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Ajouter une intrigue dans votre langueSherlock Holmes and Dr. Watson investigate after being told an heir's estate is plagued by a ghostly dog.Sherlock Holmes and Dr. Watson investigate after being told an heir's estate is plagued by a ghostly dog.Sherlock Holmes and Dr. Watson investigate after being told an heir's estate is plagued by a ghostly dog.
- Réalisation
- Scénario
- Casting principal
- Nomination aux 1 BAFTA Award
- 1 nomination au total
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The BBC, here in England, have just broadcast the latest version of Arthur Conan Doyle's classic Sherlock Holmes story "The Hound of the Baskervilles". I had my reservations about this latest stab at the old chestnut, I mean there's so MANY versions out there (including the legendary Hammer version with Peter Cushing, Jeremy Brett in his definitive series for television and who can forget Basil Rathbone's rendition?). However, despite my misgivings, I sat down to watch this new addition and I after watching it I am still reeling from the excitement it generated.
The opening image of a dead body on a post-mortem table was spine chilling and shocking. It immediately set a dark and unsettling tone for the rest of this bleak adaptation. The cold colour scheme was absolutely amazing in creating fear and suspense. Mystery lapped at the corners and the fog whispered unseen danger. The cinematography was very stylish and very much in keeping with Doyle's original novel. There's constant rain, mud, mist, strange sounds, almost all colour is drained from the harsh landscape of the forbidding moor. The mood of hopelessness begins to seep into the mind which leaves behind a dour and disturbing emotion.
The performance by Richard Roxburgh (from "Moulin Rouge" and soon to be seen as Dracula in the forthcoming "Van Helsing") has grit and edge which I found refreshing. Gone are the melodramatic cliches of the deerstalker and a pipe (props craftily employed by Rathbone to enhance his character) and in comes the reality of Holmes sitting on a toilet as he injects cocaine into his pock-marked forearm. Later we see him flicking the ash from his cigar into a champagne glass, these and many other habits are shown which indicate how untidy Holmes is in his private life but when it comes to solving crimes he is like a committed bloodhound.
Dr Watson, played by Ian Hart, is another fabulous performer. Gone is the bumbling idiot of old and in comes a tough ex-soldier who has a sharp mind and a very focussed attitude. He even displays genuine anger towards Holmes when he learns that he has been used to engineer a plan devised by Holmes. Although he respects Holmes, Dr Watson also feels mistrust when he finds Holmes abusing their friendship. This again is very much in keeping with the spirit of the books. It is a myth to think of Dr Watson as a simple buffoon who just writes down the exploits of his superior friend, Sherlock Holmes.
All the other actors were superb in their roles. There was a perfect harmony in the acting and their readings of the roles were spot on in every department.
The music, cinematography, locations, production, direction, special effects, etc were wonderful and masterly. This gothic film could easily have been screened in cinemas, it has enough excitement and terror for any multiplex. Once again, Television leads the way forward in great quality drama.
I sincerely hope that the sparkling chemistry displayed between Roxburgh and Hart will bring future installments in the adventures of Holmes and Watson on TV. There is huge potential and I think it would be a real shame if the BBC stopped making further adaptations with this fantastic team.
I am now eagerly awaiting the DVD release so that I can enjoy this lovely gem once more. Go on, curl up in front of the fire, dim the lights, turn up the volume, sip your hot chocolate and be stunned by an evening in front of the TV. Let your imagination be transported into the wild and misty moor. Up ahead, beware the hound that prowls in the shadows of the dripping moon...
The opening image of a dead body on a post-mortem table was spine chilling and shocking. It immediately set a dark and unsettling tone for the rest of this bleak adaptation. The cold colour scheme was absolutely amazing in creating fear and suspense. Mystery lapped at the corners and the fog whispered unseen danger. The cinematography was very stylish and very much in keeping with Doyle's original novel. There's constant rain, mud, mist, strange sounds, almost all colour is drained from the harsh landscape of the forbidding moor. The mood of hopelessness begins to seep into the mind which leaves behind a dour and disturbing emotion.
