Lady Chance

A "cooler" is a guy who stands next to you in a casino when you are having a winning streak that is suddenly interrupted. It is someone who has such a bad luck that people around him are influenced; he could be pretty important for casino bosses. The cooler here is Bernie and the face of William H. Macy is perfect for him. The casino boss is Shelly in a wonderful performance from Alec Baldwin. Soon Bernie will leave, but not before he has met and fallen in love with Natalie, played by Maria Bello (for me only known from 'Payback' and 'Coyote Ugly'), a third terrific performance. She seems to like him also and suddenly that means Bernie is lucky. This will give, unfortunately for Shelly and therefore himself as well, results on the casino floor. Things are getting complicated.

The story is pretty original and entertaining on itself. A sub-plot that deals with the idea of remodeling the casino into a more modern one, not if it is up to Shelly, gives him a reason to be annoyed and show his more cruel side. Baldwin is at best in these scenes. The performances take the film to the next level. Baldwin won an Oscar nomination and it is pretty clear why. You believe him the entire time, no matter what he does. From Macy we expect a good performance, he is one of the best character-actors out there. I was also pleasantly surprised with Bello, an Oscar nomination would not have been strange here; she is very good, even great in the scenes with Macy. In the end 'The Cooler' is a good film, becoming better through performances, entertaining all the way through.

Too many movies set in Las Vegas have gone along with the glitzy image that we always see, so it's good to see one take a grittier approach. William H. Macy plays a gambling jinx who falls in love right before he's supposed to leave the city, so there's the issue of how this might affect things. Some people might observe how the movie looks at this relationship, but I noticed how it looked at chance, especially with what happens at the end. Overall, I view it as one the many movies from a new generation of directors (sort of like what got released in the late '60s and early '70s). Definitely worth seeing, with a very effective script and all. Also starring Alec Baldwin, Maria Bello, Shawn Hatosy and Ron Livingston.

Bernie Lootz is a 'cooler' – a man whose very presence on a casino floor turns peoples' luck to cr*p and stops any winning streak dead in its tracks.

As such he is a very valuable asset to casino boss Shelly Kaplow, himself having enough problems of his own trying to stop his old school casino being revamped to the point of losing it's sense of class. However, with Bernie looking to leave, Shelly is eager to make him stay – not helped by waitress Natalie falling in love with Bernie and turning his jinx into universal good fortune. With the casino dropping a million plus in one day, Shelly takes action to protect what is his.

As with many viewers I suspect, I was attracted to this film by the cast and the fact that it received a few nods from the Oscars (despite being showy enough to win). The plot is based on the old casino idea of coolers being those who bring bad luck to the tables but it very much needs you to buy into the idea of luck to really enjoy this fable of lady luck – unless you get into it, it'll feel rather forced and silly at times. However the film helped me to overcome this by being very lowkey and downbeat – very much like Bernie himself the film is dog eared and lovable, not a great thing but one that is easy to get into. The film uses Las Vegas really well and it is the Las Vegas I believe in – downbeat, cruel and plastic, it is much better than the fun, breezy and slick Vegas that we are sold in CSI or in Oceans 11. The mix of romance, comedy and violence works very well – at points it was very touching, at others quite funny and then others unrelentingly brutal and downbeat. It isn't perfect of course and the writing is where the problems lie; the story did rely on the audience buying into it and at times the dialogue comes very close to corn (but just misses). The only time I felt really let down by it was the ending, which, although fitting with the spirit of the film, missed a great chance to be dark, depressing and beautiful all at the same time.

Despite the odd weakness in the material, these are almost totally covered by a superb collection of performances. Macy may be aware of typecasting but so what if he keeps getting roles like this, probably one of his best performances since Fargo. He is typically the little man who we cannot help but root for and Macy does well never to let Bernie become pathetic to the point that he loses the audience. Bello also does pretty well and even convincingly falls for Bernie even though the film offers her very little opportunity to show a real development of love there. She is pretty but not to the point where she is an unconvincing waitress and her dashed hopes are well worn by her. However the one performance that dominated the film was Baldwin who does very well in delivering a role that could easily have become caricature. At turns he is amusing, brutal, friendly and tragic and Baldwin does almost all of these with minor touches – at one point I was impressed by how well he controlled his face (eyes in particular) to convince me that here was a man who was totally lost. A great performance and one that definitely deserved his Oscar nod. Support is just as good from several well known faces; Sorvino is given little more than a cameo but the one scene he shares with Baldwin is fantastic and, unlike some of his other roles, I never saw Paulie once – his Buddy was too tragic for that ghost to linger here. Hatosy is OK even if his part of the story is not as good as the others and Nascarella will be a well known face to many due to many roles in films for Spike Lee, Martin Scorsese and a few other big films.

Overall this is not a perfect film and it needs you to really buy into its fantasy world to really enjoy it but it works well and turned out to be an enjoyable, low key and atmospheric little love story that was never brilliant at any one thing but managed to be touching, brutal, funny and, ultimately, quite satisfying even if my darker side wanted an ending with more punch.

