Swimming Upstream
- 2003
- Tous publics
- 1h 54min
NOTE IMDb
7,0/10
3,6 k
MA NOTE
Ajouter une intrigue dans votre langueThe inspirational life story of Australian swimmer Tony Fingleton.The inspirational life story of Australian swimmer Tony Fingleton.The inspirational life story of Australian swimmer Tony Fingleton.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 15 nominations au total
Avis à la une
"Swimming Upstream" reveals an intense dysfunctional psycho drama behind a competitive sport. It is as moving about a macho male athletic culture, here focused on swimming, as "Friday Night Lights" was about football, particularly as dysfunctionally fueled by alcohol.
Geoffrey Rush gives a searing performance as an alcoholic patriarch who arbitrarily plays his sons against each other for his attention and approval.
Judy Davis, who usually masters powerful women, here is memorable as a buffeted mother drained by caring for five children, poverty and her occasionally violent husband.
Claustrophobic family dynamics are well-captured, particularly in showing how childhood experiences shape adults emotionally forever and what was once a refuge becomes torture.
When the sons reach adolescence the screen is filled by blue-eyed Jesse Spencer (he's in a crew-cut with rippling muscles in the pool so much that I didn't recognize him as the very clothed, longish haired doctor in TV's "House") and the young men in small bathing trunks playing his brothers, in heightened scenes of very physical sibling rivalry and closeness.
The visuals and production design well communicate the bloke culture of Brisbane in the 1950's and early 1960's, from the fading docks, to the pubs, to the locker rooms, to the union halls, that is brutally carried into the family.
The shocked smile on Spencer's face as "Tony Fingleton" discovers a wider culture through his swimming, heck with admiring women in it, is heart warming as I thought that if someone doesn't give that guy a hug already I'll reach through the movie screen and do it myself.
Russell Mulcahy's directing, however, frequently undercuts the power, with unnecessary narration and gimmicky camera moves during intense scenes.
The timetable as years go by is a bit confusing, especially as annual tournaments repeat.
Geoffrey Rush gives a searing performance as an alcoholic patriarch who arbitrarily plays his sons against each other for his attention and approval.
Judy Davis, who usually masters powerful women, here is memorable as a buffeted mother drained by caring for five children, poverty and her occasionally violent husband.
Claustrophobic family dynamics are well-captured, particularly in showing how childhood experiences shape adults emotionally forever and what was once a refuge becomes torture.
When the sons reach adolescence the screen is filled by blue-eyed Jesse Spencer (he's in a crew-cut with rippling muscles in the pool so much that I didn't recognize him as the very clothed, longish haired doctor in TV's "House") and the young men in small bathing trunks playing his brothers, in heightened scenes of very physical sibling rivalry and closeness.
The visuals and production design well communicate the bloke culture of Brisbane in the 1950's and early 1960's, from the fading docks, to the pubs, to the locker rooms, to the union halls, that is brutally carried into the family.
The shocked smile on Spencer's face as "Tony Fingleton" discovers a wider culture through his swimming, heck with admiring women in it, is heart warming as I thought that if someone doesn't give that guy a hug already I'll reach through the movie screen and do it myself.
Russell Mulcahy's directing, however, frequently undercuts the power, with unnecessary narration and gimmicky camera moves during intense scenes.
The timetable as years go by is a bit confusing, especially as annual tournaments repeat.
Just saw this film on its USA premiere at the Stony Brook Film Festival opening night. A packed house and an excellent Q+A session made this moving film a perfect choice to start the festival.
As previously stated, the casting was perfect with the distressed family members being portrayed in believable and engrossing ways. Both Rush and Davis deliver wonderful portrayals. According to the author, who was on hand for the opening, Geoffrey Rush did an eerily accurate job in his role as Tony Fingleton's father.
All in all, an excellent film that should be distributed more widely than it currently is.
