NOTE IMDb
7,5/10
16 k
MA NOTE
Ajouter une intrigue dans votre langueThis is the story of those who live as if every day was a constant Sunday, those who spend their Mondays in the sun. The story of people who worked in a dockyard but are now unemployed.This is the story of those who live as if every day was a constant Sunday, those who spend their Mondays in the sun. The story of people who worked in a dockyard but are now unemployed.This is the story of those who live as if every day was a constant Sunday, those who spend their Mondays in the sun. The story of people who worked in a dockyard but are now unemployed.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 47 victoires et 19 nominations au total
José Ángel Egido
- Lino
- (as José Angel Egido)
César Cambeiro
- Fiscal
- (as Cesar Cambeiro)
Antonio Durán 'Morris'
- Director Banco
- (as Antonio Durán Morris)
Luis Zahera
- Administrativo Astillero
- (as Luis Castro)
Luisa Martínez
- Funcionaria INEM
- (as Maria Luisa Martínez)
Avis à la une
I give this movie 10 points . The director Fernando de Aranoa investigated and talked with the unemployed people he will later portrayed in his movie. I mean the stories he's telling are for real. The performances by all the actors are magical . Bardem , of course, but all the cast is at the same level . The dialogues are so well written , never sound contrived . One thing it's clear , this movie don't leave you untouched. Fortunately Fernando de Aranoa is always improving as his latest movie "Princesas " shows . Don't miss "Los lunes al sol " it will be worth your time to watch the cast's performance .This movie won several Goyas ( Spanish academy awards ) Very moving picture
10Danherb
It is really a pity that such a wonderful, compelling and important film, isn't able to get through to a bigger audience. But however.
"Los lunes al sol" is very calm and slow but all the more empathetic, touching and above all compelling.
The film shows the dull everyday life of a group of jobless deckhands, who try to get their lives back under control. One of them gets goes to job interviews almost every day, but gets refusal after refusal, because is too old. Another one has familial troubles because of his dismissal and another one drowns his frustration in regular boozing.
Despite the obvious socio-critical message of it, the film doesn't get polarizing or hostile to capitalism at any time, thanks to the terrific performances of all actors (above all Javier Bardem), and the sensitive script that particularly emphasizes the character's conflicts and their dealing with their situations. The note of the film is not a very political or even cynical one, it is very tranquil and melancholic. The actual brilliance of the film consists in the awesomely empathetic portrayal of the feelings of the jobless persons, that have to get used to the situation, that they are the scum of society from now on.
The beautiful soundtrack and the excellent editing and cinematography add to the sad but at times also hopeful atmosphere.
It's actually a great pity that no other film before has dealt with such an important issue that affects almost everybody's everyday life today.
Michael Moore could learn a lesson from Fernando León de Aranoa of how to combine social criticism and the affected person's fates. I wish there could be more films like this, that let you leave the theater with a comfortable feeling, but that give a thought provoking impulse at the same time.
"Los lunes al sol" is very calm and slow but all the more empathetic, touching and above all compelling.
The film shows the dull everyday life of a group of jobless deckhands, who try to get their lives back under control. One of them gets goes to job interviews almost every day, but gets refusal after refusal, because is too old. Another one has familial troubles because of his dismissal and another one drowns his frustration in regular boozing.
Despite the obvious socio-critical message of it, the film doesn't get polarizing or hostile to capitalism at any time, thanks to the terrific performances of all actors (above all Javier Bardem), and the sensitive script that particularly emphasizes the character's conflicts and their dealing with their situations. The note of the film is not a very political or even cynical one, it is very tranquil and melancholic. The actual brilliance of the film consists in the awesomely empathetic portrayal of the feelings of the jobless persons, that have to get used to the situation, that they are the scum of society from now on.
The beautiful soundtrack and the excellent editing and cinematography add to the sad but at times also hopeful atmosphere.
It's actually a great pity that no other film before has dealt with such an important issue that affects almost everybody's everyday life today.
Michael Moore could learn a lesson from Fernando León de Aranoa of how to combine social criticism and the affected person's fates. I wish there could be more films like this, that let you leave the theater with a comfortable feeling, but that give a thought provoking impulse at the same time.
