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IMDbPro

Tyubeu

  • 2003
  • Tous publics
  • 1h 56min
NOTE IMDb
5,4/10
1,4 k
MA NOTE
Tyubeu (2003)
Home Video Trailer from Columbia Tristar
Lire trailer1:26
2 Videos
4 photos
ActionCriminalitéDrameThriller

Ajouter une intrigue dans votre langueThis is a touching action epic about an all-out war between a subway terrorist who holds a city hostage and the detective who risks his life to save everyone. It's the heart-wrenching story ... Tout lireThis is a touching action epic about an all-out war between a subway terrorist who holds a city hostage and the detective who risks his life to save everyone. It's the heart-wrenching story of love and sacrifice that grows in a desperate situation, and the humanity of people tryi... Tout lireThis is a touching action epic about an all-out war between a subway terrorist who holds a city hostage and the detective who risks his life to save everyone. It's the heart-wrenching story of love and sacrifice that grows in a desperate situation, and the humanity of people trying to save others in the face of extreme danger at breath-taking speeds and on a huge scal... Tout lire

  • Réalisation
    • Woon-hak Baek
  • Scénario
    • Woon-hak Baek
    • Jung-min Kim
  • Casting principal
    • Kim Seok-hoon
    • Bae Doona
    • Park Sang-min
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,4/10
    1,4 k
    MA NOTE
    • Réalisation
      • Woon-hak Baek
    • Scénario
      • Woon-hak Baek
      • Jung-min Kim
    • Casting principal
      • Kim Seok-hoon
      • Bae Doona
      • Park Sang-min
    • 20avis d'utilisateurs
    • 18avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 nomination au total

    Vidéos2

    Tube
    Trailer 1:26
    Tube
    Tube
    Trailer 1:22
    Tube
    Tube
    Trailer 1:22
    Tube

    Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux31

    Modifier
    Kim Seok-hoon
    • Jay
    Bae Doona
    Bae Doona
    • Kay
    Park Sang-min
    • Kang Gi-taek
    Son Byung-ho
    Son Byung-ho
    • Kwon
    Im Hyun Shik
    Im Hyun Shik
    • Chief
    • (as Im Hyun-sik)
    Kwon Oh-jung
    Kwon Oh-jung
    • Razor Blade
    Song Yong-tae
    Song Yong-tae
    • Song Il-kwon
    • (as Yong-tae Song)
    Hyeon-jin Sa
    • Newlywed
    Po-dong Nam
    • Blind Beggar
    Nam Chang-hee
    Nam Chang-hee
    • Man in Commercial
    Bong Tae-gyu
    • Male High School Student
    Na Eun-kyeong
    • Female High School Student
    Hye-ran Sin
    • Yeon-woo
    Han Jeong-su
    Han Jeong-su
    • Bong-ho
    Su-hyeon Kim
    • Aide
    Shin Cheol-jin
    • Driver Park
    Park Choong-seon
    Park Choong-seon
    • Carrier
    Gi Ju-bong
    Gi Ju-bong
    • Central chief
    • Réalisation
      • Woon-hak Baek
    • Scénario
      • Woon-hak Baek
      • Jung-min Kim
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs20

    5,41.4K
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    10

    Avis à la une

    3gregsrants

    Americanized garbage

    You don't get me containing my excitement too much for Hong Kong/Japanese/Korean action films. I see a name like John Woo, Chow Yun-Fat or Takeshi Kitano on a movie poster and I break into hives with anticipation. What makes these foreign films better or more appealing than their American counterparts you ask? Well, first and foremost is the style. Our friends from the East have a knack for action sequences. Check out the gunplay in films like Hard Boiled and Shiri and see their influences in the West with films like Face/Off and Heat.

    So when the creators of Shiri reunited for a film about a cop on the trail of a madman who has taken over a speeding train, my heart began to pump uncontrollably and pestered my local DVD supplier continually for updates as to the film's North American Release.

    The film I am referring is Tube. Directed by first timer Baek Woon-Hak and starring a multitude of hyphenated names that you wouldn't recognize, the movie was about a former assassin for the government that takes over a subway train to persuade his former boss and now mortal enemy to sacrifice his life for the lives of the innocents on board.

