Baskin

If you are tired of modern horror films filled with cheap and forced jump scares constructed in a way of muting down the sounds and then throwing an explosion of loud noises in your face to try to scare you, and are rather interested in watching a film filled with tension, dreadful atmosphere, interesting characters, symbolism and pure nightmare images look no further. Baskin (aka Police Raid) is a Turkish horror film directed by Can Evrol (in his directorial debut) and is based on short horror film of the same name. Story follows a group of police officers who stumble upon a Black Mass in an abandoned building. Sure, probably not an original scenario. You might feel like you probably seen this before, but it is the approach and execution that allows this film to rise above most of today's horror films. Tension is always present in Baskin, and it's dark and dreadful atmosphere builds all around you and won't let go so closing your eyes will mean nothing but surrender. Also, instead of a group of stupid, drunk and naked teens, this time we have a group of mature, experienced police officers and seeing them being overwhelmed with terror is even more frightening. There is a scene in which one of those police officers enters a room only to behold scenery so terrifying he loses his mind and starts screaming. There were no jump scares, just genuine terror. Maybe the last 20 minutes were kinda disappointing compared to the first half of the film, but Baskin is still overall a strong horror ride. If you are not a fan of violent and gory films, better skip this one. But if you're open minded and enjoy all types of horror movies you should definitely pay a visit to this hellish nightmare.

In BASKIN, the horror starts right away with an opening straight out of childhood nightmares.

The scene switches to five cops hanging out in a diner. There's something just not right about the place, and some disturbing things occur without the knowledge of these policemen. A building sense of dread and uneasiness sets in before anything even happens. It's established immediately that these guys are hardened characters who have probably "seen it all". These are NOT the cops you want to pull you over in the middle of the night!

Upon leaving the diner, there's a call for backup on the van radio. The creep-factor continues to rise, as incidents take place which have no plausible explanation. Then, some unearthly line is somehow crossed, and away we go! The best way to describe what transpires next, is a collective nightmare interrupted by spurts of semi-reality. Arriving at their destination, the weirdness only gets... weirder! Entering a decrepit mansion, the true madness begins. If you've ever wondered what a fun house in hell's sub-basement would be like, well, here it is!

BASKIN is genuinely scary and completely messed up. Ultimately, it's a terrifying tale of supernatural retribution and doom. There is plenty of gore and degradation for these men, but what makes the movie so blood-freezing is the atmosphere of total malevolence that it conjures. True wickedness. Without this, BASKIN would be just another mindlessly debauched splatter film. By the time you reach its finale, you'll know what I mean...

If "being a good horror movie" was purely a matter of inserting cruel images, nightmarish scenery and petrifying characters in your movie, then "Baskin" inarguably was one of the greatest horror masterpieces of the past 2-3 decades. This film is literally chock- full of grueling gore and the decors are so disturbing that viewers with a weak stomach won't even be able to digest them. Unfortunately, however, "being a good horror movie" is also about a solid script, originality, a coherent structure and a minimum of empathy with the lead characters. These are all elements that I missed in "Baskin" and which prevent me from labeling as a true genre delight. What remains is nevertheless a more than remarkable and grotesquely violent horror movie from Turkey. This country has a rather bizarre tradition when it comes to making horror/cult movies. During the 70s and 80s they mostly just made shameless and unintentionally hilarious imitations of famous blockbuster, like "Turkish Superman" or "Seytan" (a blatant copy of "The Exorcist"), but since a few years there's a new generation of Turkish horror directors and at least they want to uplift the quality level of their national horror cinema a bit. The protagonists in "Baskin" are five police officers and, I don't know whether it was director/co- writer Can Evrenol's intention or not, but the film doesn't exactly draw a positive image of the Turkish authority figures. They're sitting in a filthy roadside diner, telling vulgar stories about their meeting with (male) prostitutes to each other and collectively harass a young waiter. Kind of like Joe Pesci did in "Goodfellas"; they pick on a poor sucker because he dared to laugh with their stories even though he wasn't invited at the table to laugh. A few moments later they decide that the physically ill person of the bunch can drive the van and they have a little karaoke party in their service vehicle. Doesn't really encourage you to trust the Turkish police, now does it? They subsequently receive a vague radio report that leads them to an abandoned mansion where a satanic sect is in the middle of holding a black mass. The high-priest is excessively cruel in his execution rituals, but there also seems to be a link between the events here and the recurring nightmares of the youngest cop Arda. I've read a review on "Baskin" that described the film like a compound between the narrative styles of David Lynch and Rob Zombie. The comparison definitely makes sense, although our pal Can Evrenol is not (yet) as skilled and experienced as those two. Many, many sequences are truly sickening to watch, with explicit footage of eye-stabbings, slit throats and cut open stomachs. One last thing I simply have to mention - and genuinely applaud – is the terrific casting work! Particularly the supportive roles are masterfully cast; most notable two actors with faces that were seemingly made to have a career in horror cinema (although this may come across as very disrespectful because they both obviously suffer from a physical condition that makes them look that way). Mehmet Cerrahoglu depicts the high-priest and he's the kind of actor who only looks scarier from the moment he removes his mask. The other actor is named Seyithan Özdemir and he is credited as "giant man/frog hunter". He instantly reminded me of 1940s actor/horror icon Rondo Hatton! I would strongly advise Mr. Özdemir to pick up a few words of English and purchase a plane ticket to Hollywood, as he can surely make it big in Hollywood with a mug like that.

When I first saw this movie, I was at the Fantasy film fest and this was the last screening on the first day. I didn't expect anything and this movie just set a mark for me. This movie finally made a dark place really dark again, Since i know a lot of turkey people and know some words, I really enjoyed the conversation in this movie, cause they are quite realistic. So what I thought would turn out to a funny Turkish splatter-film, turned into a bizarre Minfuck Horrorfilm, which instantly made it in my personal Top20 of the year. I think its an movie half of the people will love, and the other half will hate it, but nonetheless a must see movie in my Opinion.

We've seen the premise of going to Hell many times before, but few are as effective as 'Hellraiser' and 'Baskin'. While 'Baskin' is not trying to be another 'Hellraiser', one can't help but compare them. Both films depict hell as a horrible place of torture.

From the opening moment, Yavuz (Muharrem Bayrak) is depicted as an arrogant and rather crude guy, a policeman who abuses his authority. (He does undergo the most character development towards the end). He is one of five cops who are about to embark on a nightmare journey. The men are Yavuz, Apo, Seyfi, rookie Arda, and their boss Remzi. Arda is under Remizi's care since his father died.

Responding to a call for back-up, they head to Inceagac - a creepy and dangerous place. On their way, they hit a man on a dark stretch of road, and drive into a lake. Without transport or a working phone or radio - and with no sign of the person they hit - their nightmare is only just starting. They make their way on foot to Inceagac, where fellow police officers called for back-up.

If you intend having snacks with this movie, make sure you finish it before they enter the building in Inceagac - if you want to keep your food inside, that is! Once they enter the building, the film plunges you into hell from which there is no escape.

Just like 'Hellraiser' these scenes are disturbing, bloody and grotesque. This truly is the stuff nightmares are made of. The visuals and make-up effects are really good. 'Baskin' doesn't have the same good storyline and payoff as 'Hellraiser', but this is a very well made movie. Saying I liked the movie might make me sound sadistic considering its theme and nature, but yes, I actually enjoyed it.