[go: up one dir, main page]

    Calendrier de sortiesLes 250 meilleurs filmsLes films les plus populairesRechercher des films par genreMeilleur box officeHoraires et billetsActualités du cinémaPleins feux sur le cinéma indien
    Ce qui est diffusé à la télévision et en streamingLes 250 meilleures sériesÉmissions de télévision les plus populairesParcourir les séries TV par genreActualités télévisées
    Que regarderLes dernières bandes-annoncesProgrammes IMDb OriginalChoix d’IMDbCoup de projecteur sur IMDbGuide de divertissement pour la famillePodcasts IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthSTARmeter AwardsAwards CentralFestivalsTous les événements
    Né aujourd'huiLes célébrités les plus populairesActualités des célébrités
    Centre d'aideZone des contributeursSondages
Pour les professionnels de l'industrie
  • Langue
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Liste de favoris
Se connecter
  • Entièrement prise en charge
  • English (United States)
    Partiellement prise en charge
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Utiliser l'appli
  • Distribution et équipe technique
  • Avis des utilisateurs
  • Anecdotes
IMDbPro

Reconstitution

Titre original : Anaparastasi
  • 1970
  • 1h 50min
NOTE IMDb
7,3/10
1,6 k
MA NOTE
Reconstitution (1970)
CrimeDrama

Dans un village de l'Épire, une femme assassine son mari, tout juste de retour d'Allemagne où il était parti travailler, avec l'aide de son amant. Juge, policiers, journalistes tentent de re... Tout lireDans un village de l'Épire, une femme assassine son mari, tout juste de retour d'Allemagne où il était parti travailler, avec l'aide de son amant. Juge, policiers, journalistes tentent de reconstituer un fait-divers qui leur échappeDans un village de l'Épire, une femme assassine son mari, tout juste de retour d'Allemagne où il était parti travailler, avec l'aide de son amant. Juge, policiers, journalistes tentent de reconstituer un fait-divers qui leur échappe

  • Réalisation
    • Theodoros Angelopoulos
  • Scénario
    • Theodoros Angelopoulos
    • Stratis Karras
    • Thanassis Valtinos
  • Casting principal
    • Toula Stathopoulou
    • Yannis Totsikas
    • Thanos Grammenos
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,3/10
    1,6 k
    MA NOTE
    • Réalisation
      • Theodoros Angelopoulos
    • Scénario
      • Theodoros Angelopoulos
      • Stratis Karras
      • Thanassis Valtinos
    • Casting principal
      • Toula Stathopoulou
      • Yannis Totsikas
      • Thanos Grammenos
    • 5avis d'utilisateurs
    • 10avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 6 victoires et 1 nomination au total

    Photos18

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
    + 12
    Voir l'affiche

    Rôles principaux18

    Modifier
    Toula Stathopoulou
    Toula Stathopoulou
    • Eleni
    Yannis Totsikas
    Yannis Totsikas
    • Hristos Gikas
    Thanos Grammenos
    Thanos Grammenos
    • Eleni's Brother
    Petros Hoedas
    Petros Hoedas
    • Prosecutor
    Mihalis Fotopoulos
    • Kostas Gousis
    Yannis Balaskas
    • Police Officer
    Nikos Alevras
    Nikos Alevras
    • Prosecutor's Assistant
    Alekos Alexiou
    • Police Inspector
    Mersoula Kapsali
    • Eleni's Sister in-law
    Telis Samandas
    Telis Samandas
    • Journalist
    Panos Papadopoulos
    • Journalist
    Tonis Lykouresis
    Tonis Lykouresis
    • Journalist
    • (as Ton. Lykouresis)
    Fokas Kapsalis
    St. Vasdekis
    Th. Vasdekis
    Theodoros Angelopoulos
    Theodoros Angelopoulos
    • Journalist
    • (non crédité)
    Giorgos Arvanitis
    Giorgos Arvanitis
      Hristos Paligiannopoulos
      • Journalist
      • (non crédité)
      • Réalisation
        • Theodoros Angelopoulos
      • Scénario
        • Theodoros Angelopoulos
        • Stratis Karras
        • Thanassis Valtinos
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs5