The performance by Richard Roxburgh (from "Moulin Rouge" and soon to be seen as Dracula in the forthcoming "Van Helsing") has grit and edge which I found refreshing. Gone are the melodramatic cliches of the deerstalker and a pipe (props craftily employed by Rathbone to enhance his character) and in comes the reality of Holmes sitting on a toilet as he injects cocaine into his pock-marked forearm. Later we see him flicking the ash from his cigar into a champagne glass, these and many other habits are shown which indicate how untidy Holmes is in his private life but when it comes to solving crimes he is like a committed bloodhound.
Dr Watson, played by Ian Hart, is another fabulous performer. Gone is the bumbling idiot of old and in comes a tough ex-soldier who has a sharp mind and a very focussed attitude. He even displays genuine anger towards Holmes when he learns that he has been used to engineer a plan devised by Holmes. Although he respects Holmes, Dr Watson also feels mistrust when he finds Holmes abusing their friendship. This again is very much in keeping with the spirit of the books. It is a myth to think of Dr Watson as a simple buffoon who just writes down the exploits of his superior friend, Sherlock Holmes.
All the other actors were superb in their roles. There was a perfect harmony in the acting and their readings of the roles were spot on in every department.
The music, cinematography, locations, production, direction, special effects, etc were wonderful and masterly. This gothic film could easily have been screened in cinemas, it has enough excitement and terror for any multiplex. Once again, Television leads the way forward in great quality drama.
I sincerely hope that the sparkling chemistry displayed between Roxburgh and Hart will bring future installments in the adventures of Holmes and Watson on TV. There is huge potential and I think it would be a real shame if the BBC stopped making further adaptations with this fantastic team.
I am now eagerly awaiting the DVD release so that I can enjoy this lovely gem once more. Go on, curl up in front of the fire, dim the lights, turn up the volume, sip your hot chocolate and be stunned by an evening in front of the TV. Let your imagination be transported into the wild and misty moor. Up ahead, beware the hound that prowls in the shadows of the dripping moon...
As a fan of the Novel, and all of Doyle's Holmes stories I was initially put off by the casting of a blonde Aussie as Sherlock. And I still feel that the characters would have been closer to Doyle's original descriptions had Roxburgh and Richard E. Grant switched roles. But, having said that, I found this treatment of the novel highly entertaining, and a lot of fun. The differences from the novel served to seperate it from the book, and give me a good bit of TV that stands on it's own, as it's own story. Holmes in an alternate reality for those of you out there that follow Science Fiction, if you will. And Hart did a masterful job as Dr. John H. Watson. What was my most lasting impression of this movie ? That Richard Roxburgh, though not in his element as Holmes, gave his all. And the way he played Holmes made me think... maybe Roxburgh is the best candidate to take over the role of Doctor Who when the series returns in 2005...
I'm sorry but this was a serious disappointment. The makers seemed so desperate to make this version different that they changed or removed important characters and parts of the story. There are just too many things to list so I shall concentrate my criticism on the portrayal of Holmes and Watson.
While it is true that Watson often got annoyed with Holmes he was never so blatantly antagonistic towards him. Holmes' drug addiction was over played. Holmes only took his 7% solution when he was not on a case as form of alternative stimulus. He was not, as the film suggests, constantly indulging his addiction (and certainly not in railway station toilets).
The only two pieces of good casting were that of John Nettles as Dr Mortimer and Richard E Grant as Stapleton. I can only pray that the woefully miscast Holmes and Watson do not do any more films.
Jeremy Brett's crown as the best screen Sherlock Holmes is in no danger at all.
While it is true that Watson often got annoyed with Holmes he was never so blatantly antagonistic towards him. Holmes' drug addiction was over played. Holmes only took his 7% solution when he was not on a case as form of alternative stimulus. He was not, as the film suggests, constantly indulging his addiction (and certainly not in railway station toilets).
The only two pieces of good casting were that of John Nettles as Dr Mortimer and Richard E Grant as Stapleton. I can only pray that the woefully miscast Holmes and Watson do not do any more films.
Jeremy Brett's crown as the best screen Sherlock Holmes is in no danger at all.
Call me crazy, but when you're adapting one of the longest Sherlock Holmes stories -- in under two hours -- there's little room to go off on tangents that aren't present in the original plot, much less omit major plot development.
Comment guidelines forbid discussing plot details, which makes it impossible to discuss how egregiously the story has been warped. In brief: the wrong person ends up in quicksand, no one should be hanged, only one person should be gnawed by any kind of animal, there's no seance or pantomime, and the Hound effects are embarrassing.
