Melvin Goes to Dinner

Michael Blieden wrote the play in which the film is based. "Melvin Goes to Dinner" is a fast paced adaptation directed by Bob Odenkirk. It was a refreshing movie in which the writer, Mr. Blieden, has opened up the play in a satisfying way.

The premise of the film is a dinner among friends. During the dinner we get to know the dynamics among the diners. These yuppies are not the shallow individuals we might have taken them for. During the course of the dinner while the tongues get loose with the drinking, we realize what's really going on. The conversation is easy, and friendly, which is what happens when people that haven't seen one another for some period of time, will pick up where they left off the last time they met.

The young cast is likable. The author, Michael Blieden plays the leading role of Melvin. Matt Rice is Joey. Annabelle Gurwitch is Sarah, the woman who is connected to one of the friends in a way the others have no idea. The revelation makes sense. Stephanie Courtney, as Alex, is good. Jack Black appears in a cameo.

Bring another bottle of Pinot Noir, please!

Four people, two guys and two gals, at different places in their lives, chance to meet at a restaurant for dinner one day, and end up revealing themselves and discovering each other in ways none of them could have predicted. For the most part, they are bright, young, upwardly mobile professionals, comfortable discussing themselves, and hence even without a psychologist to act as moderator, they interact in a manner reminiscent of group therapy. That is, they take turns admitting their secret thoughts and obsessions, take issue with each other on some points, and try to benefit from each other's experiences and perspectives. One of them even has some background in a field related to psychiatry, but of course with minimal insight.

The point of the film seems to be that, thanks to their group discussion, they all develop a wider perspective on life, but especially Melvin, whose life had been spiraling out of control. In some regards he seems the brighter of the four, yet the least insightful. All of the characters become more aware of themselves through their interactions over dinner, but it is Melvin who benefits the most. How he grows, and what he learns from that encounter, are what makes this film worth viewing. Thanks to his opportunity, Melvin doesn't just go out to dinner, but learns to take control of his life. It is a very subtle story, but worthy of critical attention.

Melvin (Writer Micheal Blieden, adapting his own stage play for the small screen), meets up with friends, old and new, over dinner and has a conversation about ghosts, religion, sex, secrets, and religion (not necessarily in that order). The conversation itself is engaging and flows nicely, but the scenes out of the restaurant,though not without merit (David Cross, Jack Black, and Maura Tierney, have good parts in said parts), tend to mess up the flow of the film somewhat. And based on the film I'd be interested in seeing the play.

My Grade: B-

DVD Extras: Commentary by Bob Odenkirk, Micheal Blieden, and cast members; Second Commentary by Odenkirk, Blieden, the producers, composer, and Cinematographer; "The Frank International Film Festical" (a funny 15 minute skit); Scenes from the stage play Phyro-Giants!"; Trailers for "the Slaughter Rule", "Swimming", "Mule Skinner Blues", "Searching for Paradise", "the Hired Hand", "the Other Side of the Bed", "In This World", "Dopamine", and a promo for the Sundance film series

DVD-ROM: Screenplay in PDF format

It took me a little time to get used to this movie but when I was in thralls I enjoyed the likeable characters, the believable dialogue and the realism of how you open up over a bottle of wine. A must for any indie movie lovers who enjoy a simple story.

I got the DVD of this in the mail yesterday, went home early, played it all the way through, got a new drink from the kitchen and watched it all the way through a second time.

I don't think I've ever done that before, and I see hundreds of movies a year.

Although maintaining the four-person-play character of the staged production, the guest stars that fill the incidental role are terrific, and their presence just makes more perfect how the entirety of the movie comes together at the end -- which it really does, though a second viewing is helpful in realizing it.

Don't miss this gem!