Destroyer
NOTE IMDb
6,2/10
33 k
MA NOTE
Une détective de police renoue avec les personnes d'une mission d'infiltration de son passé afin de faire la paix.Une détective de police renoue avec les personnes d'une mission d'infiltration de son passé afin de faire la paix.Une détective de police renoue avec les personnes d'une mission d'infiltration de son passé afin de faire la paix.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 20 nominations au total
Avis à la une
Nicole Kidman does in fact deliver an accomplished performance in Destroyer. Yes, the movie tends to move somewhat slowly and would be misrepresented as an action/adventure feature. But Kidman triumphantly carries the film with a masterful portrayal of a character that is strikingly different than expected, and in the process dramatically expands and enhances her reputation as an actress.
Too many back and forth flash-backs throughout the entire 121 min slowly paced convoluted plot does not make for a good film - regardless of Kidman's decent (not great) performance.
Director Karyn Kusama and writers Phil Hay and Matt Manfredi failed to accomplish their vision in creating a captivating film by convoluting simplicity with cliched typical underwhelming directing and writing. Had this films timeline been played out normally, it may have been somewhat entertaining - although the focus was too much on Kidman's character more than anything else. Chopping it with back and forth scenes added nothing more than an annoyance, as there was very little surprise or impact that wasn't already predictable, and the finale was very underwhelming.
The camera work/cinematography was decent, although I would've rather seen less slow-mo and long fixated shots on irrelevant scenes. Had this film's pace been picked up substantially, and edited down to about 90 mins by cutting the convoluted and unnecessary portions out (e.g. skateboarders, walking in the snow, etc), I would have enjoyed it, instead of being left unsatisfied.
A shame the producers focused more on bogus reviews instead of investing in more experienced director/writers equal to Kidman's level. You won't get an A-grade film by hiring A-list actors with B-grade TV-experienced writers and directors.
Sadly it's only a very generous 5/10 from me, and all of that goes to the actors and score which were the only aspects that were stand-out/decent.
Director Karyn Kusama and writers Phil Hay and Matt Manfredi failed to accomplish their vision in creating a captivating film by convoluting simplicity with cliched typical underwhelming directing and writing. Had this films timeline been played out normally, it may have been somewhat entertaining - although the focus was too much on Kidman's character more than anything else. Chopping it with back and forth scenes added nothing more than an annoyance, as there was very little surprise or impact that wasn't already predictable, and the finale was very underwhelming.
The camera work/cinematography was decent, although I would've rather seen less slow-mo and long fixated shots on irrelevant scenes. Had this film's pace been picked up substantially, and edited down to about 90 mins by cutting the convoluted and unnecessary portions out (e.g. skateboarders, walking in the snow, etc), I would have enjoyed it, instead of being left unsatisfied.
A shame the producers focused more on bogus reviews instead of investing in more experienced director/writers equal to Kidman's level. You won't get an A-grade film by hiring A-list actors with B-grade TV-experienced writers and directors.
Sadly it's only a very generous 5/10 from me, and all of that goes to the actors and score which were the only aspects that were stand-out/decent.
My grade of B- is all for the A-list Nicole Kidman showing us she can act like Charlize Theron in Monster. Destroyer is her film, and she does her best to show us she can be badass L.A. PD detective Erin Bell with years on her face and chips on her shoulder. It's just that the vehicle for this iconic actress is a middling thriller with a jumbled plot about her being an undercover cop, a heist gone wrong, and her annoyingly disaffected daughter, Shelby (Jade Pettyjohn), for whom Erin suffers much.
Kidman is made up to look like a beaten woman, but we do get a few too many flashbacks to show us how beautiful she was as a young brunette cop with a future. Director Karyn Kusama keeps the camera close on Kidman, as if she were begging us not to forget that underneath some neat makeup beats the heart and face of a super movie star.
Beyond Kidman's overpowering presence, some solid performances emerge, for instance Sebastian Stan as Chris, her loving partner; and Beau Knapp, as the boyfriend Jay no one would want for your daughter. Myriad other minor characters reflect the complex world of LA, real and romantic. It's the best city I know for attractive crime and fetching diversity.
Perhaps the awareness of glamorous Kidman as a squinting Dirty Harry is what steers the film and her performance to mediocrity. This observation may condemn Kidman to playing courtesans and rich mothers, but the reality is that she has over the years crafted an enviable persona relying partly on her unusually good looks. Perhaps this rough detective will allow us to forget that image as she plays in more gritty roles that display, without distraction, a world-class actress.
If you are a Kidman fan (I became one after Moulin Rouge), see Destroyer, which just may pleasantly erase your picture of perfection.
Kidman is made up to look like a beaten woman, but we do get a few too many flashbacks to show us how beautiful she was as a young brunette cop with a future. Director Karyn Kusama keeps the camera close on Kidman, as if she were begging us not to forget that underneath some neat makeup beats the heart and face of a super movie star.
