Le Temps du loup
NOTE IMDb
6,4/10
12 k
MA NOTE
Anna et sa famille arrivent dans leur maison de vacances et la retrouvent occupée par des inconnus. Cette confrontation n'est que le début d'un douloureux processus d'apprentissage.Anna et sa famille arrivent dans leur maison de vacances et la retrouvent occupée par des inconnus. Cette confrontation n'est que le début d'un douloureux processus d'apprentissage.Anna et sa famille arrivent dans leur maison de vacances et la retrouvent occupée par des inconnus. Cette confrontation n'est que le début d'un douloureux processus d'apprentissage.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
Florence Loiret Caille
- Nathalie Azoulay
- (as Florence Loiret-Caille)
Avis à la une
Hanneke is the only director of his kind. His world is depressing. Courage, kindness, love is of no use.
But there is a glimpse of light at the end of this movie. Courage is rewarded from someone you didn't expect that from. Maybe Hanneke is getting old, but you think a little about Tarkovskij's "Ivan Rublov". Whatever happens, man begins to create again. Even in a total social collapse and it doesn't matter whether it's 15th century Russia or France of today.
There is great power in Beatrice Dalle's acting here. European film needs her. Isabelle Hupert is tuned down. Not a big sacrifice for such a big artist.
But there is a glimpse of light at the end of this movie. Courage is rewarded from someone you didn't expect that from. Maybe Hanneke is getting old, but you think a little about Tarkovskij's "Ivan Rublov". Whatever happens, man begins to create again. Even in a total social collapse and it doesn't matter whether it's 15th century Russia or France of today.
There is great power in Beatrice Dalle's acting here. European film needs her. Isabelle Hupert is tuned down. Not a big sacrifice for such a big artist.
"Temps Du Loup" is probably Michael Haneke's most successful attempt at presenting his bleak outlook on mankind.
Vaguely set in a post-apocalyptic world, the film works both ways: a. at isolating various institutions and values (society, family, religion) outside of their normal environment, and therefore analyzing them more thoroughly; b. as an exercise in evoking beautiful imagery out of spartan and plain settings.
While the first is certainly no new ground for Haneke (the storyline is less complex than his previous effort, "La Pianiste", yet the scope is much grander), the second means that this is his most cinematic and elegant effort yet.
Vaguely set in a post-apocalyptic world, the film works both ways: a. at isolating various institutions and values (society, family, religion) outside of their normal environment, and therefore analyzing them more thoroughly; b. as an exercise in evoking beautiful imagery out of spartan and plain settings.
While the first is certainly no new ground for Haneke (the storyline is less complex than his previous effort, "La Pianiste", yet the scope is much grander), the second means that this is his most cinematic and elegant effort yet.
Just saw TIME OF THE WOLF in New York City, and it is a complete pleasure. A very subtle film about individual and mass psychology after an unnamed cataclysm.
Also a cautionary tale about having plenty of fresh batteries, lighters, and a good knife, or knives, on hand (you never know when you're going to have to skin your own dinner; hey, call me extreme when that unnamed cataclysm comes around).
An added bonus: no digital effects (although I think they got lucky with fog one day, and made a beautiful scene with it), no manic editing as a substitute for storytelling, no facile heroics, no predictable deus ex machina...it will cleanse the visual palette. It stars Isabelle Huppert, but she is so naturalistic you forget she's Isabelle Huppert.
For an altogether different, but equally pleasurable, although more theatrical, yet completely underrated take on the unnamed cataclysm bit, see
A BOY AND HIS DOG. A dream of a movie.
Also a cautionary tale about having plenty of fresh batteries, lighters, and a good knife, or knives, on hand (you never know when you're going to have to skin your own dinner; hey, call me extreme when that unnamed cataclysm comes around).
An added bonus: no digital effects (although I think they got lucky with fog one day, and made a beautiful scene with it), no manic editing as a substitute for storytelling, no facile heroics, no predictable deus ex machina...it will cleanse the visual palette. It stars Isabelle Huppert, but she is so naturalistic you forget she's Isabelle Huppert.
For an altogether different, but equally pleasurable, although more theatrical, yet completely underrated take on the unnamed cataclysm bit, see
A BOY AND HIS DOG. A dream of a movie.
This is a stark, dark, unconventional, and unsettling story film. But in the context of that chaos, what it means to be human is beautifully developed. The story revolves around a single French family thrown into the countryside in some post-apocalyptic period. The producer uses an almost documentary approach to the story. This reveals to us the rather drastic and desperate nature of their circumstances, but, unexpectedly, also reveals things like kindness to strangers, forbearance with other's weaknesses, fortitude, and reaching out. These positive human traits are contrasted with those of the stubborn uncaring adolescent boy who would rather hang off in the wood, and venture in only to steal what he wants... the lone Wolf. Its a very engaging and moving work. At one point, I found myself in tears at one particularly heart-rending scene. Humanity at a time of great stress is poignantly pictured, both in its strengths, and in its Sin. The acting is simply incredible, especially the mother and her younger daughter. Unlike the Hollywood films, this film offers no magic solutions, no instant fixes, no easy outs. Goverments have failed, and now common people are paying the price. Society has been reduced to the lowest common denominators. But the film seems to conclude with the idea that recovery is possible, through cooperation and sacrifice. There is some closure to the family's immediate straits. This film has the power to make us think about what we are doing to each other, and what might possibly happen if we let them go over the edge............
Haneke's nightmare vision of a post-apocalyptic world is darkly atmospheric and beautifully photographed. True, there isn't much of a plot and the pace is slow. The film is primarily a mood piece, but a very good one. Unlike the usual end-of-the-world thriller, the characters aren't facing any ghoulish monsters other than each other. This approach lends a striking realism to the movie.
Some of Haneke's films -- especially "Funny Games" -- are marred by heavy-handed social commentary. Happily, this is not a problem in "Time of the Wolf." One can always read politics into any allegory, but it is quite unnecessary in this film. I neither know nor care whether Haneke had a specific political situation in mind; what matters is that the resulting movie stands on its own as an artistic achievement.
8/10. Recommended for fans of grim, moody films.
Some of Haneke's films -- especially "Funny Games" -- are marred by heavy-handed social commentary. Happily, this is not a problem in "Time of the Wolf." One can always read politics into any allegory, but it is quite unnecessary in this film. I neither know nor care whether Haneke had a specific political situation in mind; what matters is that the resulting movie stands on its own as an artistic achievement.
8/10. Recommended for fans of grim, moody films.
Le saviez-vous
- AnecdotesAs of 2017, this is the only film directed by Michael Haneke to have been screened in the official selection of the Cannes Film Festival without playing in the main competition. This is because that year's jury president, Patrice Chéreau, was part of the cast.
- ConnexionsFeatured in Inthierryview (2008)
- Bandes originales2nd mouvement: Adagio molto espressivo
Taken from "Sonata for piano & violin nº5 in F major, op. 24"
Composed by Ludwig van Beethoven
Performed by Yehudi Menuhin and Hephzibah Menuhin
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- How long is Time of the Wolf?Alimenté par Alexa
Détails
- Date de sortie
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- Aussi connu sous le nom de
- Time of the Wolf
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- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 61 439 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 560 $US
- 27 juin 2004
- Montant brut mondial
- 499 149 $US
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