Swimming Upstream

"Swimming Upstream" reveals an intense dysfunctional psycho drama behind a competitive sport. It is as moving about a macho male athletic culture, here focused on swimming, as "Friday Night Lights" was about football, particularly as dysfunctionally fueled by alcohol.

Geoffrey Rush gives a searing performance as an alcoholic patriarch who arbitrarily plays his sons against each other for his attention and approval.

Judy Davis, who usually masters powerful women, here is memorable as a buffeted mother drained by caring for five children, poverty and her occasionally violent husband.

Claustrophobic family dynamics are well-captured, particularly in showing how childhood experiences shape adults emotionally forever and what was once a refuge becomes torture.

When the sons reach adolescence the screen is filled by blue-eyed Jesse Spencer (he's in a crew-cut with rippling muscles in the pool so much that I didn't recognize him as the very clothed, longish haired doctor in TV's "House") and the young men in small bathing trunks playing his brothers, in heightened scenes of very physical sibling rivalry and closeness.

The visuals and production design well communicate the bloke culture of Brisbane in the 1950's and early 1960's, from the fading docks, to the pubs, to the locker rooms, to the union halls, that is brutally carried into the family.

The shocked smile on Spencer's face as "Tony Fingleton" discovers a wider culture through his swimming, heck with admiring women in it, is heart warming as I thought that if someone doesn't give that guy a hug already I'll reach through the movie screen and do it myself.

Russell Mulcahy's directing, however, frequently undercuts the power, with unnecessary narration and gimmicky camera moves during intense scenes.

The timetable as years go by is a bit confusing, especially as annual tournaments repeat.

This well acted true story drama is a difficult movie and wont be particularly popular. I gave it an 8 out of 10 although I've got to say I didn't like it so much as appreciate it. The test of a good drama for me is whether you talk about it and question aspects of it after its over. This certainly had me and my wife talking, mainly about the relationships issues that it generates (particularly those between parents and their kids). I won't be recommending this to every friend, but for those that I know that appreciate a movie that makes you think, it gets my vote of confidence. My final comment regards Tony Fingleton himself. If you are out there reading this Tony, all I can say is that I wish you and your family in New York every happiness and success. Nobody should have to experience the kind of torment brought upon you by your father.

Saw this film at the Denver Film Festival and found it to be intense and moving. Tony Fingleton spoke after the film ended. Making this film was truly a labor of love and he was actually moved to tears as he spoke about his childhood. He said he no longer speaks to his brother-very sad. He said that the film was originally planned as a made for television program but the budget was too great as it is a period piece. Competitive swim buffs, Geoffrey Rush and Judy Davis fans alike should appreciate it. The actors playing the brothers when they are older are hot too ! I hope this film is able to be distributed widely so it can be seen by lots of people-it is a perfect film for families with older children . Highly recommend this film

This true story of Australian swimmer Tony Fingleton is not your typical "inspirational" tale of rising above the odds to become a champion, it is rather a tale about the real meaning of success. Success is about realising yourself, not the deeds you do or the medals you win. For Tony this was a tough lesson to learn.

The film is brilliantly directed by Russell Mulcahy, who shows unusual restraint, without losing his dynamic and unique style. Some of his direction here reminded me of his work on "Queer As Folk", as he manages to stylise the action without sacrificing the emotional integrity of the screenplay (which was written by Fingleton himself). Although the film is set in the 1950s and 1960s, Mulcahy refuses to become a slave to the period, instead he utilises 21st century editing styles, including the truly thrilling use of split-screens for the race sequences, and a terrific electronic music score, to make this period tale utterly contemporary.

The performances are nothing short of spectacular. Jesse Spencer, who plays Tony, seems set for international stardom. With the face of an angel, and the body of a god, he can hardly fail to make an impression - but he can really act as well! He is ably supported by two of the greatest actors in the world today, and they're both Aussies - Judy Davis and Geoffrey Rush, who play Tony's parents. The story focuses on Tony's relationship with his father, a very strained and complex relationship. Rush's performance is probably his best screen work to date (yes, even better than "Shine"!), as he creates a multi-dimensional being out of what could have been a cliched villain. And Davis just keeps getting better and better as an actress. As the long-suffering mother, she completely avoids cliche, and invests the character with zest, warmth, love and anger. She is dynamite! Tim Draxl is also impressive as Tony's brother John - at once jealous and proud, and Mitchell Dellevergin is perfect as the young Tony. All the performances are excellent, although I could have done without the comic cameo by Dawn Fraser, which harms the emotional intensity of one very important scene.

Perhaps the film hammers its themes a little too relentlessly, but it's easy to forgive a film that has this much heart. Given the right distribution I think this film will go on to great international acclaim, and strong box-office. Another Aussie classic to treasure!

I watched Swimming Upstream as part of the judging for Australia's Film Institute awards and was very impressed with it at that screening. The performances are superb, especially Judy Davis and Geoffery Rush. But the real power of the film lies in it's subtext about a father who managed to disregard his own son.

The implications of this, and the way it was so beautifully, visually and poignantly brought to the screen, is one of the true achievements of this film.

Special mention goes to Anthony Fingleton who wrote the screenplay (based on his autobiography) He and co-writer Diane Fingleton have managed to relate an extrordinary situation without trying to answer the greatest puzzle - how could this happen in a loving family.

A real Gem that will no doubt be overlooked by many. A shame.