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Nixon

  • 1995
  • Tous publics
  • 3h 12min
NOTE IMDb
7,0/10
34 k
MA NOTE
Anthony Hopkins in Nixon (1995)
A biographical story of former U.S. President Richard Nixon, from his days as a young boy, to his eventual Presidency, which ended in shame.
Lire trailer4:34
1 Video
99+ photos
BiographieDrameL'histoireDocudrameDrame politiqueDrame psychologiqueDrames historiquesÉpiqueTragédie

Une biographie de l'ancien président américain Richard Milhous Nixon, de l'époque où il était jeune garçon à celle de sa présidence terminée dans la honte.Une biographie de l'ancien président américain Richard Milhous Nixon, de l'époque où il était jeune garçon à celle de sa présidence terminée dans la honte.Une biographie de l'ancien président américain Richard Milhous Nixon, de l'époque où il était jeune garçon à celle de sa présidence terminée dans la honte.

  • Réalisation
    • Oliver Stone
  • Scénario
    • Stephen J. Rivele
    • Christopher Wilkinson
    • Oliver Stone
  • Casting principal
    • Anthony Hopkins
    • Joan Allen
    • Powers Boothe
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    34 k
    MA NOTE
    • Réalisation
      • Oliver Stone
    • Scénario
      • Stephen J. Rivele
      • Christopher Wilkinson
      • Oliver Stone
    • Casting principal
      • Anthony Hopkins
      • Joan Allen
      • Powers Boothe
    • 191avis d'utilisateurs
    • 55avis des critiques
    • 66Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 4 Oscars
      • 11 victoires et 18 nominations au total

    Vidéos1

    Official Trailer
    Trailer 4:34
    Official Trailer

    Photos105

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    Rôles principaux99+

    Modifier
    Anthony Hopkins
    Anthony Hopkins
    • Richard M. Nixon
    Joan Allen
    Joan Allen
    • Pat Nixon
    Powers Boothe
    Powers Boothe
    • Alexander Haig
    Ed Harris
    Ed Harris
    • E. Howard Hunt
    Bob Hoskins
    Bob Hoskins
    • J. Edgar Hoover
    E.G. Marshall
    E.G. Marshall
    • John Mitchell
    David Paymer
    David Paymer
    • Ron Ziegler
    David Hyde Pierce
    David Hyde Pierce
    • John Dean
    Paul Sorvino
    Paul Sorvino
    • Henry Kissinger
    Mary Steenburgen
    Mary Steenburgen
    • Hannah Nixon
    J.T. Walsh
    J.T. Walsh
    • John Ehrlichman
    James Woods
    James Woods
    • H.R. Haldeman
    Brian Bedford
    Brian Bedford
    • Clyde Tolson
    Kevin Dunn
    Kevin Dunn
    • Charles Colson
    Fyvush Finkel
    Fyvush Finkel
    • Murray Chotiner
    Annabeth Gish
    Annabeth Gish
    • Julie Nixon Eisenhower
    Tom Bower
    Tom Bower
    • Frank Nixon
    Tony Goldwyn
    Tony Goldwyn
    • Harold Nixon
    • Réalisation
      • Oliver Stone
    • Scénario
      • Stephen J. Rivele
      • Christopher Wilkinson
      • Oliver Stone
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs191

    7,033.9K
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    Avis à la une

    10alexkolokotronis

    A Surreal Reality

    I will start by saying I am an Oliver Stone fan. For some particular reason though I did not expect to like this movie but obviously I did. He actually unexpectedly gave a very fair depiction of Nixon. Nixon really transformed before my eyes in here. That was really something special to see.

    The acting was quite good. Anthony Hopkins though totally uplifted this movie. I could imagine many people saying his performance was over-the-top or a bit too surreal at times. Yet that is what really made his performance so amazing. The way he was able to transform the many crazy and totally off the wall aspects of Nixon and make them into a reality. To me as the movie went on I felt I was in some way able to see his paranoia, anxiety, thirst for power and just the simple fact of wanting to be liked. I could see he was more of a troubled and vulnerable man than a monster. He never quite connected with anybody which made him bitter and fueled his paranoia and greed even more. To me Hopkins portrayed this all perfectly, all the complexities and inner feelings of Nixon. Hopkins slipped into this role in way that you rarely see. He became Nixon, and at times I was speechless or should I say thoughtless watching him portray such an important figure in such a way. More and more I felt sorry for Nixon, as he looked more and more like a schizophrenic. To me this role was more psychologically bone-chilling than his role as Hannibal Lechter in Silence of the Lambs and I have no problem debating that.

