Ajouter une intrigue dans votre langueA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assi... Tout lireA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assigned to take care of an elderly woman named Esther. At first Esther is a bitter, angry wom... Tout lireA young man taking care of his dying mother is distraught and grief-stricken when she finally passes away. On the advice of his doctor, he takes a job in an upscale nursing home, and is assigned to take care of an elderly woman named Esther. At first Esther is a bitter, angry woman and pushes him away, but as she gradually warms to him, he discovers that he and Esther... Tout lire
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
- Bail Judge
- (as Dorothy Brown)
Avis à la une
There is another subplot about Michael's father which plays into the story with Esther.
A little more than halfway through the movie takes a bitter and unrelated turn which briefly distracts from Esther's story although it does serve as a tool to enhance the other one. I was disgusted by this turn. I saw no warning whatsoever of this turn into a completely different genre which dominates the story through the next 34 minutes of run time. After watching the movie, I surveyed other reviews and one spoiler by orient_celts describes it. I watch the particular genres offered by Hallmark to avoid where this movie briefly went which is a subject I avoid like the plague in fiction.
I didn't see enough to sell the ending as far as it concerns Michael's relationship status. The end of Esther's story is good.
The acting is mixed. I thought Redgrave was credible, and McDonnell who had a lesser part. Others not so much.
I tried so hard to warm up to the movie and find merit in it but I just couldn't. The story never draws you in or rings true and the acting is perfunctory at best and laughable at worst. Everything in this production is amateurish.
Always a joy to watch, Mary McDonnell may be the only performer to escape this disaster without damaging her career or reputation. I won't even bother checking the name of the leading man - hopefully he's back doing commercials.
Even poor Vanessa Redgrave, whom I adore and respect, seemed to be channeling Katherine Hepburn all the time appearing as if she were really drugged in the home. Maybe she needed the money.
If I can save one person from wasting 100 minutes on this tripe I will feel vindicated.
Le saviez-vous
- ConnexionsEdited into Hallmark Hall of Fame (1951)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Hallmark Hall of Fame: The Locket (#52.1)
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro