El bola

I think El bola is a pretty good movie. But what calls my attention is the acting. I think they make the movie believable. You really feel like they are going through all what they go through. You forget that you are sitting there watching a movie in the theatre and feel like you are watching a documentary or living it. Also that it's not corny or heroic with a "happy ending", it's real, and straight-forward, that is one of it's qualities. They tell you a story that happens everyday and they are not trying to be original about it, they just narrate it simply and honestly.

The movie is from Spain, and I grew up in America, but it helped me so much throughout the years. My Dad is bipolar, and was always angry. He wasn't as crazy as this Dad, but he did slap me around and pull my hair any time he was mad at something in his life. He has kind of apologized now that I am an adult,but still thinks he was kind of a good father. It's tough, and seeing movies like this let me know someone out there knows this stuff happens.

At present, unfortunately, Spain is suffering the highest level of child-beating and badly treated wives of all Europe. Around 60 women are killed each year by their husbands, ex-husbands, lovers, etc., and every day children are taken into hospitals after being savagely beaten by, mostly, their fathers, though there are also frequent cases of both mother and father taking part in the treatment metered out.

It would not be strictly correct to affirm that this film, `El Bola' directed by Achero Mañas, reflects this sociological situation, and probably was not the intention anyway: there were other important issues that had to be unveiled, too. However, in brief, we could say that the film is basically concerned with the physical punishment Pablo (El Bola) receives from his father, a small business owner, frustrated and bored with life. Pablo receives refuge from a sympathetic family, but the problems do not stop there.

Well directed, above all keeping the violence within strict proportions to the import of the story, and in general good interpretations which do not tend to unnecessarily exaggerate the crude and difficult situations being enacted. Special mention, of course, is well deserved for the main actor – Juan José Ballesta, about 11 years old. He had a very secondary rôle in `El Embrujo de Shanghai' (qv), and thus surprised me at being able to deliver such a performance in this film: obviously the director's careful handling of the young lad, as well as some excellent rapport with the other actors, especially Nieve de Medina, holds the film on course.

I hope that this younger generation of Spanish directors, such as Achero Mañas and of course Fernando León de Aranoa (Los Lunes al Sol, qv, also with Nieve de Medina) can keep up the good work in the sociological sphere with real human stories to tell.

WARNING: this film necessarily includes a scene of extreme child violence carried out by his overwrought father, and thus care should be taken by parents. The Spanish rating of only for over 13s should not be taken seriously: over 18 would be more appropriate. The scene is short; the film is not only about violence as it has many other ingredients. However, this brief scene is very hard on the senses.

What is particulary gut-wrenching about this film is being reminded very vividly how utterly helpless our children actually are once delivered to the mercies of adults. It must remind one of Dostoevsky's great parable questioning the very foundations of faith and life on this planet: the tears of a brutalized child, how can anything be right if the innocence itself gets choked and humiliated so early on? Who knows how many millions upon millions of defencless little men and women gets brutalized physically and mentally on an endless train of abuse? And to think that this is the age where there's at least some inkling of how horridly despicable abuse patterns are. +++ *Within this framework, shore, one would find the delicate homage to Les 400 Coups (the amusement park scenes, the friendship among the city boys...) *The music score is so brilliant that is stand out on its very own.

Child abuse is not one of the things that film makers love to tackle. This practice seems to be universal, yet little about is seen. Acero Manas, the director of this movie that deals with this subject, is about one of the few that has come forward to make a case for the young children that are physically abused by a brutish parent.

El Bola is a teen ager we meet playing a dangerous game at the railroad tracks near Madrid. It's a game where two opponents jump to pick up something from the track as a suburban train is about to pass by. Young Pablo is nicknamed "The Pellet" because of the ball he keeps with him as a token for good luck.

Pablo's home life is marked by unhappiness and grief caused by the tragic death of a sibling. The sullen parents have to struggle tending the sick, and elderly mother of Mariano, the father. Pablo is made to help with the old lady's bath, something a small boy should not be called to do.

Into Pablo's life comes Alfredo, who joins the class, evidently at the middle of the school term. Pablo sees a kind of normal pal in the new arrival and seeks the boy to be with. That meets with the father's wrath, as he considers the new friend as trash because Alfredo's father, Jose, is a tattoo artist. In reality, Alfredo comes from a good home with caring parents. Pablo sees a normal way of life in his friend's house. The friendship brings the worst in Mariano who beats the young man harder to the point that he needs medical attention.

"El Bola" is a film that depicts the abuse openly and it hits the viewer as a low punch to the stomach. Nothing justifies the way Pablo is beaten senselessly by a father that should be made accountable for what he is doing to his son; the images one sees are revolting. Director Manas makes his point in showing what an animal the old man is by taking all his frustrations on Pablo.

The acting is good in general. Juan Jose Balleste plays Pablo with ease for a young actor who seems to be a natural. Pablo Galan is Alfredo, the true friend. Alberto Jimenez portrays Jose, and Manuel Moron makes a brutish Mariano believable.

Achero Manas asks a lot from his audience. Although child abuse is a disgusting practice, it goes on, probably much more than one realizes. This is a crude film that doesn't offer any happy solution to the problem, or how to avoid it and it's an eye opener as to how the action of a man, that shouldn't have had children, and will scar the young son for life.