Ling

The other reviews here sound as if they are at the wrong movie. This is not the Japanese film (which was itself a remake of a TV film) but the Korean remake. This one has been written about as if it were a cheap imitation, but the description in the catalog calls it the "official" Korean version, and it is not cheap but a slickly made film. It is also not a ripoff but the same story, with several changes, including slightly more sex and violence, and a construction and atmosphere closer to The X Files. Now the reporter's partner is not her ex-husband but an eccentric doctor (and possible love interest) who suspects supernatural foul play. The video is not an illicit underground fad for teens but an artifact that one group stumbles on by chance. We find out explicitly why and how it was made. The movie adds details that make the situation more concrete, but apart from raising more questions that aren't answered, this further explanation eliminates many of the story's scariest elements. The video, which was unsettling in the original, is nothing to speak of, and THAT SCENE--the one the viewer is waiting for--is a big disappointment. The staging of it might have worked in itself, but it is overlaid with a colorizing effect that is obviously an effect and takes the viewer out of the film. The scene in the well, however, is very eerie. On its own terms, this is a pretty good ghost story, and the performance of the leading lady could hardly be better. But it is nowhere near as scary as the first film.

The problem with modern horror is that instead of genuinely scaring the viewer, Hollywood seems to have decided that fog and gore is enough. Well this effort from Japan (Which was made in 1998 btw) shows how utterly magnificent and scary a movie can be with the most minimalist budget. It's based on the idea of a disturbing video, which seems to be having strange effects on those who view it. Indeed, 4 of those who watch it die a week later. Coincidence?

To be honest, I really don't want to give any more plot away as this is the sort of story, like Sixth Sense, that frankly one should see knowing as little about as possible.

It is genuinely chilling throughout, and uses suggestion and psychological manipulation to achieve the terror. A known trick with moviemakers and games makers (To a lesser extent) is that it is not what the viewer sees that terrifies them, it's what they can't see. It's what they imagine and believe is happening which can so effectively scare them.

And this movie does that outstandingly well.

A word of warning; just when you think it's over and the chills have stopped, think again. The ending is the epitome of fear, and if you're not tempted to cover your eyes you're a braver man than I.

Every review I see for this film is for the original horror movie classic based on the best-selling novel by Koji Suzuki 'Ringu'. This is not 'Ringu', it is the Korean adaption of the movie. Very few people have watched this film has it had received its share of insults and bashing.

However, I recommend to any one who loved either or both 'The Ring' (American adaption) or 'Ringu' (Original Japanese version) to watch this version. You owe it to yourself.

I won't lie to you, the acting is poor and the actress who plays Sun-joo is so wooden it's frightening. Most of the scenes are dull and strange... But the scenes with Eun-Suh are handled beautifully. I watched this movie several times... And it really grew on me.

Its nothing compared to 'Ringu', but like I said, it's worth a look.

2/5 *** Stars

Like the other user comments on the film, I can only recommend this low-key, dark, and very well paced film. The plot, judged in the cold light of day, is a mish-mash of familiar elements - angry ghosts, curses, a house built on a grave, psychic powers - staple fare for the X-Files. However, the film's strength is in the director's management of the central conceit - a mysterious video which, when watched, ensures that you will die a horrible, yet inexplicable death in precisely a week. The heroine's desperate quest to unlock the mystery of this video and, somehow, 'lift' the curse provides the film with structure and tension. As the hours tick away, and the deadline approaches I for one was gripped with a near-claustrophobic panic. And the climax, where we learn precisely what has apparently scared the video's victims to death, is shocking in its clever effacement of the one thing which reassures about television and film - it's only on the screen, it can't really hurt us... Don't miss.

This film is the first remake of the Japanese film Ringu, which was later remade into the Hollywood film, The Ring. If you measure it alone or in comparison with the novel, it stands a passable affair, but you can't really leave aside some comparisons with Ringu as The Ring Virus takes several key elements from Ringu while also re-incorporating a few elements of the novel back into the movie. In the end, some of this gets all jumbled and it leaves a couple plot holes as well as weakens believability at times.

I noticed right away that The Ring Virus generally takes a different aesthetic approach. While Ringu had a lot more natural/fluorescent lighting, generally casting the film in whites, greens and blues, The Ring Virus accepts warmer tones from incandescent lights and thus adds more yellows and oranges to the palette. Furthermore, the camera takes more dynamic movements and positions in The Ring Virus, although this is not necessarily a good thing. In some way, the Corean remake looks a little busier than the Japanese version and the overall look doesn't seem as oppressive as the original. Nonetheless, some of the shots are still taken directly from its predecessor.

The story itself is primarily like Ringu. A female reporter finds a tape, which upon playing, curses her with seven days to live and she begins a desperate search for a way out of the curse. While the overarching story is essentially the same, the details and characters have changed. The partner in crime in this instance more closely follows the novel, as we find a medical researcher with no relation to the protagonist joins the case. Furthermore, the story of the ghostly villain has changed as well and thus her reasons for her vengeful ways have also changed. The story is infused with more sexuality and less paranormal science than Ringu.

Unfortunately, many of these changes, even if more closely following the book, fail to work. First of all, the supporting character of the researcher doesn't come across nearly as brilliant as he is presented as being and there appears to be some remnant of Ringu's ex-husband in him as he has some unexplained bouts of clairvoyance. Also, because he has no relationship to the protagonist, its hard to believe that he would bother to join in her quest and endanger himself. In the book, he is at least a friend of the male protagonist (the sex of the protagonist got swapped in Ringu). I do have to admit that expansion of the ghost's story does lead her to be a more interesting character, but it doesn't save The Ring Viruses from the weaknesses in the details of the story. Add in a couple plot holes and a lack of attention to detail and The Ring Virus fails to impress.

I found myself yelling at the screen during the course of this film and slapping my head in disbelief. Maybe if I hadn't seen Ringu first, this effort would seem less curmudgeon and while it does bring some interesting elements to the story, overall, the weaknesses in the direction and the story make it a slightly less than adequate affair. It might be an interesting first watch of the various Ring movies or an interesting comparison viewing, but otherwise, I think you'd be better served trying one of the other versions of the Ring story. Problematic. 5/10.