En 1986, une petite province coréenne, et trois enquêteurs sont aux prises avec le cas de plusieurs jeunes femmes trouvées violées et assassinées par un coupable inconnu.En 1986, une petite province coréenne, et trois enquêteurs sont aux prises avec le cas de plusieurs jeunes femmes trouvées violées et assassinées par un coupable inconnu.En 1986, une petite province coréenne, et trois enquêteurs sont aux prises avec le cas de plusieurs jeunes femmes trouvées violées et assassinées par un coupable inconnu.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 33 victoires et 10 nominations au total
Byun Hee-Bong
- Sergeant Koo Hee-bong
- (as Hie-bong Byeon)
Ko Seo-hie
- Officer Kwon Kwi-ok
- (as Seo-hie Ko)
Park No-shik
- Baek Gwang-ho
- (as Park No-sik)
Lee Jae-eung
- Boy in Opening Scene
- (as Jae-eung Lee)
Résumé
Reviewers say 'Memories of Murder' is a gripping crime thriller with intense psychological drama and social commentary. The film is lauded for its superb performances, stunning cinematography, and exploration of human nature and societal failures. Critics appreciate its atmospheric tension, dark humor, and Bong Joon-ho's masterful storytelling. Despite some finding the pacing slow, the majority value its thematic resonance and ambiguous ending.
Avis à la une
I have long since heard of the excellence of this korean movie on koreanfilm.org, but it was only after reading the review in detail and realizing that the score was written by Taro Ishiwaro ( a well known Japanese musician who also wrote scores for Shohei Imamura and Japanese TV serials, including The Inanimate World ), and that the DOP was Kim Hyung-gu (who also shot Musa, One Fine Spring Day and Chen Kaige's Together) that it stumped on me I was indeed missing a masterpiece.
And a masterpiece it is, one deeply haunting and disturbing asian crime thriller. The mood invoked during the last few minutes of the film is something you would probably never forget.
Watch this film not only for its cinematic brilliance, but also because of the mezmerising score written by Taro Ishiwaro, track no 29 on the OST the favourite on my list.
And a masterpiece it is, one deeply haunting and disturbing asian crime thriller. The mood invoked during the last few minutes of the film is something you would probably never forget.
Watch this film not only for its cinematic brilliance, but also because of the mezmerising score written by Taro Ishiwaro, track no 29 on the OST the favourite on my list.
This movie is in the tradition of hard-boiled detective stories. A rag-tag bunch of largely incompetent police detectives are on the hunt for a serial killer and blunder their way through a thick-headed investigation. Although it's based on real events, it never falls into the trap of treating its characters as accurately portrayed historical figures and instead goes full-on with digging around in the dirt of the story.
The recreation of 80s Korea is amazing. Everything is portrayed as cramped, squalid and thoroughly grimey. The cinematography is great all the way to the end, as is the music, costume, set design and acting. There is a good dose of comedy in many scenes, which I didn't expect in this sort of story. It works well.
It's a rock-solid piece of cinema with characters that never fall into good guy / bad guy stereotypes. It's much more thoughtful than it initially lets on, hiding a complex theme behind a seemingly straightforward cop thriller. Will watch again.
The recreation of 80s Korea is amazing. Everything is portrayed as cramped, squalid and thoroughly grimey. The cinematography is great all the way to the end, as is the music, costume, set design and acting. There is a good dose of comedy in many scenes, which I didn't expect in this sort of story. It works well.
It's a rock-solid piece of cinema with characters that never fall into good guy / bad guy stereotypes. It's much more thoughtful than it initially lets on, hiding a complex theme behind a seemingly straightforward cop thriller. Will watch again.
I'm one of those people who tend to think that South Korean movies are perhaps a bit too slow-paced for my taste. Memories of Murder isn't a fast-paced film, by any means, but this time the slow pace made this movie about an investigation of serial killings so much better than 95% of its American counterparts.
Essentially, Memories of Murder is a drama first with thriller and comedy elements (yes, in the first hour or so the movie is actually quite funny). Kang-ho Song and Sang-kyung Kim are brilliant as the two cops who have drastically different views on how to solve a crime. The character development is fascinating and believable thanks to a great script.
Highly recommended.
Essentially, Memories of Murder is a drama first with thriller and comedy elements (yes, in the first hour or so the movie is actually quite funny). Kang-ho Song and Sang-kyung Kim are brilliant as the two cops who have drastically different views on how to solve a crime. The character development is fascinating and believable thanks to a great script.
Highly recommended.
After two women are found dead in a rural community, a detective arrives from the big city to help out. Things quickly mushroom with the discovery of more bodies, more suspects and no end in sight.
