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Le Pays de la violence

Titre original : I Walk the Line
  • 1970
  • PG-13
  • 1h 37min
NOTE IMDb
6,5/10
2,5 k
MA NOTE
Gregory Peck and Tuesday Weld in Le Pays de la violence (1970)
Henry Tawes, a middle-aged sheriff in a rural Tennessee town, is usually the first man to criticize others for their bad behavior. Miserable in his marriage, Henry falls in love with teenage Alma, who is the daughter of local criminal.
Lire trailer2:58
1 Video
56 photos
Drame

Henry Tawes, un shérif d'âge moyen dans une ville rurale, est généralement le premier homme à critiquer les autres pour leur mauvais comportement. Misérable dans son mariage, Henry tombe amo... Tout lireHenry Tawes, un shérif d'âge moyen dans une ville rurale, est généralement le premier homme à critiquer les autres pour leur mauvais comportement. Misérable dans son mariage, Henry tombe amoureux d'Alma, qui est la fille d'un criminel.Henry Tawes, un shérif d'âge moyen dans une ville rurale, est généralement le premier homme à critiquer les autres pour leur mauvais comportement. Misérable dans son mariage, Henry tombe amoureux d'Alma, qui est la fille d'un criminel.

  • Réalisation
    • John Frankenheimer
  • Scénario
    • Alvin Sargent
    • Madison Jones
  • Casting principal
    • Gregory Peck
    • Tuesday Weld
    • Estelle Parsons
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    2,5 k
    MA NOTE
    • Réalisation
      • John Frankenheimer
    • Scénario
      • Alvin Sargent
      • Madison Jones
    • Casting principal
      • Gregory Peck
      • Tuesday Weld
      • Estelle Parsons
    • 49avis d'utilisateurs
    • 23avis des critiques
  • Voir les informations de production sur IMDbPro
  • Vidéos1

    Trailer
    Trailer 2:58
    Trailer

    Photos56

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    Rôles principaux14

    Modifier
    Gregory Peck
    Gregory Peck
    • Sheriff Tawes
    Tuesday Weld
    Tuesday Weld
    • Alma McCain
    Estelle Parsons
    Estelle Parsons
    • Ellen Haney
    Ralph Meeker
    Ralph Meeker
    • Carl McCain
    Lonny Chapman
    Lonny Chapman
    • Bascomb
    Charles Durning
    Charles Durning
    • Hunnicutt
    Jeff Dalton
    Jeff Dalton
    • Clay McCain
    Freddie McCloud
    • Buddy McCain
    Jane Rose
    • Elsie
    J.C. Evans
    • Grandpa Tawes
    Margaret A. Morris
    Margaret A. Morris
    • Sybil
    Bill Littleton
    • Pollard
    Leo Yates
    • Vogel
    Nora Denney
    Nora Denney
    • Darlene Hunnicutt
    • (as Dodo Denney)
    • Réalisation
      • John Frankenheimer
    • Scénario
      • Alvin Sargent
      • Madison Jones
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs49

    6,52.5K
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    Avis à la une

    7MarieGabrielle

    Slice of Americana; film with excellent score by Johnny Cash

    The subject of small town boredom and emotional unrest; Gregory Peck portrays the sheriff in a small rural Tennessee town. He has a mid-life crisis(before it was fashionable to call it that).

    Estelle Parsons is the long-suffering wife, and Tuesday Weld the femme fatal. There is also a part with Charles Durning, as a racist small- minded police officer, who feels his job is to run everyone out of town who is not a "good church-going man". Some of the dialog and themes explored in this movie are interesting, and if one has ever traveled to this part of the country, there are still small towns a bit similar to this, even though they may now have a Wal-Mart 100 miles away.

    Gregory Peck's performance is excellent, though his involvement with a penniless moonshiner's daughter is a bit hard to swallow. You will enjoy the cinematography, and a depiction of American life which does still exist. This film is not as extreme as "Deliverance" but if you drive along Route 26 through North Carolina and Tennessee mountains, you will still see people living without heat, with plastic on their windows to keep out the cold.
    8shepardjessica

    Rural '70 quiet T. Weld!

    A totally under-appreciated and unseen film (except for some Gregory Peck fans) with Estelle Parsons and Ralph Meeker and the glorious totally bashed actress (in movies since age 12) and this is AFTER Pretty Poison, a witty and insightful script directed by (apparently a one-shot guy, Noel Black) that nobody got to see!

    1970 was a great year for films and this didn't make my top TEN, but it's very interesting...with a moral that actually plays out in a semi-realistic and human AMERICAN way, but unfortunately, it was considered drive-in fare by whatever studio released it. Try to find this one. It's like Deliverance combined with Love with the Proper Stranger and it's quite unique, mainly because of Tuesday Weld's performance. An 8 out of 10 in a very good year. Best performance = T. Weld.
    7Wuchakk

    How a man becomes a loaf of bread

    Not to be confused with the 2005 biopic of Johnny Cash (although the soundtrack features several Cash songs), "I Walk the Line" (1970) stars Gregory Peck as a taciturn Appalachian sheriff who suffers a mid-life crisis and falls for some pretty young thang (Tuesday Weld), the daughter of a generational moonshiner. The sheriff turns a blind eye and everything's fine, but for how long?

