The Host

I just saw this film at the 2006 Melbourne International Film Festival. So invigorating to see a fantasy type film in a great setting on a big beautiful screen. Full house (aprox 400-500 people)Classic old theatre style of The Regent Theatre in the heart of Melbourne city.

What a great surprise to see a quality entertaining monster flick. You might begin to think as I tend to that the rest of your cinema going days will be spent avoiding such appalling Hollywood "Crap-busters" such as Godzilla or (enter current relevant movie here ;-) This film proves that adults can still be taken back...taken back to staring at the silver screen in wonder. It further proves, that a fantasy/adventure monster film can be a serious and funny film at the same time. Formula defying, original, intelligent... comical and sad. Comedy with pathos (just like real life refusing to fit neatly into categories)...very clever film making. Even with the alleged fear of subtitles, I would think there was a massive audience for this film amongst English speaking audiences...if only they would be given the chance to see it. Where's the mainstream distribution in Australia for a film like this? Best special effects and monster effects I've seen in years!

I happened to watch this tonight at the cinema although I don't speak or understand Korean... let alone Japanese...however it wasn't difficult to grasp the story or get caught up with the characters and the situation.

This film is comical in parts and borders on science fiction, drama and even horror, but it is really fantastic to watch and displays a lot of emotion and realistic reactions. The special effects are excellent, the characters are believable and it is one movie well worth watching even if it is in a different language. There is nothing like a creature from hell to add a bit of excitement to your day....

For the first time ever I knocked over my coke and jumped 6 feet out of my seat when I was suddenly and unexpectedly given the fright of my life....for those of you that like this kind of excitement....be on the watch out for this little gem. (Subtitles would be an idea).

I highly recommend this film and cant wait to buy it and own it on DVD!!!!

It's a picturesque afternoon in the park near the river. Kids run gleefully as parents set up picnic lunches and enjoy the sunshine. Young couples lay together on blankets, friends toss a Frisbee - it's just about perfect... except for the giant creature hanging from the bridge.

Parkgoers quickly gather to gape at the mysterious something. They ooh and aah when the great beast slides into to water and eases its way over to the shallows, idling just beneath the surface. No one senses any cause for alarm. They lean closer and toss snacks into the river, as if it's a cute family of ducks.

But ducks don't have teeth like this thing.

The crowd erupts into panic as the monster reveals its lethal force and ravenous appetite. Among the crowd scurrying for their lives are an old food shack owner, his young granddaughter, and her dad. The dad displays his bravery by facing the monster, but he also displays also his imperfections by... well, I won't spoil that part.

Director and writer Bong Joon Ho cleverly details the family's dysfunction through subtle dialogue before the monster chase and in the aftermath. This family is a ragtag group without much clue about what to do, but they are nevertheless relatable and easy to root for.

Though the horror aspect is feature most prominently, the film contains layers beneath the surface for those interested in further examination. Bong Joon Ho manages to weave together elements of a family comedy, social satire, environmental conservation, and of course, a monster horror movie.

This is unequivocally Bong's movie. He expertly directs chase scenes with thrilling camera movements and engrossing framing choices that make you lean forward in your seat with excitement while you also partially cover your eyes in fear. It's a fascinating paradox.

In quieter moments, Bong unveils a novel's worth of background information through a few purposeful conversations between characters. Listen closely or you'll miss important details and have to watch the movie again. You'll probably want to anyway.

This is a movie which will go straight into "best monster movies" lists; it is ground-breaking in the way humorous and horror content has been intertwined by a master film director. It was the closing film, shown last night (July 30) in the Auckland International Film Festival. There was a packed house of which about 60% were Korean people living in New Zealand. The audience was very attentive and the reception given to the movie was justly big applause. The animatronic effects have been done scrupulously well and viewers can look forward to being enthralled by the skills of those who "made the monster". We got the print which had come straight from Cannes and apparently the film opened just two days before we saw it in Auckland. There is no doubt that this movie will go on to do very big business wherever people appreciate great horror films. My inclination to rate it 10/10 was tempered only by a little doubt about the pacing of some sequences, but it is certainly worth 9/10. Look out for when it comes to a theater near you.

"The Host" is as deceptive and intriguing as its title (there's currently a 6-page thread in the discussion board and we still haven't figured it out). The movie can be taken as a straightforward monster flick, a dark comedy, a sentimental drama, or a rich socio-political allegory.

For the sake of this review, let's approach it as more than an action/comedy/horror flick, and let's assume it's a deeper allegory. There's definitely a lot of symbolism, lots of cultural references and outright satire for you to munch on. I think that's what makes this seemingly-ordinary monster flick into a powerful film.

Right in the first scene, the director sets the tone with a caricature of Western (U.S.) muddling. Like the excellent Korean film "Welcome to Dongmakgol" released a year earlier, this film is not exactly complimentary toward America, so if that irritates you, you might want to skip this. But when you consider all the 80s Hollywood flicks that painted Russia as a villain, I guess it's fair enough that the USA should take its lumps.

(I did want to add that the director takes a diplomatic approach, mocking the American "establishment" while indirectly praising the American individual. He does this by including an American tourist who's really cool. So in other words, his criticisms are not one-sided.)

The plot is two-dimensional but the symbolic implications are profound. The story is about a monster that terrorizes the banks of the Han River and grabs a young girl, prompting her bumbling family to lead a rescue effort, with no help from the Korean authorities. Some say that the monster represents Western imperialism. It could represent a figurative "attack" on Korean culture, autonomy and sovereignty. Or it could even be taken literally to represent environmental terrors caused by American apathy.

Don't worry, the USA isn't the only target here. There are some pretty good jabs at the Korean authorities too, insinuating (in a way that's both entertaining and irritating) that the Korean government is apathetic & hopeless. "So much for Korea's new democracy," says one character at one point in the film. Some critics point out interesting parallels & allusions to the 1980 Gwangju Uprising (where the Korean Government botched the whole situation, killing & wounding hundreds at a student protest). Everyone is fair game in a dark satire like this. In that respect it reminded me of the excellent Veerhoven scifi satires "Starship Troopers" and "Robocop".

Like all good satires, there's a nice amount of comedy to remind us not to take everything at face value. The bumbling family provides some great laughs in the first half, and certain scenes in the hospital are reminiscent of the sarcastic masterpiece "Brazil" with its merciless mockery of all institutional powers. The scene where they're looking for a virus in a guy's head is both riotously hilarious and profoundly disturbing.

I did want to mention one thing in case you're wondering. No, the audience isn't supposed to feel sympathy for the monster, not like in "King Kong". I was actually surprised at that (in a good way), because the director didn't stray from his message with any gratuitous sentimentality. Normally I'm not a fan of killer animal flicks (Jaws, etc) because I usually find myself siding with the animals more readily than the humans. But this film managed to avoid all sympathies, since the monster itself is a product of human idiocy (which is explained in the first scene).

Well I've just thrown a bunch of ideas at you, and I don't claim any of them to be absolute. But the point is that this seemingly-ordinary horror flick is so much more. It's entirely up to you how you want to see it. Like I said up front, you can just see it as a straightforward monster flick, but I think if you read deeper into the parallels with current Korean society, you'll get a whole lot more out of this.