    Putting a crink in the plans is a rogue cop who has been on the killers trail for many years, and who too is looking for payback for the death of his wife and the loss of a finger in an abbreviated altercation that took place some time in the past.

    As demands are made and peaceful solutions examined, people are shot, ambushes are ordered and rail cars are blown up. Everything we would expect from a film of this genre.

    It's too bad it doesn't work.

    While watching Tube I wondered if the Director and Producers were sitting around one weekend watching American action films and tried to copy what they thought were the best parts from each. The premise is stripped from Under Siege 2 (and if you ever copy a Steven Segal film, you need your head checked), the opening sequence rips of Heat, an attempted rescue on the train was done better in Speed and even films like Apollo 13 and Stallone's Daylight look to have had their scenes stolen directly from the original screenplays.

    But stealing from big budget films wasn't the only once noticeable Americanization of the film. Speeches are given when the characters should be acting or reacting to their situations and flashbacks are thrown in to stretch the running time. The soundtrack was overwhelming as is Hans Zimmer was vacationing in Tokyo and had nothing better to do than provide a repeating beat that would bound out of my subwoofer every time we see the train speeding down the track. Even the comic relief in the character of a thug that is handcuffed in one of the rail cars was straight from a Bruckheimer brainstorm. Whoa's me!

    My excitement over the films release was quashed like a lake being thrown on a campfire. Everything that made these foreign films unique and pulse pounding was lost to what I can only assume was an attempt to puncture a hole in the lucrative North American video market. I could have cared less about the characters, I felt no attachment to the emotional attachment between the various couples and if you are just going to throw mindless action at me, well then, I hate to say it but give me a Michael Bay film. At least then I know what to expect and don't feel robbed of an afternoon.

    www.gregsrants.com
    4the amorphousmachine

    Too many climaxes!

    I never heard of this movie when I rented it, and I had no idea which country it was from. Heh, i didn't bother reading the DVD cover. I thought it was Japanese, as it had that look, but the writing was a little off. Regardless, it's a South Korean actioner, that stylistically had some nice moments, but this film did not know when to quit.

    Basically, two bad guys take over a train, and hold the country ransom. A renegade detective who is has a past with the main bad guy, must work with the police and the rail system to try and save the hostages. The Korean equivalent to 'Under Siege 2'! From the opening scene, where the main villain somehow manages to thwart the entire police force unscathed, this is a hard film to take seriously! Not only is it fairly confusing as to what character did what to the other in the past, it has moments where you don't quite know what happened to the characters. Did some of the passengers of the train get killed during that huge shootout? Why didn't the hostages in the main carriage escape during the first big macho fight between protagonist and antagonist? Little things like that! Oh, and then a sub-character and his colleagues seem to take two thirds of the movie to re-act to that sub-character's love interest being one of the hostages? Oh, and the police force don't seem to acknowledge any loss of life when planning their next move. But the main problem I had with this film, is that it was climax overkill. Every time, our hero seemed to stop something bad from happening, there was another introduction of a plot element that wasn't established. Trains almost colliding with each other, and the pressure is on the technical staff! The hero manages to thwart the train's weight making a bridge collapse with it's obstacles, then has to stop a bomb, and fight a bad guy (again, with obstacles), then the next plot point is introduced, and the other heroes have to divert the train from hitting a nuclear plant (ala obstacles). And then there is yet another climax after that. Like one reviewer noted, all you needed was something to hold down the weight of the lever in regard to that one! I was getting really bored of this movie towards the end. Plus, there a pointless scene where the hostages stand up to the bad guy, and it could have been totally cut, and it didn't furthur the plot at all. It was totally unnecessary cause it didn't add to the story thematically, or provide anything to the plot! That pretty much sums up how 'Tube' keeps piling unnecessary climatic moments, and it really over-kills the climax factor basically because they forgot to introduce many of the main elements beforehand (i.e. the rigged train to explode, and subsequent numerous bombs)! 'Tube' is not a very good movie!

