NOTE IMDb
6,7/10
9 k
MA NOTE
Ajouter une intrigue dans votre langueYoung lovers in London are wrapped up in a love triangle that may not be exactly what it seems.Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems.Young lovers in London are wrapped up in a love triangle that may not be exactly what it seems.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Avis à la une
Having seen most of Bernal's films, or at least everything available in the US, I've grown to like him greatly as an actor, thus explaining my motivation for renting this. The description given on the jacket, added with the blurb equating it with Memento (which was a very entertaining mind-boggle), talked me in. Call it a two-for-two deal.
Reading through the commentary left by others, I'm troubled by the negativity being attached. Exactly when did it become a crime to invoke plot-twists as a story device? The last I knew, filmmakers such as Hitchcock and Preminger relied upon them incessantly. A twist in plot, if carried off well, can satisfy viewers and fire the imagination.
Personally, I find the romantic drama as a genre in dire need of a wake-up call. Films such as this one, Closer, Unfaithful, Wicker Park, and very few others, are daring to attempt something original, whether it be a more frank look at relationships, a less clichéd or sexist view of infidelity, or a new take on the love triangle... and by new I mean new in both this film and Wicker Park. Rather than recycle Shakespeare, Jane Austen, or An Affair To Remember for the forty-billionth time, the director and cast broke new ground.
This is not a perfect film, and really, honestly, who gets entertainment from "perfect" films? Admiration, yes. Respect, yes. Are perfect films fun though? That's an argument for a forum... I gave this an eight out of ten, with two points off for those imperfections. The three leads are solid; the story is clever and solid enough. The two points to perfection can easily be forgiven.
I had fun watching this movie.
Reading through the commentary left by others, I'm troubled by the negativity being attached. Exactly when did it become a crime to invoke plot-twists as a story device? The last I knew, filmmakers such as Hitchcock and Preminger relied upon them incessantly. A twist in plot, if carried off well, can satisfy viewers and fire the imagination.
Personally, I find the romantic drama as a genre in dire need of a wake-up call. Films such as this one, Closer, Unfaithful, Wicker Park, and very few others, are daring to attempt something original, whether it be a more frank look at relationships, a less clichéd or sexist view of infidelity, or a new take on the love triangle... and by new I mean new in both this film and Wicker Park. Rather than recycle Shakespeare, Jane Austen, or An Affair To Remember for the forty-billionth time, the director and cast broke new ground.
This is not a perfect film, and really, honestly, who gets entertainment from "perfect" films? Admiration, yes. Respect, yes. Are perfect films fun though? That's an argument for a forum... I gave this an eight out of ten, with two points off for those imperfections. The three leads are solid; the story is clever and solid enough. The two points to perfection can easily be forgiven.
I had fun watching this movie.
This movie has lots of twists and turns and some have said an improbable storyline. Yet who wants to watch a move which is predictable? Another comment is 'couldn't it have been left as a good romance?' NO, there are lots of romance films around such as 'The Notebook'. This movie is basically a good thriller with a mega finale.
It has suspense, a good plot, great acting, believable characters and is different from the bog standard thriller.
I was glued to this movie from beginning to end. A definite must see for all who love a great story.
Enjoy
It has suspense, a good plot, great acting, believable characters and is different from the bog standard thriller.
I was glued to this movie from beginning to end. A definite must see for all who love a great story.
Enjoy
The direction and writing of this film are superb. Matthew Parkhill has a wonderful and original talent of storytelling and the acting justifies every step the film takes. The dialog is interesting yet realistic and the characters are believable and extremely interesting. Natalia Verbeke has an acting style that is both likable and mysterious. I feel like the acting of the piece can potentially make or break the complicated story and I found that all three lead characters had a strong and specific enough performance that made the the plot fly.
I've been waiting for a film like this for a long time.
Truly excellent.
I've been waiting for a film like this for a long time.
Truly excellent.
Truly the stand out at Sundance in 2003. This movie will carry that "I could tell you, but then I'd have to kill you" feeling all the way to the bank - just like "Sixth Sense". I got the chance to talk to Parkhill about the movie at another screening and he stated that the film was just "picked up" - just 2 days after it's premiere. He also said we will see this in theaters within the year. This film could not come out soon enough. He's got big shoes to fill now that he hit the jackpot coming out of the gate. I'm interested to see what he develops next.
I saw this film last night at a screening, and let me say what an AWESOME film! I'm not going to explain any of it, because it's all the element of surprise! Brilliant! Gael Garcia Bernal is such an amazing actor, brilliant man! His accent alone made me melt, "me tinks, he'll win an Oscar soon" Anyhow see this film its wonderful! James D'arcy, you scally-wag! :)
Le saviez-vous
- AnecdotesFilm debut of Charlie Cox ("Theo").
- Citations
Kit Winter: Theo, for Christ's sake, life is not a movie.
Theo: Yeah it is. Come on, whatever you say, whatever you do, movies always got there first. Even that line you just said comes from a movie, um - Kevin Spacey in the end of, uh, Swimming With Sharks.
- ConnexionsFeatures Le Septième Sceau (1957)
- Bandes originalesThe Movement
Written by Christian Basso and Kal Cahoone
Performed by Christian Basso featuring Kal Cahoone
Published by Warner Chappell 2001
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- How long is Dot the I?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Dot the I
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 307 486 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 581 $US
- 13 mars 2005
- Montant brut mondial
- 307 486 $US
- Durée1 heure 32 minutes
- Couleur
- Mixage
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