How do you imagine the life of an unemployed without family, possession or future? Dull is certainly one of the answers, but this movie does the utmost of this basic story! It's a great achievement to tell something so boring without becoming itself dull and boring. At some points it is even funny and every minute is well done. Really intelligent script with great actors. Especially the actor of Santos! By far the best way to get a glimpse of a life nobody wants to have. It isn't a movie for everybody, because it isn't an easy popcorn movie. The presence of your mind is required but you will be certainly rewarded with an insight that you'll hopefully never experience.
In an industrial city in Spain, five unemployed middle-aged friends daily meet in a bar, whose owner was also a former employee of the local shipyard, for drinking and small talk. Santa (Javier Barden) is their rebel leader, who dreams to move to Australia, and is being sued by the owner of the shipyard for breaking a 8,000 pesetas light. The insecure José (Luis Tosar) feels inferiority complex of his wife Ana (Nieve the Medina), who is supporting their home with a temporary work in a tuna can factory. Paulino (José Ángel Egido) is permanently trying to find a job through unsuccessful applications. The Russian Serguei (Serge Riaboukine) studied in Soviet Union to be an astronaut and seems to accept his life status. The depressed Amador (Celso Bugallo) misses his wife, who left him some time ago. For all of them, each jobless idle day looks like a Sunday.
"Los Lunes al Sol" is a bitter and sad worldwide contemporary story, with magnificent performances. I am marine engineer and Rio de Janeiro is the greatest Brazilian pole of naval construction. In the 80's and 90's, I saw many people of this sector, including friends and colleagues, losing their jobs and many of them changing their professions with the crisis in this sector. This type of situation happened in many other economical sectors, and Brazil has presently about a ten percent unemployment rate. I feel very sorrow for those who lost their jobs, and the large number of street vendors and slums in my hometown, associated to very low wages, reflect our present situation. The universe of Santa and his friends may be extended too to many other countries and sectors of the economy, therefore it is very easy to sympathize and understand the drama of the characters. This impressive film is also very well directed and watching it is a worthwhile experience, mainly for the younger generations. My vote is eight.
Title (Brazil): "Segunda-Feira ao Sol" ("Monday in the Sun")
"Los Lunes al Sol" is a bitter and sad worldwide contemporary story, with magnificent performances. I am marine engineer and Rio de Janeiro is the greatest Brazilian pole of naval construction. In the 80's and 90's, I saw many people of this sector, including friends and colleagues, losing their jobs and many of them changing their professions with the crisis in this sector. This type of situation happened in many other economical sectors, and Brazil has presently about a ten percent unemployment rate. I feel very sorrow for those who lost their jobs, and the large number of street vendors and slums in my hometown, associated to very low wages, reflect our present situation. The universe of Santa and his friends may be extended too to many other countries and sectors of the economy, therefore it is very easy to sympathize and understand the drama of the characters. This impressive film is also very well directed and watching it is a worthwhile experience, mainly for the younger generations. My vote is eight.
Title (Brazil): "Segunda-Feira ao Sol" ("Monday in the Sun")
10pi4630
Two movies, one topic. I have watched "The pursuit of happiness" first and "Los lunes al sol" (http://www.IMDb.com/title/tt0319769/) a couple of days later. Both movies have the same rating on IMDb.com and this is frankly not the case. "The pursuit of happiness" is a remix of the "one in a million" idea: one guy against all odds, facing the worst situation, makes it. I know this is a true story, but the story of *just one* who "makes it" (which can be compared to a lottery win - because how *many* people are out there trying?) may lead to the illusion that - as long as you "want" - you *can* make it. Sort of "hang on" movie. "Los lunes al sol" instead shows you what happens to the rest - to the non - Chris Gardeners of this world and is much more realistic. The fact that "The pursuit of happiness" was nominated for an Oscar confirms that we are encouraged to watch movies which consider the fate of one, not of manys. Absurd. "Los lunes al sol" is a must see.
Le saviez-vous
- AnecdotesLes lundis au soleil (2002) was selected as the Spanish entry for the Best Foreign Language Film at the 75th Academy® Awards, but it was not nominated.
- GaffesWhen Jose looks up towards the wall clock in his apartment, the second hand is running backwards, counterclockwise.
- ConnexionsFeatured in ¿Dónde estabas entonces?: 1983 (2018)
- Bandes originalesOn the Otherside of the World
Written and Performed by Tom Waits
Meilleurs choix
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- How long is Mondays in the Sun?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Mondays in the Sun
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 153 256 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 401 $US
- 27 juil. 2003
- Montant brut mondial
- 9 832 663 $US
- Durée
- 1h 53min(113 min)
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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