Whether you like police films or not you should see this movie about the real hunt for Korea's first known serial killer simply because its a great movie. This is a movie that alters your expectations and changes your view of things. Its impossible to guess whats going to happen simply because the twists and turns are so unexpected. At times this is a funny funny movie, especially if you like shows like Law and Order or CSI since what we take for granted in those shows is stood on its head. At other times this is a very taut thriller and you become as desperate as the police in needing to put an end to the madness.
On top of all of this is a picture of Korea in 1986, a place with political unrest and civil defense drills that for me at least makes it seem like something out of the 1950's.
This is brilliant brilliant film-making.
I've given the film an 8 out of 10, even though it probably deserves to be higher, simply because some 12 hours after seeing the film, I'm still pondering what I thought of it, how good is it? At least an 8. I'm sure a second and third and fourth viewings will change my mind.
Yea its that good
Whether you like police films or not you should see this movie about the real hunt for Korea's first known serial killer simply because its a great movie. This is a movie that alters your expectations and changes your view of things. Its impossible to guess whats going to happen simply because the twists and turns are so unexpected. At times this is a funny funny movie, especially if you like shows like Law and Order or CSI since what we take for granted in those shows is stood on its head. At other times this is a very taut thriller and you become as desperate as the police in needing to put an end to the madness.
On top of all of this is a picture of Korea in 1986, a place with political unrest and civil defense drills that for me at least makes it seem like something out of the 1950's.
This is brilliant brilliant film-making.
I've given the film an 8 out of 10, even though it probably deserves to be higher, simply because some 12 hours after seeing the film, I'm still pondering what I thought of it, how good is it? At least an 8. I'm sure a second and third and fourth viewings will change my mind.
Yea its that good
The more South Korean films I see, the more I understand how it came to pass that filmmakers from that part of Asia are basically leading the world in terms of cinema in the 21st century.
These films are always very well made, with interesting plots and characterisation. But above all, they have nuance in spades. Nothing on screen is as simple as it appears. None of the characters are typical heroes or typical villains. None of the responses to anything on-screen are simple, either.
Scenes unfold in comedy and then tragedy, or the other way around - or both at once.
The additional layers to every scene and every character add a panoramic realism to what unfolds. These characters live and breathe on the screen. After watching "Memories of Murder", "The Wailing", or "The Host", you imagine that the characters are still doing what they were doing when the credits played.
That's the gift the South Koreans have given us with their wonderful and inventive cinema.
Forget America, unless you are addicted to comic book movies or remakes.
Korea is the one to watch.
These films are always very well made, with interesting plots and characterisation. But above all, they have nuance in spades. Nothing on screen is as simple as it appears. None of the characters are typical heroes or typical villains. None of the responses to anything on-screen are simple, either.
Scenes unfold in comedy and then tragedy, or the other way around - or both at once.
The additional layers to every scene and every character add a panoramic realism to what unfolds. These characters live and breathe on the screen. After watching "Memories of Murder", "The Wailing", or "The Host", you imagine that the characters are still doing what they were doing when the credits played.
That's the gift the South Koreans have given us with their wonderful and inventive cinema.
Forget America, unless you are addicted to comic book movies or remakes.
Korea is the one to watch.
Le saviez-vous
- AnecdotesBeginning in June 2000, it took Bong Joon Ho a year to write the script for Memories of Murder (2003), yet he has stated that: "For the first six months, I didn't write a line of the script. I just did research."
- GaffesIn the letter received from the FBI written in English, there are four spelling mistakes - 'examnation' instead of 'examination', 'insrumental' instead of 'instrumental', 'dateed' instead of 'dated' and 'Octorber' instead of 'October'.
- Citations
[last lines]
Detective Park Doo-Man: Did you see his face?
[Girl Nods]
Detective Park Doo-Man: What did he look like?
Schoolgirl: Well... kind of plain.
Detective Park Doo-Man: In what way?
Schoolgirl: Just... ordinary
- Versions alternativesThe British DVD by Optimum Releasing has 5 minutes cut omitting the whole part of the film between the release of the last suspect and Detective Seo Tae-Yoon shadowing him. Therefore important scenes for the development of the story are missing, such as when the detectives are informed about the possibility of a DNA analysis of sperm found on one of the victim's clothes and that the sample has to be sent abroad because the required equipment is not in Korea. Also missing is the sequence where Detective Cho Yong-koo loses his leg and a scene with Kwok Seol-yung asking Detective Park Doo-Man to quit the police.
- ConnexionsFeatured in Anasuya (2007)
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- How long is Memories of Murder?Alimenté par Alexa
Détails
Box-office
- Budget
- 2 800 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 15 357 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 487 $US
- 17 juil. 2005
- Montant brut mondial
- 1 210 763 $US
- Durée
- 2h 11min(131 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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