    The rest of the cast was quite good as well. Joan Allen was very good in showing the complex relationship/marriage she had with Richard Nixon. James Woods freaked me out at times displaying that pure evil and hatred at times that Hopkins showed as Nixon. Paul Sorvino was very good as Henry Kissinger. Mary Steenburgen was interesting to watch in the very limited time she played in here. The two actors though other than Hopkins though that really stood out to me were Bob Hoskins and Sam Waterston. Despite Hoskins not giving an amazing performance and having very limited time he gave me chills just seeing J. Edgar Hoover being portrayed in some sort of way. Sam Waterston despite being limited to really just one scene was even more chilling than the rest of the cast(excluding Hopkins) combined in that one moment. That moment was one of the most intense face to face scenes that I have ever seen. It was so memorable.

    The directing was very good. It was not the best I have seen from Oliver Stone but it was up there. For the first 45 minutes or so I was a bit confused about what was happening and the flow of the movie but I got used to it. The first portion of the movie did feel unbalanced at times but the feel of the movie got better as it wore on. Going back to that one scene between Sam Waterston and Anthony Hopkins, I felt this scene was one of the best directed and written scenes I have seen from Oliver Stone or anyone ever. That scene was a microcosm of the movie. The motion-sickness, mind scrambling, paranoid feeling of that scene captured the entire movie. The feeling of even seeing the president himself being treated like a puppet, despite not that shocking, was mind numbing to watch. That scene was true testament to the writing and directing abilities of Oliver Stone.

    The writing was also very good throughout. It seemed as if everything Stone wanted to get across got across. The writing was not amazing but it certainly served it duty. The cinematography was great though. Stone always knows how to get his point across in the way he photographs a movie even if all of other aspects of the movie fail. That dark Oliver Stonish feeling kept on creeping in on every scene, but also that dark psychological feeling that he had put in Born On the Fourth of July and Platoon also was felt through the cinematography. The music by John Williams, who always knows how to capture a moment musically, was simply perfect in here again.

    I can understand this movie being boring to a lot of people or it being considered propaganda. Yet I think this movie is an overlooked masterpiece. Just seeing Anthony Hopkins perform as Nixon is a good enough reason to see this movie. He took control of this movie by force and took it to another level. Despite this being an Oliver Stone movie it is more fair than you would think. Of course this movie may have a few conspiracy theories included in it but Oliver Stone never forces his theories on people. There is a reason why at the beginning at every movie he puts a disclaimer saying that not everything in his movies are facts. Despite it being great I don't know if this is a movie for everyone. This movie seems to be crazy and surreal but isn't that how life seems to be at times as well?
    barrygermansky-1

    The Definitive Richard Nixon Bio-pic

    Anthony Hopkins does not merely portray Richard Nixon as a cheap caricature, as Frank Langella did in Ron Howard's pointless Frost/Nixon. He creates a living, breathing human being that we can all relate to, while still adopting the notorious president's signature speech patterns and mannerisms.

    Oliver Stone's direction is nothing short of a miracle. As in his 1991 masterpiece, JFK, he has a lot of different characters to bring to life on the screen. He helps his actors fashion their performances with miraculous accuracy. Paul Sorvino is dead-on as Henry Kissinger, as is Joan Allen as Pat Nixon, and Bob Hoskins as the mysterious, mean-spirited J. Edgar Hoover.

    The writing is also represents a triumph. Stone and co. are able to synthesize entire pages of historical prose into digestible chunks of dialogue. Aspiring screenwriters should seriously take note.

    Although 1995 also saw the likes of Casino, Seven, Heat, and The Usual Suspects, Nixon is the ultimate champion. History on screen has rarely been this exhilarating.
    7filipemanuelneto

    Complex, difficult to understand, but elegant.

    Richard Nixon is one of the most controversial heads of state of the twentieth century. During his tenure as president of the United States, he earned a general hatred almost as high as the power and influence of his office. He was investigated, vilified, attacked but never condemned. Even though I'm not an American nor an expert of these period, I feel it is necessary to make an unbiased and objective historical analysis of this president, I just don't know if that has already happened. Even so, the film we have here didn't seem partial, trying to remain neutral to some extent.

    Directed by Oliver Stone, it's not appropriate for people who don't know anything about Nixon, or Watergate, or this period of American history, since the film wasn't wasting time explaining anything. So if you didn't understand why Nixon opened the US to China or what was the Watergate or the Bay of Pigs, I suggest you ignore the movie for now and first go read some books or see some documentaries about it. Another problem I want to highlight is the huge web of conspiracies and obscure theories that the film weaves around the president. It never lets us understand what "crimes of responsibility" Nixon has committed. The film also suggests, without subtleties, that Nixon was a simple man who rose in life but wasn't accepted by the "American aristocracy" because of this humble origin, which left him deeply hurt. I don't know if it's true, but the film indicates that as origin of President's lack of scruples.