    You can't go wrong with Gregory Peck. Although I've only seen about a dozen of his movies over the years he's always been an unvoiced favorite of mine. He's tall, (seemingly) noble, masculine, likable, determined and just has an unshowy star quality. Here he plays his usual self with the exception that, facing a mid-life crisis, he makes dubious choices and hurts those connected to him.

    Tuesday Weld was 26 years-old during filming and is easy on the eyes. Her character maintains a naive quality even though what she does is wrong. I suppose you could say she's more ignorantly amoral than malevolently immoral.

    The film was shot in the beautiful Appalachian hills of North-central Tennessee. The courthouse square scenes were shot in Gainesboro, but the dam scene that opens the movie (and is shown again later) was shot at Center Hill Dam. The Drive-In movie sequence where they are watching the 1969 Jerry Lewis movie "Hook, Line and Sinker" was shot at the Green Hills Drive-in in Carthage (hometown of Al Gore), about 45 minutes from Gainesboro. During the production Gregory, Tuesday, director John Frankenheimer and other cast & crew members stayed at the Holiday Inn in Cookeville, TN. All the buildings in Gainsboro are still there (including the pool hall) except the first store that was cattycorner to the courthouse (where the sheriff shops), which was torn down. A small portion of the film was also shot in Northern California, in a little town called Colusa, the seat of Colusa County, but I can't tell which specific scenes. Much of Colusa's architecture has a very Southern influence and has been featured in a number of movies.

    I like the moral of the story: One's actions have a ripple effect -- foolish choices will inevitably hurt not only you but those linked to you, just as right choices bless you and others. On that same note, the film effectively shows how a formidable upstanding man can be reduced to a loaf of bread simply by unwisely falling prey to the temptation of some young cutie.

    The story plays out in an ultra-realistic manner like other films of the 60s and 70s before the brainless "blockbuster" came into vogue. This isn't a negative to me because I actually prefer realism but others might not appreciate it, especially the flat vibe of of the first act, but the story picks up steam in the second act and holds till the end.

    Some don't like the film because the usually-noble Peck is playing a sad and lonely transgressor. This is against type and perhaps explains why Peck took the part; he was 53 at the time and likely saw the role as a challenge. Here was an opportunity to play a character who is neither a hero nor anti-hero, a character who feels trapped by routine and meaninglessness, who makes a desperate and ill-fated attempt to drag himself out by means of his lust for beauty, the one thing that makes him feel alive again. Peck rose to the challenge admirably but this naturally has the negative effect of stirring disrespect, even loathing, in the viewer.

    "I Walk the Line" is a good flick that was never acknowledged and seems to have been lost over time. It's along the lines of the contemporaneous "Deliverance" albeit without the sexual perversion and more on the dramatic & mundane side and less of a adventure.

    The film runs 1 hour, 37 minutes.

    GRADE: B.
    7helpless_dancer

    Foolish fellow falls for foxy filly

    Peck does a nice job playing a middle age crazy sheriff who meets and goes over the edge for a rawboned hillbilly girl. He has a decent, loving wife at home but his discontent with his life leads to his making one stupid mistake after another in not only his private life but his professional as well. Well played out film with top notch performances by the entire cast and a sound track by Johnny Cash which intertwines nicely with the picture.
    7moonspinner55

    "Flesh and blood meets flesh and blood/And you're the one I need..."

    Underrated, overlooked gem from director John Frankenheimer has Gregory Peck in fine form playing Tennessee sheriff and family man in a depressed hillbilly town falling for Tuesday Weld, the comely daughter of a moonshiner. The sheriff, torn by sexual longing and responsibilities--and throwing all morality out of his path--strikes a subtle arrangement with the mountain clan to continue seeing their daughter if they keep their business under-wraps...but is this girl just stringing the lawman along? Frankenheimer bookends the film with a collage of sorrowful faces (scored with music by Johnny Cash) and the effect is a bit pretentious (it seems like a put-on); however, the director's dramatic compositions (helped immeasurably by David M. Walsh's superlative cinematography) overcome this arty overreaching and actually take on some meaning. Alvin Sargent's screenplay, adapted from Madison Jones' book "An Exile", is literate and engrossing, and the obtrusiveness of that stilted opening (as well as Cash's songs, pushed too far out in front) can easily be forgiven. Sexual obsession wears surprisingly well on Gregory Peck, and when he asks Weld to run away with him, you believe it. Both performers are terrific (even Peck's arched eyebrow and granite jaw work well for him here) and the supporting cast is equally solid. Atmospheric and charged with emotion. *** from ****

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Charles Durning almost drowned while shooting the scene in which his character is thrown into the river. The crew forgot him and left. Gregory Peck jumped into the water and swam to save him.
    • Gaffes
      Scenes from Jerry la grande gueule (1967) are shown at the drive-in, yet the poster is for Cramponne-toi Jerry (1969).
    • Citations

      Sheriff Tawes: People here just try to survive, that's all. Some make a little moonshine, don't really harm nobody.

    • Connexions
      Featured in Blow up: Johnny Cash (2019)

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    FAQ

    • How long is I Walk the Line?
      Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 1 avril 1971 (France)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Sony Movie Channel (United States)
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Yo vigilo el camino
    • Lieux de tournage
      • Gainesboro, Tennessee, États-Unis
    • Sociétés de production
      • Columbia Pictures
      • John Frankenheimer Productions Inc.
      • Edward Lewis Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Budget
      • 4 000 000 $US (estimé)
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 37 minutes
    • Couleur
      • Color
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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