This version of The Hound of the Baskervilles also has a Holmes who drugs himself during his cases, when, presumably, he would need to concentrate. Need I point out that Holmes used drugs between cases, when he was bored, not while he was working?
On the bright side, Richard Grant was excellent as Jack Stapleton. I only wish the script were equal to his performance.
Comment guidelines forbid discussing plot details, which makes it impossible to discuss how egregiously the story has been warped. In brief: the wrong person ends up in quicksand, no one should be hanged, only one person should be gnawed by any kind of animal, there's no seance or pantomime, and the Hound effects are embarrassing.
This version of The Hound of the Baskervilles also has a Holmes who drugs himself during his cases, when, presumably, he would need to concentrate. Need I point out that Holmes used drugs between cases, when he was bored, not while he was working?
On the bright side, Richard Grant was excellent as Jack Stapleton. I only wish the script were equal to his performance.
When Lord Baskerville is killed by a mysterious hound, the local doctor covers it up as a heart attack and lies about the wounds. However he goes to Baker Street detective Sherlock Holmes with the truth and asks for his help. Holmes dispatches Watson to protect Baskerville's relative, newly arrived from America while he attempts to uncover more.
Christmas TV schedules are full of one-off dramas usually with stars who have done well in America but have returned to keep their face about or actors who don't often do television series. This version of a classic story was one such example. As is often the case with such things, it is a good production and moves the story along at a good pace. The hound itself is best seen in shadows and quick edits as it isn't that scary but the film still manages to have a sense of urgency to it.
Roxburgh's Holmes is suitably cheerful and feels outside of the murders, like he is enjoying the mystery of the whole thing. Hart tries hard with Watson and avoids the usual trap of playing him like a fool of sorts beside Holmes. Here he is central to the story and is onscreen a lot, but Hart makes him quite sour and colourless and he emerges as quite a pale character. Support was billed as `all-star' and I suppose it is in a way. All present themselves well and people like Grant, Tarbuck (!), Nettles and Cook are interesting additions.
Overall this is a fast paced and enjoyable version of the classic tale and is easy to enjoy. Hart dominates the middle section of the film which drags it down a little due to his lifeless Watson but generally the film is well worth a watch no matter how many times you've seen it told.
Christmas TV schedules are full of one-off dramas usually with stars who have done well in America but have returned to keep their face about or actors who don't often do television series. This version of a classic story was one such example. As is often the case with such things, it is a good production and moves the story along at a good pace. The hound itself is best seen in shadows and quick edits as it isn't that scary but the film still manages to have a sense of urgency to it.
Roxburgh's Holmes is suitably cheerful and feels outside of the murders, like he is enjoying the mystery of the whole thing. Hart tries hard with Watson and avoids the usual trap of playing him like a fool of sorts beside Holmes. Here he is central to the story and is onscreen a lot, but Hart makes him quite sour and colourless and he emerges as quite a pale character. Support was billed as `all-star' and I suppose it is in a way. All present themselves well and people like Grant, Tarbuck (!), Nettles and Cook are interesting additions.
Overall this is a fast paced and enjoyable version of the classic tale and is easy to enjoy. Hart dominates the middle section of the film which drags it down a little due to his lifeless Watson but generally the film is well worth a watch no matter how many times you've seen it told.
Le saviez-vous
- AnecdotesThe dinner conversation about the limits of Holmes' knowledge (literature, astronomy, politics, etc) is taken from a list made by Dr. Watson in Sir Arthur Conan Doyle's first Holmes story, 'A Study in Scarlet.'
- GaffesWhen Holmes and Watson are seen at Exeter railway station, behind them is a truck marked "SR". This would refer to Southern Railways, which was not formed until 1923, some time after the period the film is supposedly set.
- Citations
Dr. John Watson: [throws his coat to pull Holmes out of a quicksand on the moor] Now to put my tailor to the test.
[pulls Holmes out]
Sherlock Holmes: Three cheers for Savile Row!
- ConnexionsFeatured in Troldspejlet: Épisode #31.9 (2004)
- Bandes originalesI Saw Three Ships
(uncredited)
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Détails
- Date de sortie
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- Aussi connu sous le nom de
- The Hound of the Baskervilles
- Lieux de tournage
- Sociétés de production
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By what name was Le chien des Baskerville (2002) officially released in Canada in English?
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