Party Monster

I often wondered why U.S. American movies involving young people who are into drugs are either pathetic (f.e. Drugstore Cowboy) or even downright ridiculous in their conservative portrayal of the dangers of drug use (f.e. Traffic, The Movie). Party Monster is very different. It's easy to see that the people who made this movie really informed themselves about what they tried to show. By doing this they achieved one of the best movies about adolescence i've seen in a long time. It's has a very sad and tender tone and though some scenes seem a little bit too stagy, the performances of the two leading actors are pure magic. It's pure joy just to watch them and as you got to see a lot of them there is plenty of fun. Nevertheless the movie leaves you with a very intense and ambivalent feeling towards it's characters who were indeed something very special. I even dreamed about this picture after seeing it! Thanks for the strange dream!

Party Monster is based on the true story of 80s club kid and promoter, Michael Alig, infamous for his bizarre New York parties and, later, for the brutal murder of a drug dealer.

It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.

Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.

Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.

Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.

this film is an amazing work of art and must be viewed as such. if you're looking to understand the storyline, you MUST read the book disco bloodbath (rereleased as party monster) by james st. james. it's also helpful to watch the director's commentary on the dvd with fenton bailey and randy barbato. so much is explained between these two sources that is taken for granted in the film (ie michael and james' sources of incomes, explanations of michael and peter's relationship, and a more logical timeline). the most important thing to realize and keep in mind throughout watching this film is that michael alig was (is?) incredibly insecure but at the same time incredibly loving. the most telling line in the movie is delivered by seth green, when speaking to macaulay culkin after the latter's feigned attempt at suicide: "There's not enough love in the whole wide world to satisfy you." party monster the film is incredibly intelligent, as is the book. the story and its retelling are hysterical and horrifying at the same time. this film acts as both a warning and a touching memoir - a must see for fans of realism and those who enjoy seeing human emotion and drama rather than special effects and airbrushed muscles.

A famous quote by Pauline Kael about Greta Garbo was that "she was the complete reason to see a film". Well, let me tell ya, I will agree, astonishing even myself, that Maculay Culkin fits this description about PARTY MONSTER. Off screen for 9 years and making two excellent eye-popping returns (the sly wry and hilarious SAVED is the other) 23 year old Culkin is nothing more than front and center startling and compelling in this very clever club culture expose of the very real and very cruel pill bunny Michael Alig. Released clumsily on one print in Australia and off screen in 2 weeks, this film deserved smart marketing and even a reissue before DVD dumping because it has a potentially huge audience and major industry credit as a very difficult genre to re create successfully. I think PARTY MONSTER is a complete success in its serious efforts to capture the dance party scene of the 90s and the glittering bowel of its dark side. The performance by Seth Green is equally disturbingly funny, complete with effete rantings and flummoxed quips that leave the viewer smiling in admiration at his genuine talent. The look of PARTY MONSTER is almost as if Larry Cark re made "Studio 54" and got Bob Mackie to create the costumes. The art direction and costume design is especially perfect and adds hilariously to what is, I believe one of the most clever and nasty black comedies to emerge from the USA this century. Marilyn Manson as gigantic dopey drag queen Christina (geddit) is especially hilarious and shocking. If you have seen the equally brave and hilariously tragic HEDWIG AND THE ANGRY INCH and also read Roger Ebert's superbly written and accurate review of PARTY MONSTER then you will be well equipped to deliciously slurp up every frame of this - literally - sensational disco bloodbath. To say that the astonishing and entertaining performances of Culkin and Green are fearless is the understatement of the century. 20th or 21st! PARTY MONSTER is a major achievement.

The old saying is "truth is stranger than fiction," and you know what, it's true. In "Party Monster" we are taken on a very trippy and true little journey that allows us to see first-hand, the crazy club life of New York City in the 1980s. In particular, we get an up-close and personal biography of the "club kids." The "club kids" were a group of young party monsters that were actually paid by club owners to show up at their clubs. Mind you, these kids did not do any kind of performing at all, they simply showed up. However, when you see their outrageous costumes and attire, you see why people had their eye out for them. These kids were bizarre and odd and stoned and well, weird. Livng lives that were so out of balance, tragedy was inevitable. Green and Culkin portray the two most prominent members of this group and they are both good. However, it is Culkin that really steals the movie, breaking away from his stereotypical characters of the past and playing somebody that very few actors would be brave enough to take on. The reason I gave this movie 10 stars, is the look and sound. This movie is like watching an acid flashback from the 1980s. I mean, you are there, in the room with them as they strut in and snort up. The music is 1980s, the attitude is 1980s, it is hard to describe. Much of the film is dream-like. Moreover, Culkin is mesmerizing as a character too odd for words. No, the story and acting are not Oscar-worthy, but the look of the film, the feel of the film, wow! I predict that this film will become more popular as the years go by. It has the qualities of all those great midnight movies of the 1980s. I really recommend it for people craving something different and historical (in a weird sense).