Garden State

I first heard about this film from The Shins. James Mercer mentioned this film in an interview and talked about how it raised awareness for the band. I decided to watch this movie only because of this, and I actually thought it was pretty sweet. I like the contrast between Andrew's junkie friends and Sam's innocent, loving family. You can really see how much the colors change from depressing browns and whites to warm reds and yellows. I think Zach Braff did a great job directing the film in that sense. Braff also did a good job playing Andrew. He really portrayed the numb mindlessness of Andrew, and really changed throughout the film. I like how we see Andrew go back to that numb mindless state when he is waiting on the plane after leaving Sam. It really goes to show how much he needs her. Overall, the film was very well made and the soundtrack is gold. I was elated when I heard an acoustic version of "Such Great Heights" by the Postal Service playing at one point. I didn't know how versatile Natalie Portman was as an actress until watching this movie She played Sam very well and was one of the highlights for me.

This was almost the perfect movie. The acting was great, the direction was great, the script was brilliant, and the location shoots were perfect. Probably the most amazing thing about this movie was the screen stealing show stopping performance of Natalie Portman. She showed this brilliance in "Leon" aka "The Professional", and once again amazed with her talent. It contains different humour to your usual American movie and was a needed hit in the movie circles of 2004.

My only problem was a little part of the story that seemed out of place and not needed. This is not a spoiler, it is his friends wealth and invention. They just seemed unnecessary to me. This is a minor complaint and I eagerly anticipate Zach's next work. He could quite possibly end out being more famous behind the camera than in front of it.

This movie was incredible. As a massive fan of light romance 80's movies and old action films, I absolutely fell in love. The plot was no where near heavy, the characters were inspirational and once again, Natalie Portman's cute and quirky character played a massive roll in the beauty of this movie. The story, though containing heavy content to do with the death of Zach's mother, managed to stay subtle and tenuous keeping the comedy theme going. An incredible piece and a must watch to all that have the chance to witness the film.

"Garden State" has a very specific brand of humor that not everyone is going to get immediately. But as writer/director/star Zach Braff says in the bonus interview, "Is it funny? {Interviewer says yeah} Good. I never know if anyone else is going to find them funny. If nothing else, I'm making a movie that I'll enjoy."

And that's why this movie works. In comedy, the worst thing you can do is try too hard to be funny. "Garden State" falls squarely in subtle, almost deadpan territory... meaning there aren't any big sight gags, slapstick or knockout punchlines.

In that respect I'd put it in the genre of "movies like Bill Murray would act in" except there's no Bill Murray. I'm referring to flicks like Coffee & Cigarettes, Rushmore, Royal Tenenbaums, Life Aquatic, which is essentially saying it's like a Wes Anderson film, or maybe Terry Zwigoff (Ghost World, Art School Confidential). There's a lot of visual storytelling, as in quirky symmetrical shots, stationary cameras on meticulously arranged sets, or a surreal vibe punctated by the camera slowly rising into the sky.

The story is something like famed French existentialist Albert Camus would write if he did comedy. A late-20s, emotionless, estranged son (Zach Braff) returns to his hometown to bury his mother. He seems devoid of all sentimentality as he wanders around meeting all sorts of crazy (and I mean crazy) characters from his past. Whether he's being nearly shot to death by an overenthusiastic cop, or molested by a hot blonde at a party, his range of emotion barely budges between bored and slightly perplexed. Then he meets his antithesis, a 20-something girl (Natalie Portman) whose range of emotion is somewhere between very amused and insanely happy.

It's the delightful contrast between these 2 characters, and their great on-screen chemistry, that turns an otherwise brooding sarcastic comedy into a really entertaining treat.

Another thing that really defines this film is the way every character, even the minor ones who only have 1 scene, are so bizarre and interesting that you feel like an entire movie spinoff could be made of each one. These characters include: 1) the grave digger who makes his real living by doing questionable things at the hardware store; 2) the grave digger's hot mom who is sleeping with her son's sworn enemy from high school; 3) the kid who got rich from inventing "silent velcro" and who now spends his time doing absolutely nothing; 4) the West African immigrant who is studying criminal justice and is obsessed with figuring out which dog is pissing on his phone; 5) the strange "Guardian of the Abyss" whom I won't spoil for you; and the list goes on.

The second half of the story focuses on a bizarre suburban quest the 3 main characters undertake, almost like in "Stand by Me" but with grownups and maybe a pornographic peepshow or two (btw the location of the climactic scene, "Kiernan's Quarry", is a real place--or at least it was until it got filled in & converted to condos a few years ago).

But as strange and nonsensical as it sounds, these are in fact "true stories from suburbia" as Zach Braff says. The entire film is a compilation of stories that happened to him and others in his small Jersey town growing up. "Garden State" has a magical way of bringing these seemingly random vignettes to our attention, making us understand the epic nature of obscurity.

So no, there may not be crazy car chases, bank heists or wacky jewel capers (...oh wait, actually there sorta is 1 wacky jewel caper), this film delivers a really entertaining ride from start to finish.

I grew up watching this movie in the 2000s, loved it then, and just recently re-watched it for the first time in many years. Definitely feels like a mid 2000s movie. Wow how times have changed. It's still a great movie, whose best scenes are mostly the ones with Peter Sarsgaard. I miss movies like this so much, sad that Hollywood doesn't seem to make them anymore, those introspective arthouse films that defined the teenhood of so many of us growing up in the 2000s.

I just recently got into listening to Hugo Kant's music, that kept reminding me of Garden State, so I had to revisit the movie, and it brought back so many memories of my life back then, what I wanted to do, and how life has just kind of drifted along these past several years.

I long for travel again.