Beyond Kidman's overpowering presence, some solid performances emerge, for instance Sebastian Stan as Chris, her loving partner; and Beau Knapp, as the boyfriend Jay no one would want for your daughter. Myriad other minor characters reflect the complex world of LA, real and romantic. It's the best city I know for attractive crime and fetching diversity.
Perhaps the awareness of glamorous Kidman as a squinting Dirty Harry is what steers the film and her performance to mediocrity. This observation may condemn Kidman to playing courtesans and rich mothers, but the reality is that she has over the years crafted an enviable persona relying partly on her unusually good looks. Perhaps this rough detective will allow us to forget that image as she plays in more gritty roles that display, without distraction, a world-class actress.
If you are a Kidman fan (I became one after Moulin Rouge), see Destroyer, which just may pleasantly erase your picture of perfection.
I seriously do not get half of the reviews about this movie about it not having a plot and being slow or about the editing being confusing.
"Destroyer" has a very straight forward plot that is not even using cheap twists but rather telling a straight story in a hypnotic trance way and cutting up the timeline to reveal information at the time the director considered it necessary.
I loved Karyn Kusamas "The Invitation" and "Destroyer" is a well made movie, no matter how you look at it. Nicole Kidman carries the movie along with the perfect choice of music that sucks you in and watch the plot unfold. This is not an action movie and if you fell for that its not the directors fault. Its a slow drama about a cop that made wrong decisions and tries to right her wrongs when her past with a bank heist gone wrong gets back to her 17 years later.
I know people today have attention spans like moths but seriously... if you can't accept a slow drama for what it is, that says more about you than about the movie. And come on, its 2019... if you are confused by a non-linear timeline and can't wait till the movie clears up the confusion.... thats on you too.
Don't expect this to be a violent revenge movie... its not. Well, at least its not the focus of "Destroyer", although the movie does not hold back when things go down. The drama elements are well played and the ending was quite touching to me. At its core this movie is about the desperate longing for escape from a cold, grey world and its quite obvious from the choice of locations and flats that always give off a bleak, worn down feeling. Music and cinematography make this work perfectly and the editing helped spice up a rather straight forward plot. If you liked Kusamas previous movies... go for it. The key ingredients of haunting atmosphere and slow unveiling of information to the viewer are there although this is a completely different movie than "The invitation". So don't fall for all the moths swarming IMDB. I can't put my finger on all those silly 1star ratings but honestly, it reeks of gender insecurity.
I know people today have attention spans like moths but seriously... if you can't accept a slow drama for what it is, that says more about you than about the movie. And come on, its 2019... if you are confused by a non-linear timeline and can't wait till the movie clears up the confusion.... thats on you too.
Don't expect this to be a violent revenge movie... its not. Well, at least its not the focus of "Destroyer", although the movie does not hold back when things go down. The drama elements are well played and the ending was quite touching to me. At its core this movie is about the desperate longing for escape from a cold, grey world and its quite obvious from the choice of locations and flats that always give off a bleak, worn down feeling. Music and cinematography make this work perfectly and the editing helped spice up a rather straight forward plot. If you liked Kusamas previous movies... go for it. The key ingredients of haunting atmosphere and slow unveiling of information to the viewer are there although this is a completely different movie than "The invitation". So don't fall for all the moths swarming IMDB. I can't put my finger on all those silly 1star ratings but honestly, it reeks of gender insecurity.
This is a great film. The kind of film they just don't make anymore. Kidman looks unrecognisable and delivers her best performance in a long time! Beautiful photography and a stellar cast make this an overall great watch.
Le saviez-vous
- AnecdotesNicole Kidman stated that she got the flu during filming, but powered through and tried to use it in her performance. For the final scene in the movie with her character's daughter, Kidman said she was so sick while filming she could "barely stand."
- GaffesTwo license plates used in this movie show up on TV shows. A car waiting at an intersection when Bell tails Petra's ride to the bank heist has the plate 2FAN321. This was also used on The Rookie S5E4 on an SUV in the background, and in S5E21 on a drive-by shooter's car when Frank is having dinner with Lucy. When Petra's ride arrives at the heist and lets her and another person out, it's in front of a car with the plate 3DHI832. This was also used on SWAT S6E6 on Saint's car.
There is no continuity between props in a movie and props in unrelated TV shows.
- Bandes originalesIf You with It
Written by Paul Kalayeh, James Desmond, Louis Summerville, John Eugenio
Performed by Beat Xplosion
Published by Engine Co 35 Music Publishing
Courtesy of 5 Alarm Music
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- How long is Destroyer?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Destrucción
- Lieux de tournage
- 9800 S. Sepulveda Blvd., Los Angeles, Californie, États-Unis(Interiors and exteriors. SoCal Mutual Bank robbery scenes, using W 98th. st. doors)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 9 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 1 533 324 $US
- Week-end de sortie aux États-Unis et au Canada
- 55 347 $US
- 30 déc. 2018
- Montant brut mondial
- 5 580 940 $US
- Durée2 heures 1 minute
- Couleur
- Rapport de forme
- 2.35 : 1
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