realise our existence. "To Livadi pou dakryzei" gives more freedom and time to the viewer to participate with his feelings and memories and thoughts. That's exactly interactive art.

    These are some of my interpretations of some scenes: village flooding (Climate Change and the forces of Nature), immigration/separation (departure of my girlfriend), mother crying over her soldier sons dead bodies (this is a real war scene, not the computer games style). You will identify with other scenes (everyone has an opinion, right ?) and you will feel alive.

    I am grateful to Aggelopoulos for giving me the chance to look inside myself, remember, sigh, think.
    10nikkd

    My first film at TIFF

    I viewed this movie at the TIFF in 2004. It was the first film I ever seen their and I have been going back every year since, hoping to see something that was as moving. By far one of the greatest films I have ever viewed. The cinematography, the acting, the script all worked hand in hand. At times when the dialogue was silent you were still captivated by what was being shown on the screen.

    The movie is long, but I did not lose interest once. I was lucky enough to meet Mr. Angelopoulos at the premier of his film and believe me for a movie buff like me it was a great honor even thought I did not realize it at the time. I believe that this film should be on every bodies must watch list if you are looking for a movie that is deep.

    I have since viewed a lot of movies and have yet to fond anything that I believe is as important.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      One of the key influences in the film being made was the death of Theodoros Angelopoulos's mother in 1998. Her life had spanned virtually the entire century so he wanted to make a film that did the same.
    • Connexions
      Followed by La poussière du temps (2008)
    • Bandes originales
      Eimai erotevmenos me ta matia sou
      Lyrics by Kostas Kofiniotis

      Composed by Yiannis Vellas

    Meilleurs choix

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    FAQ

    • How long is Trilogy: The Weeping Meadow?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 14 juillet 2004 (France)
    • Pays d’origine
      • Grèce
      • France
      • Italie
      • Allemagne
    • Langue
      • Grec
    • Aussi connu sous le nom de
      • Eleni
    • Lieux de tournage
      • Thessalonique, Grèce
    • Sociétés de production
      • Theo Angelopoulos Films
      • Greek Film Centre (GFC)
      • Hellenic Broadcasting Corporation (ERT)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 24 966 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 6 015 $US
      • 18 sept. 2005
    • Montant brut mondial
      • 64 424 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 50 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
    • Rapport de forme
      • 1.66 : 1

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