    ** out of *****!
    BrianThibodeau

    Flashy action thriller derailed by logic-challenged screen writing

    TUBE (2003): While I can't highly recommend it, it is kind of fun, provided you don't think too much about the plot, which has a walking stereotype loose-canon cop (Kim Seok-hoon) battling a terrorist (Pak Sang-min) onboard a hijacked subway train. The terrorist is a former government eraser that the government tried, but failed, to erase, and he's taken the train, and Seoul's mayor, hostage to uhh, well, to apparently have the plan be doomed from the start. Equal parts SPEED, TAKING OF PELHAM 123, MONEY TRAIN and DIE HARD, the film has few pretensions, which make it easy on the derriere. Poor Bae Doo-na gets one of the stranger film roles in film history, as a pickpocket who apparently knows she must LOVE the hero even before she KNOWS the hero, and creates all the necessary Korean histrionics along the way (as well as almost bearing more physical brutality than the hero!) while our glowering protagonist poses with a series of unlit cigarettes in his mouth (and which only one person will ever be allowed to light, care to guess who?). The SPEED and TAKING OF PELHAM allusions are apt, as are slight nods to MONEY TRAIN (the hero's boss does his best crazy Robert Blake impersonation) and DIE HARD (or UNDER SIEGE 2 if you'd rather, since it's so blatantly name-checked on the U.S. package), but overall it's a victim of it's own weak (and often downright ridiculous) logic and begs a few too many questions. The lovely Bae Doo-na plays one of the most strangely motivated characters I've ever seen in a motion picture. Production wise, though, it's delivers the goods, with slick production values all the way, with some nicely handled chase and fight scenes. Turns out, if I read the docu-stuff on the Korean 2-disc set correctly, that the Korean subway trains don't even look as hi-tech as they do here, and the ones in the film were almost entirely CG apart from the sets for close-ups! Columbia Tri-Star's sleeve is highly reminiscent of the art for TRANSPORTER and, not entirely unexpectedly, substitutes a generic Asian face for that of star Kim Seok-hoon. I give it a 4.
    wellthatswhatithinkanyway

    Nothing too special

    STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs

    Cop Jay is intent on busting criminal mastermind .T.When he hi-jacks an underground train,he finds the perfect opportunity to make this happen.

    This slow and overlong action thriller takes nearly two hours to tell a story that could have been wrapped in an hour and a half.For an action film,said action is not exactly in plentiful supply either.

    It's intriguing (for me,anyway) and certainly very nice to catch a slice of Oriental action cinema,but when it's something so ultimately perfunctory and ordinary,it just ends up feeling so much more pointless.If you want to watch an action thriller set on board a train,rent Under Siege 2 with Steven Seagal,it's far superior.**
    5NIXFLIX-DOT-COM

    Enjoyable But Highly Silly

    Taking a dose from "Speed", "The Rock", and "Die Hard", the South Korean movie TUBE is just your average shoot'em up and blow'em up actioner. It takes its cues more from your average Hollywood summer fare, with an outrageous premise and a variety of cliches only possible in similar silly action movies.

    TUBE has going for it an intriguing villain, but the hero is not quite so interesting, even if the film spends more than 25 of the first 30 minutes on his back story. The character of the girl who falls in love with the hero and basically stalks him around south Korea is a bit disturbing, mostly because it's so silly and unbelievably "kiddie" stuff.

    Not to say that TUBE isn't a worthwhile movie. It has its share of exciting action set pieces, but for the most part the film lacks brain cells, which isn't much of a surprise for action movies. And yet, TUBE just doesn't seem to understand that criminal masterminds don't leave a spunky girl alive even after she's fouled up his plan for the 50th time. Outrageously silly.

    5 out of 10

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    Détails

    Modifier
    • Date de sortie
      • 5 juin 2003 (Corée du Sud)
    • Pays d’origine
      • Corée du Sud
    • Langue
      • Coréen
    • Aussi connu sous le nom de
      • Tube
    • Société de production
      • Mir Film
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

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    • Montant brut mondial
      • 78 162 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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