      7,31.5K
      1
      2
      3
      4
      5
      6
      7
      8
      9
      10

      Avis à la une

      6deickos

      Formalism

      At first sight the film looks OK; everything is neat and the half-documentary style suits well Angelopoulos and appears to serve its purpose... I don't feel very comfortable with formalists though, honestly I don't trust them very much. For me formalism is a way of lying. When you don't have much to say, you resort to formalism - that is my idea for films and for life itself. Or, you deliberately aim to cover your tracks - but what would Angelopoulos want to hide in this particular film? Well, he seems to have a good deal of contempt for erotic passion, just to mention one.
      7runamokprods

      Amazing looking, elegiac tale of murder and loss

      While far from my favorite film by the great Greek film-maker Theo Angelopoulos, it is exquisitely shot in gorgeous, stark black and white, and very impressive as a first feature.

      I also find (as with other of his films) I get more out of it on each viewing. This exploration of the nature of truth revolving around the murder of a husband by his wife and her lover in a tiny Greek hamlet, and the subsequent investigation by the police and the press is emotionally reserved to the point of disconnection at times. And the time-shifting style – which I often love – on first viewing left me confused and frustrated more than enlightened. But once I was prepared for its fragmented approach, I found its sometime confusing density powerful.

      I also realized how fully this is more than just a noir murder tale. It's a tale of the death of a way of life as well, as the rural towns of Greece were abandoned for money and hope in the big cities and abroad.
      5jrd_73

      Noir stripped of all glamor

      The plot of Theo Angelopoulos' Reconstruction resembles The Postman Always Rings Twice. A woman and her lover murder her husband and try to plant a plausible story. A police investigation casts suspicion on the couple's story. This time the wife is not Lana Turner, Jessica Lange, or even Clara Calamai. No, the adulterous wife looks like what her character is supposed to be: An illiterate, thirty-five year-old peasant woman, a mother of three. Then, again, her lover is no John Garfield. Reconstruction strips all of the glamor from its noir plot leaving a stark, realist portrayal of stagnation and desperation (as opposed to passion). Its visual look is stark and uninviting. Gone are even the seascapes which Angelopolous captures so well in other movies.

      Reconstruction is set in a poor, rural village on a hillside. This is a landscape of stone, dirt, and dark clouds. A narrated prologue informs the viewer that this village's population has dropped from a couple thousand inhabitants to less than one-hundred in twenty years. The young, and even the not so young, are leaving, to Athens, to Germany, anywhere there is a forty hour week and nightclubs and good times. In the beginning of the film, Eleni's husband returns from working overseas. He has been gone for years and Eleni has found a secret lover to replace him. Soon, the husband is dead.

      The film alternates between scenes of the police reconstructing the murder, trying to discover which lover was most responsible for the crime, and flashbacks of the lovers trying to cover their tracks. Two journalists show up to interview the citizens of the village (and don't add much to the film). That is about all there is to Reconstruction.

      I normally admire director Angelopoulos' films. Many do not, finding them interminably boring. I, however, like the director's visual eye and appreciate the way he plays with time. I did not care much for Reconstruction. The film's pace was slow, even if it is the director's shortest film. The flashback structure did not have the sophistication of, say, Ulysses' Gaze, where years of Christmas celebrations go by in a single shot. Finally, I found the cinematography drab with the exception of two great scenes (a zoom out of Eleni burning evidence on a hilltop; a 360 degree pan around shamed, angry villagers as Eleni and her lover are being loaded onto a police truck).

