Comandante

It warms my heart to discover that there are human beings in charge on some parts of the planet. Stone's documentary, although annoyingly pop videoish in places shows us the human side of Castro. I do not care where your politics lie, who can argue with a policy of housing, education and health care for all. Castro is portrayed by the US in an uncomplimentary light, well its good to know not all Americans feel that he is a ruthless dictator.

I want to know what Bush would say about crime, prostitution, religion, war and torture. He would not only deny it he would outright claim his country to be perfect. well nobody or country is perfect, and a least Castro can admit this. I just think of all he has achieved with one hand tied behind his back, it put's the West to shame, if his democracy is different to our's, who are we to say he is wrong!

This film is an interesting document only because it provides a glimpse into the leader's more trivial pursuits. ("I've seen TITANIC on video. It needs a big screen" says Castro.) It fails miserably where Oliver Stones asks tough questions yet fails to pursue the partial answers, or at times total avoidance of the question altogether.

Some of the issues talked around are surprising (The CIA role in Angola, Cuba's AIDS quarantine camps, the role of Miami exiles, 1980's prison camps for gays) while others are just bizarre (the lack of multiple parties in Cuban elections, his son's US education, Nicaragua and Venezuela).

The documentary instead puts us through yet another series of Che Guevara tales told less than honestly by Fidel. The frequent shots of Eva Peron suggest that Fidel Castro's revolution is not a failed relic but rather the dreamy illusions of yet another misguided albeit glamorous femme fatale.

Like one of the previous reviewers I also recently saw 'Comandante' on Canadian cable outlet CBC Newsworld...

Nothing earth shattering to report here: to the extent that I'm even having trouble labeling the movie interesting, which is quite a surprise considering the array of historically significant topics and events it touches on - though I must say seeing Fidel sport a black pair of Nikes as he paces around his office (apparently on regular basis to get exercise) might alone be worth the price of admission.

Observant audience members will also notice he grows his fingernails long for no apparent reason, which I guess is the kind of vanity one engages in after ruling a nation with an iron fist for 40+ years.

Those expecting Bill O'Reilly-type barrage of aggressive queries thrown Fidel's way will be more than disappointed. If you've ever wondered what it would be like if Robin Leech and pre-'View' Barbara Walters morphed into single person who then got an assignment to interview a sitting president.... well, you may have gotten your answer in Stone's laid back style.

Though it's clearly not all Oliver's fault, I'm really none the wiser about Fidel after 'Comandante' than I was, say, about JaRule following his appearance on MTV's 'Cribs'.

The reasons why this 2-colourful-guy chitchat ended up on TV instead of being released in the theaters are very much political and duly reflect America's current paranoid social climate.

However, in the end the movie actually profited from such skullduggery since even on the small screen I found it only marginally arousing. Having to pay $12 ticket for this would really be a bummer.

I just saw Comandante on Greek public television, in its entirety and uninterrupted and was immediately drawn to it.

Whether one agrees with Cuba's political system or not, is not the issue here. What Oliver Stone has achieved is what no journalist or historian has ever come close to. He brings himself and his crew right up close to the aged leader and confronts him relentlessly with questions from the mundane to the esoteric and from the political to the personal. Ideas about the past and the future, about dreams, art, democracy, colonialism, family, religion, women's rights, education, love etc are all exposed here, bringing out an intimate portrait. The questions are often uncomfortable as when Stone asks Castro about his ex wives in front of his wife, or when his claims about policing in Cuba are denied by one of Stone's crew members. Yet Castro even at this age, is sharp, humorous and poetic in a way that reveals the intellectual behind the politician.

It is also a travel documentary of Havana where Fidel Castro is Stone's guide and walks him through the city's monuments and cafés, sits next to him at the back seat of his car, eats and drinks with him and we get a sense that he knows what is happening in Havana's every alley.

One thing is for sure: no other country leader would ever allow himself the closeness Castro offers to Stone and expose his feelings and doubts with such spontaneity.

Stone turns a formal encounter into a family visit and brings the audience to meet an iconic political figure and spend a couple of intimate hours with him.

A work that leaves you thinking for a long while.

This film is a fantastic, hypnotic encounter with the legendary Marxist, world agitator and bete noire to America, Fidel Castro. It features left-wing warrior Oliver Stone's trademark flash cutting and controversial storytelling, alongside a simply stunning musical score from Alberto Iglesias. Prepare for the Buena Vista Social Club (2001) on revolutionary acid.

The beginning of Commandante – yet another Oliver Stone masterpiece – is similar to the beginning of his epic JFK (1991): lots of archive footage of Castro and Cuba, only this time intercut with masses of frenzied crowds drunk on revolutionary fervour, all shouting 'Fidel, Fidel', hailing their great man who is still there in this film, forty years later. Incredible.

There is both 1960s and modern footage of Havana featuring giant murals of 'Che' Guevara, Fidel ('VIVA FIDEL CASTRO') and … a total absence of any corporate, Western advertising whatsoever. There is a lot of poverty, but also a series of impromptu meetings between Castro (and Stone) and various Cubans in the streets. Propaganda or planned? The movie harks back to the original revolution in 1959 and Castro's initial pro-Western peoples revolution, hailing (in English) 'representative democracy' and 'social justice'. Of course, the American corporations and political elite could never countenance any notion of true democracy just ninety miles from their corrupt lands and so the story unfolds of how various presidents tried to invade the island and destroy their path.

Fidel himself at 80 is surprisingly fit and optimistic, always in his olive green military fatigues. He appears to be a genuine messiah, despite the paradox of religion and atheistic communism in this island paradise. He wears his customary beard, is polite and genuinely sincere. Castro and Oliver Stone – in a remarkably frank and candid series of interviews – go on to discuss everything from politics, film, women and nationalism. Castro admires Sophia Loren, Charlie Chaplin, Khruschev, Gorbachev, Depardieu and a host of others. He has watched Titanic and Gladiator but hates Nixon – who he considers the originator of the American hatred of his island – yet feels sorry for Kennedy for being assassinated.

Could George W Bush even consider for one second walking the streets of his capital city? No, he would be strung up as a corrupt war criminal and stooge to all of the corporate giants that have been banished from Cuba (Texaco, Gulfoil, McDonalds, etc.).

In the original 1960s footage Castro is hailed by crowds of literally one million people. He is a strange combo of Dr Caligari, Karl Marx and the Pope.