The Evil Within

Brilliant special effects and avant garde theatrics - this movie comes ever so close to being an instant cult classic. The brilliant, but ultimately annoying portrayal of the mentally retarded and easily manipulated Dennis puts the other poor acting and awkward scenes to shame however it does show an insidious subculture of deliberate manipulation and entrapment under the guise of a Tales from the Crypt style presentation. This could have been truly great.

On its own, it was fairly good; not very much to say since I couldn't help but think about the context. The ending was a little confusing, but if you saw the movie you'd probably be surprised if it wasn't confusing.

Now for the context. No one's first film is great or even good, but this was a very good first effort from the writer-director and I think it showed a great natural artistic capability that a longer career would have honed. I was amazed at how good this was for a first film and it's tragic to think there will never be another movie from this clearly gifted artist.

That being said, if I didn't know the backstory behind the film, I probably wouldn't have sought it out, let alone even heard of it, and it's better to judge a film on its own rather than the context around its making. I acknowledge that I had a bias going into this movie as I went in knowing the tragic story of the writer-director, but the bias should not be judged too harshly as I've gone into many movies wanting them to be good and that's never stopped me from judging them to be bad if they were indeed bad. While The Evil Within is not great, it's certainly memorable. 6/10 might not sound like a good rating, but I prefer a 4-star scale, with 2 stars being average, not bad but not exactly memorable, and 3 stars being good, and this movie's in between, so my rating is 2.5/4 stars. A not exactly good but certainly memorable movie, and an incredible first and only film from an untapped talent.

This bizarre little horror certainly surprised me, within minutes I had no idea where the film was going or which sub-genre it would fall into.

Starring Sean Patrick "As seen in a hundred b-movies" Flanery and Dina "Starship Troopers" Meyer this odd little tale follows Dennis a mentally limited young man and his descent into madness & violence.

Heavily open to interpretation but well created this isn't for everyone and generally not the type of film I'd enjoy but by the end I was quite gripped.

With a good twist and finale I wish I had liked this more than I did as you can tell a lot of effort went into it and the creator had some good ideas.

Kudos as well to the young fella who plays the lead, hopefully he'll piggyback this movie on route to better things.

The Good:

Lead is fantastic

Some great ideas

The Bad:

Flawed in places

Things I Learnt From This Movie:

Dina Meyer must have p*ssed someone in Hollywood off

I'm never going to be able to look at a ghost train the same way again

A mentally handicapped young man lives with his older brother. The older sibling has guilt in that he was responsible for an incident leading to his brother's condition. One day he buys him a large antique mirror which unfortunately turns out to be an evil artefact that talks to the little brother from another dimension, imploring him to commit horrendous acts.

Quite amazingly, this movie was filmed over a period of fifteen years, which is a huge time period to focus on one project and which is not really at all obvious from the finished film. The director was Andrew Getty who was one of the heirs to the Getty family fortune, this allowed him to plough millions of his own money into the film but he seems to have been a troubled individual and ended up dying before the film was released. If I'm being totally honest, I'm not sure the end results justify the huge amount of time that was invested in this project. It certainly has some good Lovecraftian imagination at times, with some imaginative macabre imagery and creatures but I felt it was held back somewhat by the central performance of Frederick Koehler as the disturbed brother, who I found quite grating throughout. The story in general is okay but not especially remarkable, the strengths of this one lie mainly with some of its visual ideas which are often successfully surreal and nightmarish. On the whole, there are some worthwhile ideas interwoven into this one but I thought it to be a bit uneven on the whole.

The plot. The sadistic tale of a lonely, mentally handicapped boy who befriends his reflection in an antique mirror.

This demonic creature orders him to go on a murderous rampage to kill the people he loves most.

To appreciate this movie, I suspect you need to know something of the back story.

It was written, directed and financed by a reclusive heir to the Getty fortune who plowed millions into this movie but ultimately ran out of funds! Apparently he bought all the equipment instead of renting it and had meth addict dreams of becoming a movie mogul.

It's a really bizarre movie and it's hard to take your eyes off it. I think it could only be made by someone super high who was also very creative.

The movie gets increasingly odd and surreal as it progresses. But you won't be able to turn away. Getty's death was as weird as this movie. Only in Hollywood could any of this happen.