      Reconstruction feels much longer than it really is. It can probably be skipped by non-fans.
      6simon-1303

      An old old story beautifully filmed

      This film portrays multiple reconstructions of a domestic crime in a poverty stricken and dying part of rural post war Greece. For the director, portraying the rock strewn environment of a community in decline is a key message, giving us beautiful if somewhat depressing and repetitive images. This is a setting for the crime and subsequent investigation, which is of limited interest. This true story is not an unusual one in life or films/ literature and the multiple reconstructions, very slow pace and banal setting further rob it of dramatic tension. The reconstructions specifically lead to repetition and perhaps some confusion. Characterisation and scenes are well handled, though again tending to follow expected patterns, perhaps precisely because it is based on court transcripts. Overall, critically acclaimed and visually stunning, but you may find it seems rather longer than it actually is.
      5gridoon2025

      Occasionally visually impressive, but inert

      Theodoros Angelopoulos' first feature-length film could perhaps be desrcibed, in broad terms, as the Greek "Rashomon". It's ocassionally visually impressive, especially in the sections shot in a mountain village so deserted that it almost looks like a post-apocalyptic landscape, though at other times the images are dark and murky. The pace is inert, the dialogue is spare and stilted, and the storytelling is disjointed; the juggling of the choronological sequence of events seems more confusing than illuminating. In any case, if you want to see an arthouse black-and-white Greek policier, this is probably one of your very few options. ** out of 4.

      Vous aimerez aussi

      Le Voyage des comédiens
      7,8
      Le Voyage des comédiens
      Les chasseurs
      7,4
      Les chasseurs
      Jours de 36
      6,8
      Jours de 36
      Alexandre le Grand
      7,4
      Alexandre le Grand
      Le pas suspendu de la cigogne
      7,5
      Le pas suspendu de la cigogne
      Voyage à Cythère
      7,7
      Voyage à Cythère
      L'apiculteur
      7,2
      L'apiculteur
      La poussière du temps
      6,5
      La poussière du temps
      Le regard d'Ulysse
      7,6
      Le regard d'Ulysse
      Paysage dans le brouillard
      7,9
      Paysage dans le brouillard
      La terre qui pleure
      7,8
      La terre qui pleure
      L'éternité et un jour
      7,9
      L'éternité et un jour

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        "Little Short Lemon Tree", a traditional lament from Epirus, is used for the opening and ending of the film. It's the same song that one of the prisoners whistles right before the attempted escape in Jours de 36 (1972), it makes its way into the wedding scene of Le Voyage des comédiens (1975) and it's also heard during a scene of Les chasseurs (1977) (right before the publisher reads out a document to the civil engineer), drawing a connection between the early films of Theodoros Angelopoulos.
      • Connexions
        Featured in Storgi sto lao (2013)

      Meilleurs choix

      Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
      Se connecter

      Détails

      Modifier
      • Date de sortie
        • 28 janvier 1977 (Italie)
      • Pays d’origine
        • Grèce
      • Langue
        • Grec
      • Aussi connu sous le nom de
        • Reconstruction
      • Lieux de tournage
        • Zagorochoria, Ioannina, Grèce
      • Voir plus de crédits d'entreprise sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        1 heure 50 minutes
      • Couleur
        • Black and White
      • Mixage
        • Mono
      • Rapport de forme
        • 1.37 : 1

      Contribuer à cette page

      Suggérer une modification ou ajouter du contenu manquant
      Reconstitution (1970)
      Lacune principale
      By what name was Reconstitution (1970) officially released in Canada in English?
      Répondre
      • Voir plus de lacunes
      • En savoir plus sur la contribution
      Modifier la page

      Découvrir

      Récemment consultés

      Activez les cookies du navigateur pour utiliser cette fonctionnalité. En savoir plus
      Obtenir l'application IMDb
      Identifiez-vous pour accéder à davantage de ressourcesIdentifiez-vous pour accéder à davantage de ressources
      Suivez IMDb sur les réseaux sociaux
      Obtenir l'application IMDb
      Pour Android et iOS
      Obtenir l'application IMDb
      • Aide
      • Index du site
      • IMDbPro
      • Box Office Mojo
      • Licence de données IMDb
      • Salle de presse
      • Annonces
      • Emplois
      • Conditions d'utilisation
      • Politique de confidentialité
      • Your Ads Privacy Choices
      IMDb, une société Amazon

      © 1990-2025 by IMDb.com, Inc.