As previously stated, the casting was perfect with the distressed family members being portrayed in believable and engrossing ways. Both Rush and Davis deliver wonderful portrayals. According to the author, who was on hand for the opening, Geoffrey Rush did an eerily accurate job in his role as Tony Fingleton's father.
All in all, an excellent film that should be distributed more widely than it currently is.
This well acted true story drama is a difficult movie and wont be particularly popular. I gave it an 8 out of 10 although I've got to say I didn't like it so much as appreciate it. The test of a good drama for me is whether you talk about it and question aspects of it after its over. This certainly had me and my wife talking, mainly about the relationships issues that it generates (particularly those between parents and their kids). I won't be recommending this to every friend, but for those that I know that appreciate a movie that makes you think, it gets my vote of confidence. My final comment regards Tony Fingleton himself. If you are out there reading this Tony, all I can say is that I wish you and your family in New York every happiness and success. Nobody should have to experience the kind of torment brought upon you by your father.
I watched Swimming Upstream as part of the judging for Australia's Film Institute awards and was very impressed with it at that screening. The performances are superb, especially Judy Davis and Geoffery Rush. But the real power of the film lies in it's subtext about a father who managed to disregard his own son.
The implications of this, and the way it was so beautifully, visually and poignantly brought to the screen, is one of the true achievements of this film.
Special mention goes to Anthony Fingleton who wrote the screenplay (based on his autobiography) He and co-writer Diane Fingleton have managed to relate an extrordinary situation without trying to answer the greatest puzzle - how could this happen in a loving family.
A real Gem that will no doubt be overlooked by many. A shame.
The implications of this, and the way it was so beautifully, visually and poignantly brought to the screen, is one of the true achievements of this film.
Special mention goes to Anthony Fingleton who wrote the screenplay (based on his autobiography) He and co-writer Diane Fingleton have managed to relate an extrordinary situation without trying to answer the greatest puzzle - how could this happen in a loving family.
A real Gem that will no doubt be overlooked by many. A shame.
Saw this film at the Denver Film Festival and found it to be intense and moving. Tony Fingleton spoke after the film ended. Making this film was truly a labor of love and he was actually moved to tears as he spoke about his childhood. He said he no longer speaks to his brother-very sad. He said that the film was originally planned as a made for television program but the budget was too great as it is a period piece. Competitive swim buffs, Geoffrey Rush and Judy Davis fans alike should appreciate it. The actors playing the brothers when they are older are hot too ! I hope this film is able to be distributed widely so it can be seen by lots of people-it is a perfect film for families with older children . Highly recommend this film
Le saviez-vous
- AnecdotesIn the movie, Tony competes in the 100-meter backstroke, winning a silver medal at the Empire Games in 1962. In 1962, the Empire Games swimming events were measured in yards, and Tony won silver behind another Australian in the 220-yard event. When he is later told that "your event was today" in reference to the 1964 Olympics, it refers to the 200-meter backstroke - the 100 wasn't contested in Tokyo.
- Citations
Tony Fingleton: [narrating] It's funny how the stumbling blocks of life can help make us better people. I never had the support of my father, but in the end that's what gave me the strength to seek something more than I could've ever imagined. Something in another world.
- Versions alternativesThe United States release has several scenes cut or shortened compared to the Australian release. These have been included in the extras on the DVD's. The ending of the US version is very different from the Australian version. The Australian version has Tony's dad appearing at the pool in the end scene, whereas the US version it is his coach.
- ConnexionsFeatured in Swimming Upstream: The Making of a Champion (2005)
- Bandes originalesAdagio for Strings
Written by Samuel Barber
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- How long is Swimming Upstream?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- 泳往直前
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 54 965 $US
- Week-end de sortie aux États-Unis et au Canada
- 24 520 $US
- 6 févr. 2005
- Montant brut mondial
- 791 154 $US
- Durée1 heure 54 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Swimming Upstream (2003) officially released in India in English?
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