Ajouter une intrigue dans votre langueWhile WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the gr... Tout lireWhile WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the greatest betrayal awaits him on safe ground.While WWII Allied officer Jack Rose is held prisoner in Germany's notorious Colditz Castle, he recruits a band of fellow escape artists in the ultimate break-out only to discover that the greatest betrayal awaits him on safe ground.
- Victoire aux 1 BAFTA Award
- 1 victoire au total
Avis à la une
Aspect ratio: 1.78:1
Sound format: Dolby Digital
(2 episodes)
A desperate POW (Tom Hardy) plots escape from Colditz after learning that a former inmate (Damian Lewis) has returned to London and stolen Hardy's fiancée (Sophia Myles).
Lively addition to the 'heroes of WWII' subgenre, filmed on location in London and the Czech Republic, and directed with cinematic flair by Stuart Orme (THE PUPPET MASTERS). Richard Cottan's screenplay (co-written with Peter Morgan, based on the book by Henry Chancellor and the 2000 TV series "Escape from Colditz") cross-cuts between events at Colditz castle - where Hardy and fellow inmate Laurence Fox (DEATHWATCH) hatch multiple escape plans, only to be thwarted by a combination of bad luck and reckless bravado - and the less-interesting relationship which develops between Lewis and Myles, though the two plot threads merge neatly for a melodramatic finale. Lewis gives the showiest performance, playing a selfish character whose charming demeanor masks a propensity for greed and violence, though Hardy and Fox are suitably intense in crucial supporting roles. James Fox (father of Laurence) and Timothy West make extended cameo appearances as senior members of MI9, while former teen heartthrob Jason Priestley plays a Canadian POW whose burgeoning drug habit pays lethal dividends. Fine cinematography and production values.
It starts off with some dashing suspense, but quickly dissolves into something like an episode of Desperate Housewives. (Love triangle, romantic obsession, deception, betrayal, bored inmates etc.)
All that's missing from Colditz is Teri Hatcher and a melted measuring cup.
Damien Lewis is excellent. Quite the opposite from his Band of Brothers character. Jason Priestly also has a nice small role. Again, he is nothing like his character on Beverly Hills 90210 (although I'm sure he must have felt some similarities between the two roles when he first read the script).
So, go ahead and watch it if you want to. But if you are a WWII enthusiasts (or not part of a romantic couple) then you're probably better off watching The Great Escape on DVD.
The film begins in London 1939 as men are preparing to leave for the front. Among them is a slightly naive but warmly human lad, Jack Rose (Tom Hardy) who has fallen in love with Lizzie (Sophia Myles), in a sweet, innocent union that represents the concept of 'the love we leave behind'. Jack leaves for duty with fellow soldiers Nicholas McGrade (Damian Lewis) and Tom Willis (Lawrence Fox) and soon they are captured by the Nazis and placed in a POW camp. Of course, being cunning lads, they soon escape only to be captured again and sent to the ominous Colditz - all except Nick. There they bond with men from home such as artist Sawyer (Guy Henry) and from other countries including France and Canada - among them Rhett Barker (Jason Priestly) who is a manipulator able to buy goods from Nazi guards including drugs to which he is addicted.
Nick is sent back to London where he meets Lizzie to tell her of Jack's safety. In time the two feel an attraction that proves to have fatal consequences because of Nick's obsession to have Lizzie to himself. Meanwhile the men in Colditz attempt multiple escapes only to be caught each time and put into solitary confinement. The drive to escape is aided by all of the inmates and yet their efforts are thwarted by colleagues turned informers for their own selfish needs. Artist Sawyer does escape and is assigned in London with the Intelligence outfit with Nick: he learns that supposedly Jack has been reported as killed in action (a letter forged by Nick to gain access to Lizzie's emotions) and the remainder of the story concerns the end of the war, the release of the prisoners from Colditz, and the fatal schism between the returning Jack and his rival Nick over the love of Lizzie.
Director Stuart Orme manages to keep the pace of this over three hour long film, allowing the viewer to meet and understand and care about a very large cast of characters (writers Richard Cottan and Peter Morgan have created deft personalities). Filmed in London and the Czech Republic the atmosphere is correctly captured and the large cast of characters includes many very fine cameos. If there is a single message to summarize a complex story, it is the old adage 'brothers in arms, rivals in love'. This made for television miniseries is well acted and is another opportunity to see the background stories of World War II. Recommended viewing. Grady Harp
Sadly Stuart Orme's 2005 miniseries does not even come close to the standards set by the previous adaptations of the tale. The tale oscillates from Colditz to London, and involves a tangled romance between Nicholas McBride (Damian Lewis with an incomprehensible Scottish accent) and Lizzie Carter (Sophia Myles). There are the usual regimental stereotypes (Tom Hardy, Laurence Fox), plus a benevolent senior officer based in London (James Fox). There is also a boffin improbably portrayed as an homosexual by Timothy West.
Peter Morgan and Richard Cottan's screenplay plods on to an inevitable conclusion, with most sequences taking place in darkened rooms either in the prison or in the offices of a branch of the Secret Service in London. The German officers are predictably sadistic ('ALLO 'ALLO has a lot to answer for in this context) while the United Nations of prisoners in the camp find it difficult to co- exist. The drama is engaging enough, but one wonders why anyone actually bothered to remake the story in the first place.
Le saviez-vous
- AnecdotesOne of the reasons Colditz was suitable to be refitted as a POW camp was that it was built on an outcropping of solid rock, making tunneling almost impossible. After serving as a general POW camp in 1939, it was later converted into a high security camp for recidivist escapees, the only amp in which guards outnumbered prisoners, the majority of the which were initially British, French, Poles, and Dutch. All in all, 130 prisoners escaped the grounds but depending on the source referenced, only 30, 31, or 32 of these were ultimately "home runs."
- GaffesAt about 32 minutes into part two, Jack is leafing through a German magazine. The photo on the cover was taken about a year later, during the Battle of the Bulge.
- Citations
Lizzie Carter: [as Nick is about to kiss her as they are dancing at the officer's club] I should go. It's getting late.
Nicholas McGrade: What, will you turn into a pumpkin or something?
[laughs]
- ConnexionsFeatures Jeune et innocent (1937)
- Bandes originalesWhere or When?
(uncredited)
Lyrics by Lorenz Hart
Music by Richard Rodgers (1937)
Instrumental version heard during officer's club dance.
Meilleurs choix
Détails
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.78 : 1