"The Cooler" has really divided viewers. Some, definitely not all, are taken with William H. Macy's first-ever sexy role where he shows his buns (and a bit more) as Bernie the Cooler, a key employee at the Shangri-la, a Las Vegas casino a bit shopworn and out of touch with the latest and hottest on the Strip. A cooler is a guy who shows up by the side of a punter on a long winning streak and, somehow, extinguishes his luck merely by hanging around the table and acting like a klutz.

Maria Bello is a cocktail waitress, Natalie, relegated to the low end of the casino where elderly day trippers bet small amounts. Feeling sorry for her, and perhaps a bit attracted, Bernie gets her transferred to the big spender zone where, presumably, tips are better. One thing leads to another and - wow - Macy is, according to a few of my female friends, a heck of a lot sexier than, say, a wannabe babe magnet like Brad Pitt.

Running the casino is Shelley, Alec Baldwin. Shelley has a problem: the casino's investors (a euphemism) want to tear down the place and build a new, modern joint that will pack in the younger high rollers. A sentimentalist at heart, as well as a gangster, Shelley wants Shangri-la - which does turn a profit as he points out to the guys demanding change - to stick it out as the last classy, old style casino. This is the stuff of eyeball to eyeball confrontation.

Natalie is the catalyst for a change in Bernie's luck - and lust. From an initially awkward conjoining, the two fall deeply in love and find they're in synch in the sack. So she's no longer a catalyst, she's the Significant Other.

Bernie has some family issues with his lackluster son and Natalie has to deal with problems with Shelley that would merit a lawsuit about a hostile workplace . Shelley - poor guy - really needs a dedicated cooler, Bernie is the best and he knows, he thinks, how to insure renewed employee dedication.

No Nevada gaming authority or cops here - this casino seems to be in a parallel universe where the honchos make their own rules independent of even the semblance of regulation. There can't really be a Shangri-la like this place in Las Vegas (I'm sort of sure).

Macy delivers a terrific performance as a schlepp who finds he has the heart of if not a lion at least a fierce tabby. Bello handles the shifting moods of her character very well-she's a good actress. And very pretty. Baldwin turns in a predictably dependable job as a tired mobster/businessman who holds true to values rejected by the new generation of Organized Crime wiz kids (one persistent pest sent to remake the casino is dismissed as a "Harvard turd").

All in all, a good movie especially because it showcases Macy in an unexpected role where he demonstrates the depth of his enormous acting ability.

WARNING: Very explicit sexuality and some in-your-face brutality. Not for kids.

7/10.

The Cooler is an odd but ultimately satisfying mixture of real feelings, unexpected violence and improbable situations set against of the backdrop of a Las Vegas nearly gone from this world.

William H. Macy plays Bernie, the Cooler of the title. He is a man whose luck is so bad that it not only infects his own life, but can be rubbed off on unsuspecting gamblers at the Golden Shangri-La casino where he works. By merely touching the table where a winner is betting he can change their luck to bad, thereby cooling off their winning streak. It is in this capacity that he meets a cocktail waitress named Natalie (Maria Bello) who begins a relationship with him after he cools the luck of a customer who gets fresh with her. As the unlikely couple begin to form a strong bond, Bernie's luck begins to change. It is when Shelly (Alec Baldwin), the casino manager and boss to both Bernie and Natalie imposes his will on the situation that Bernie's newfound luck and love are tested.

Macy has spent his career playing hapless losers and hard luck characters. In Bernie, he hits the jackpot, delivering a well modulated, brave performance. Brave because he allows Bernie to be shown for what he really is, a not overly attractive, middle aged loser in both body and spirit. Macy shows us a lot of himself both literally and figuratively and it is that which brings a sense of truth to the performance.

Baldwin, who is being billed as a mere co-star is actually a major player in the story. Shelly is a character who utilizes more brute force than the usual steely-eyed verbal barrages that Baldwin excels at. But Shelly is a great character for Baldwin, a man so sure of his place in life and even in Vegas history that he will not bend under any amount of pressure. The Golden Shangri-La is, according to Shelly, the last of the old-style Vegas casinos. The proposed remodel of the casino threatens Shelly at a deep level, making him all the more inflexible. This is definitely bad news for anyone Shelly comes into contact with who would try to thwart his will in any way, including Bernie and Natalie. It is a tribute to Baldwin that the Shelly is someone the audience can never find it in their hearts to dislike completely, despite his intolerable actions.

If in the end, the improbabilities of the story overshadow the ending, it is a fairly minor consideration. This is a movie of performances more than storytelling. Macy's performance is so fine and delicate that one is hard pressed to see how difficult it must have been to do. Bello, as Natalie, shows an underlying fragility that draws the viewer to her and shows us why Bernie would love her. And Baldwin is the hurricane force wind that rages and storms through the proceedings. And it is the audience who is lucky enough to see it all.