NOTE IMDb
6,2/10
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MA NOTE
Ajouter une intrigue dans votre langueBased on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.Based on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.Based on the true story of Michael Alig, a Club Kid party organizer whose life was sent spiraling down when he bragged on television about killing his drug dealer and roommate.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 nominations au total
John Henry Summerour
- Rodney
- (as John Summerour)
Avis à la une
Party Monster is based on the true story of 80s club kid and promoter, Michael Alig, infamous for his bizarre New York parties and, later, for the brutal murder of a drug dealer.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
I know this film doesn't have that good of a rating, but actually I thought this was an interesting film. It had such an incredible story to it, it is set in the 80's and is about the club kids and how clubbing came to be so popular. To be different was so cool and the make up, the sex, the drugs were such a way of being released from the "normal" world. Where Alig was going into such high places, you guess it, it can only go downward.
Seth and Maculy are just so adorable in this film, I just loved their chemistry and how they played off each other. These were such risky roles, but they took them on and accepted them into their own. They also researched the film and I believe should get more credit for it. It's a new age Rocky Horror Picture Show, sit back and feel fabulous!
7/10
Seth and Maculy are just so adorable in this film, I just loved their chemistry and how they played off each other. These were such risky roles, but they took them on and accepted them into their own. They also researched the film and I believe should get more credit for it. It's a new age Rocky Horror Picture Show, sit back and feel fabulous!
7/10
The material here (covered in a similarly named documentary) is fascinating. The 90s New York club kid scene was a distinctive period with many crazy sights and scenes. Unfortunately, this film is poorly made on just about every level.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.
I often wondered why U.S. American movies involving young people who are into drugs are either pathetic (f.e. Drugstore Cowboy) or even downright ridiculous in their conservative portrayal of the dangers of drug use (f.e. Traffic, The Movie). Party Monster is very different. It's easy to see that the people who made this movie really informed themselves about what they tried to show. By doing this they achieved one of the best movies about adolescence i've seen in a long time. It's has a very sad and tender tone and though some scenes seem a little bit too stagy, the performances of the two leading actors are pure magic. It's pure joy just to watch them and as you got to see a lot of them there is plenty of fun. Nevertheless the movie leaves you with a very intense and ambivalent feeling towards it's characters who were indeed something very special. I even dreamed about this picture after seeing it! Thanks for the strange dream!
this film is an amazing work of art and must be viewed as such. if you're looking to understand the storyline, you MUST read the book disco bloodbath (rereleased as party monster) by james st. james. it's also helpful to watch the director's commentary on the dvd with fenton bailey and randy barbato. so much is explained between these two sources that is taken for granted in the film (ie michael and james' sources of incomes, explanations of michael and peter's relationship, and a more logical timeline). the most important thing to realize and keep in mind throughout watching this film is that michael alig was (is?) incredibly insecure but at the same time incredibly loving. the most telling line in the movie is delivered by seth green, when speaking to macaulay culkin after the latter's feigned attempt at suicide: "There's not enough love in the whole wide world to satisfy you." party monster the film is incredibly intelligent, as is the book. the story and its retelling are hysterical and horrifying at the same time. this film acts as both a warning and a touching memoir - a must see for fans of realism and those who enjoy seeing human emotion and drama rather than special effects and airbrushed muscles.
Le saviez-vous
- AnecdotesMuch of the drug use in the movie was toned down from Michael Alig and James St. James's actual habits for fear it would seem unbelievable.
- GaffesMichael Alig was arrested while in the company of his male lover, not his female lover. Gitsie was a secretary, not a girlfriend. Alig has never been romantically interested in any woman.
- ConnexionsFeatured in 20/20: Party Monster/Party Monster and Murderer (2003)
- Bandes originalesTake Me to the Club
Written by Bruno Coviello
Performed by Mannequin
Courtesy of Peace Bisquit
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- How long is Party Monster?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Клубная мания
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 742 898 $US
- Week-end de sortie aux États-Unis et au Canada
- 15 163 $US
- 31 août 2003
- Montant brut mondial
- 782 606 $US
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