    Anthony Hopkins assures the main role in an interesting performance, but that's far from being his best. He made a good preparation and tried his best to be Nixon, but has few physical similarities with him, not to mention his extreme difficulty in imitating president's characteristic voice. Anyway, Hopkins was brilliant at his character's psychological work, with most dramatic scenes going on as he, semi-drunk, reviews his decisions while listening to his famous audio tapes. The remaining cast does a reasonable supporting work. I will not close my review without left a word of appreciation to the sets and costumes, which rebuilt the atmosphere and culture of the Seventies quite well, much like the rooms and offices within White House. Not being exceptional, it's an elegant, quality film, that helps us think about an important period in American history.
    8bat-5

    Riveting.

    Oliver Stone has a way of making films that grab you and hold you until the final frame. His films are usually controversial and that's what generates much debate and Nixon is no exception. Anthony Hopkins assumes the mantle of Richard M. Nixon and he does it with style. His Nixon is a complex man, full of ambition and dreams, but also filled with demons. Nixon lives in the shadow of JFK, and because of that, he feels he can never live up to the greatness that he aspires to. Joan Allen is equally convincing as Pat Nixon. She is a strong woman who loves her husband, but unlike Nixon, she grows tired of the political world. The film works best when we see the inner workings of the Nixon Whitehouse. We see the coverup of the Watergate break in. We see Nixon's historic visit to China and we see the final farewell of a flawed, but ambitious man. It's hard to cram an entire lifetime into a three hour film, but Stone manages to do it well. We get brief glimpses into Nixon's past and we see the events that eventually undid him. Some may say that Nixon is painted in an unfair light. I think Stone actually sympathizes with him. Here was a man who came into power in the middle of a war. He was feared by many and misunderstood by all. Nixon was able to rise above it all for a short period of time, and in that brief period, he did have the world.
    UACW

    Oh Buddy

    This is a scary one. A merciless look into the pathology of one weird bloke. Anthony Hopkins may not look like Nixon but he does the role to perfection. It is truly scary.

    Great cast. Hopkins is a hard working star. What a shame he lost to the Hoffman aper Cage. And Nixon? What a loser. What a terrible insufferable tragic loser. It surely was a challenge to do this for Hopkins.

    The biggest most significant detriment is of course one knows not where fact ends and fiction begins. Stone doesn't exactly have a reputation for avoiding hyperbole.

    But taken as a personality portrait it's devastating. You might know your history but you've probably never imagined things were like this. You could have imagined them if you'd taken the time, but this movie brings you there.

    It's just a tragic movie about an extraordinarily tragic figure. Stone brought you Salvador where he showed how well he knows the art of movie making; he brought you the screenplay for Scarface; and so forth. He can do it, whether or not he goes too far on some occasions. The movie production itself is very good.

    And it's a long one. It's not a popcorn movie. It's extremely depressing and frightful. A look into one very weird pathology. But a 7 out of 10 is not out of order.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      To gain the feel of Richard Nixon, Sir Anthony Hopkins watched on tape almost every speech Nixon ever made several times. He also met some people who knew Nixon and could lend Hopkins some insight on him.
    • Gaffes
      The film shows Nixon signing his resignation letter the day before he leaves office and prior to it being publicly announced. Historically, Nixon informed the nation in an address the night before leaving office, and then signed the letter the next day, which was his last morning in the White House.
    • Citations

      Richard M. Nixon: [to a portrait of Kennedy] When they look at you, they see what they want to be. When they look at me, they see what they are.

    • Crédits fous
      Second opening credits: "For what is a man profited, if he shall gain the whole world, and lose his own soul?" Matthew 16:26.
    • Versions alternatives
      Letterbox video version features additional outtake footage, including a scene starring Sam Waterston as CIA director Richard Helms.
    • Connexions
      Featured in Siskel & Ebert & the Movies: Nixon/Jumanji/Heat/Mr. Holland's Opus/Sense and Sensibility/Othello (1995)
    • Bandes originales
      Menuetto
      from Schubert's "Symphony No. 2 in B Flat Major, D 125"

      Written by Franz Schubert

      Performed by Koninklijk Concertgebouworkest (as Royal Concertgebouw Orchestra)

      Nikolaus Harnoncourt, Conductor

      Courtesy of Teldec Classics International GmbH

      By arrangement with Warner Special Products

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    FAQ19

    • How long is Nixon?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 20 mars 1996 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Mandarin
      • Russe
    • Aussi connu sous le nom de
      • Ніксон
    • Lieux de tournage
      • Mission Inn - 3649 Mission Inn Avenue, Riverside, Californie, États-Unis(Press Enterprise newspaper, Sunday, Nov. 23, 2003)
    • Sociétés de production
      • Hollywood Pictures
      • Illusion Entertainment
      • Cinergi Pictures Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 44 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 13 681 765 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 2 206 506 $US
      • 25 déc. 1995
    • Montant brut mondial
      • 13 681 765 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 3h 12min(192 min)
    • Couleur
      • Color
      • Black and White
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39 : 1

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