Walk the Line

Walk the Line is a great movie. When you watch it, you feel as though you are watching Johny Cash in person. Juaqin Pheonix is amazing as Cash, a man with so many regrets and self doubts. Reese Witherspoon gives an Oscar performance as the love of his life June Carter. The film is long, but worth every minute. But what is great is that T Bone Burnett chose the right songs to play. When I saw it today people in the theater were singing along with the movie. And what is great, is that Pheonix and Witherspoon sand the songs themselves. This movie should win several Oscars this year. Go see it. It is an amazing film, and it perfectly protrays an amazing man.

Forget North Country, Walk the Line directed by James Mangold (Girl Interrupted) and written by Mangold and Gill Dennis is the better 2005 Oscar contender.

This romantic tragedy, which is based on the autobiographies of Johnny Cash The Man in Black and Cash: the Autobiography was actually written and perfected alongside the famous duo Cash and June Carter Cash before their deaths in 2003.

The movie begins with a young, music obsessed "J.R." Cash growing up in a poor cotton farming family in Arkansas. Shortly afterwards, a family tragedy changes his life forever.

Cash (Joaquin Phoenix) leaves for the air force, where he is stationed in Germany, buys an old guitar and proceeds to write one of the most recorded songs in history along with many others.

Upon returning, Cash's obsession leads him to a recording studio and into the spotlight with June Carter (Reese Witherspoon) as well as Elvis Presley (Tyler Hilton) and the comical Jerry Lee Lewis (Waylon Payne.) The next emotional hour and 45 minutes is filled with great music, drug dependency, infidelity, and most of all love.

Joaquin Phoenix and Reese Witherspoon, who sang every song themselves, completely shined in this movie. There are no better actors that could have filled the shoes of the Carter-Cash duo. Phoenix and Witherspoon had such great chemistry, by the end of the movie you actually think they might really be in love.

However, if you tend to get restless in longer movies, the running time of 136 minutes can start to seem a little long towards the end, but it's well worth it.

Overall Walk the Line receives nine out of ten stars. The movie did an excellent job portraying the life of the "man in black," his soul mate and their rocky path on the way to love. If Phoenix and Witherspoon are not nominated for their amazing voices and chilling performances, it will be a great disappointment.

"Walk the Line" is without question the zenith of Reese Witherspoon's acting career thus far. Joaquin Phoenix IS Johnny Cash in this biopic, but Reese as June Carter Cash sets this film on fire. It is one thing to portray a person's life, with feeling and emotion, something which Joaquin pulls off effortlessly. However, it is quite another to make a portrayal bigger than life, and Reese makes June Carter Cash the central character of this film.

To say that Reese steals the show is an understatement. Reese becomes a lightning rod for Joaquin's character, in a way that is actually quite scary. After all, Reese is from Nashville, and her Southern affect is flawless and absolutely winning. Suffice it to say that Reese will thankfully be present when the Academy Awards are presented next year. She might want to get a few words ready.

This movie will not be everyone's favorite flick, if for no other reason than that it is a biopic of flawed, Southern characters. However, perhaps the very flaws that imbue these characters with vitality and realism can establish the acting of Joaquin and Reese with an almost spiritual meaning, as they live these real people on screen. But in the final analysis, Reese Witherspoon will become the greatest contemporary screen actor upon release of this film. See for yourself. You read it here first.

I've long thought that James Mangold was one of the most underrated American directors; while other acclaimed auteurs like Wes Anderson and David Gordon Green have made names for themselves by essentially repeating themselves with each film, Mangold has attracted considerably less attention for actually having the gall to show some range. Like the great directors of the Hollywood studio system, Mangold shows visual and narrative skill across a wide array of genres: character-driven crime (COPLAND); horror (IDENTITY); issue-oriented drama (GIRL INTERRUPTED), etc. What each of these films shares in common is a stunningly elegant and expressive visual style, an attention to character reminiscent of Renoir, and an economy of storytelling that would make Howard Hawks envious.

Now Mangold has delivered his masterpiece, and it's the best studio release I've seen so far this year. WALK THE LINE, Mangold's story of the relationship between Johnny Cash and June Carter, is deliriously romantic, exhiliratingly entertaining (as a musical it invites and earns comparison with the best of Vincente Minelli), and profoundly moving--all set to a spectacular soundtrack. Joaquin Phoenix and Reese Witherspoon are both brilliant as Cash and Carter, but not only in the ways you would expect. Their most impressive achievement is to convincingly portray two people falling in love in a manner that's sincere and sweet but never cheaply sentimental. This is the most unabashedly romantic American movie since THE NOTEBOOK, but it's totally authentic and lacking in melodrama; the subtlety with which Mangold and his performers delineate the one step forward, two steps back nature of Cash and Carter's love affair is staggering. Phoenix is particularly brilliant, not only in the romantic scenes but in moments in which Cash discusses his brother's early death; in these scenes the major tragedies of both the character and the performer's lives merge in a way that is heartbreakingly real. And the movie gets across the intoxicating nature of creative collaboration between two people in love better than any film I've ever seen--perhaps no coincidence given that Mangold and his closest collaborator, producer Cathy Konrad, are married. I could (and will) go on about this movie for hours, but let's just say that it's the movie to beat for the rest of the year.

I don't know about "Mangold the Auteur", and might need a bit more proof that this is really a director worth paying attention to, but this is a pretty watchable film. I found the story and film-making a bit predictable, like the usual bio-pic formula that you might expect if you've seen, say, coal miner's daughter, or any other bio-pic of someone you love. What makes this movie stand out is the two lead performances. Reese is unbelievably convincing as June Carter Cash. She almost disappears into the role. And her singing! Who knew???

And Joaquin! We've been waiting for him to deliver a really spectacular performance for some time, and this is finally it. I, for one, resisted the idea that ANYONE could portray the man in black, but he does a pretty fine job. Not just an impersonation, but actually a performance worth watching. Really fine.

Watch for the Jackson duet. Really awesome.