Spider-Man 2
- 2004
- Tous publics
- 2h 7min
Peter Parker est accablé d'ennuis dans sa vie personnelle alors qu'il affronte un scientifique nommé Docteur Otto Octavius.Peter Parker est accablé d'ennuis dans sa vie personnelle alors qu'il affronte un scientifique nommé Docteur Otto Octavius.Peter Parker est accablé d'ennuis dans sa vie personnelle alors qu'il affronte un scientifique nommé Docteur Otto Octavius.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 25 victoires et 60 nominations au total
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Sam Raimi's direction is much improved from the first film. This one he seems completely at home with the big budget blockbuster and creates many memorable scenes and images, as he often does in his lower budget work. Comic fans should appreciate the homages to the works of Lee, Ditko, and Romita, The CGI improves from the first film. There's still a little bit of the rubbery animated look of the CGI humans but not as distracting as before. The action is also more impressive. The fight scenes between Spider-Man and Dr. Octopus are well-done. The scene where Spidey saves an elevated train is arguably the movie's highlight. Danny Elfman's music is good but, as with the first film, not in the same league as his iconic Batman work.
The cast knocks it out of the park. Tobey Maguire perfectly captures the essence of Peter Parker, even more so than the first movie. His inherent nerdiness, awkwardness, and struggle to do what's right even at the cost of his own happiness. Kirsten Dunst and James Franco build upon their performances from the last movie. Dunst rises above the damsel-in-distress role she's saddled with quite nicely and by the end finally feels like the iconic Mary Jane ("Go get 'em, Tiger."). Rosemary Harris gets far more to do as Aunt May this time around and she's amazing. She steals every scene she's in. The supporting cast (J.K. Simmons and the rest) are all great. Alfred Molina brings Dr. Octopus to life and treats the character seriously, which is miles above the hammy performance given by Willem Dafoe's Green Goblin in the first film.
When this came out, it was the best superhero movie since Superman '78. I walked out of the theater beaming from ear to ear and feeling like a kid again. It was one of the rare summer blockbusters I went to see more than once. It still holds up and is a high water-mark for Marvel movies, in my opinion. It's followed by a terrible third film and then a reboot series that, while good, misses a lot of what makes this film work so well. This is the definitive Spider-Man movie. Lots of humor, heart, romance, and action all told in a bright, colorful fashion. Everything a Spider-Man film should be.
First off, the acting in the second film has improved tremendously. Tobey Maguire feels more right in the second film. I found him quite shallow in the first film but in the second one he seems to have developed more depth. More nuances have found their way into his acting in the second film making the character more believable and less of a square. Kirsten Dunst is never a good actress but I found her a little less annoying in this film than in the first and therefore I felt I could tolerate her presence. James Franco is decent but still has a problem with portraying nuances which basically means that in order for his performance to work he has exaggerate every emotion his character feels. As it is with most superhero movies the villain is the most interesting character and Sam Raimi couldn't have picked a better actor than Alfred Molina to play Otto Octavius aka Doc Ock. I'm a big fan of Willem Dafoe but I didn't like his performance in the first Spider-Man film very much and therefore I was delighted when Alfred Molina turned out to be a far better villain than Willem was. His performance was both menacing and nuanced and even though the character isn't always directly in control of his actions (making him somewhat misinterpreted) Molina's performance makes the character highly credible and undoubtedly the most interesting character in the film.
The effects have improved which is logical considering that it has been 2 years since the first film hit the cinemas. Also I found that Doc Ock was much better suited for flashy moves and cool fights than Green Goblin ever was so in that aspect the film is far superior to the first film as well. Especially the train fight will, I think, go into history as one of the best hero/villain showdowns in history if not the best. The computer effects have become slightly more subtle making the film seem more polished. There were still a few unfortunate scenes were the CGI was pretty obvious but overall the effects have improved dramatically and received a well earned Oscar.
The musical score continues in the same epic fashion from the first and Danny Elfman does an exceptional job as usual. The score is both thrilling and epic but it is also subtle when it has to be and that aspect of the score works wonderfully as well. Elfman has some experience in super hero scoring (having done both Batman and Hulk aside from Spider-Man) and it shows as the score is very appropriate and fitting. Two thumbs up on the music.
In terms of story telling the second film is also far better than the first. I found the first film to be very unoriginal in terms of its story. Anyone who has just an ounce of knowledge into the myth of Spider-Man knows the story beforehand and thus the film becomes very predictable and boring quite frankly. The second film did not have this problem. It was a breath of fresh air. The story seems to flow more from the heart this time around. Raimi proved in the first film that he could take a situation from the comics and translate it reasonably to the screen. In the second film he proves that he can make a highly original story as well and make it entertaining. It should also be added that Spider-Man 2 has a lot more of the humor like the kind that appears in the comics. J.K. Simmons who was one of the elements in the first film returns in his role and he is absolutely hilarious. He truly embodies the spirit of J. Jonah Jameson. There is also a very funny elevator scene which should be mentioned.
Some people complained that Raimi has turned mainstream with the Spider-Man films. That is a load of rubbish and Raimi proves it by adding some elements from his cult films, the Evil Dead series. He even lets Bruce Campbell tell Spider-Man off as if to symbolize that he hasn't forgotten where he came from.
All in all Spider-Man 2 surpasses the first film in the franchise in almost every way imaginable Spider-Man 2 is twice as engaging, entertaining and heartfelt than the first film in the series.
9/10
With many blockbusters falling at the opening weekend this summer, the title of 'summer's best' was still up for grabs when I arrived at the cinema to watch Spiderman 2 (having only the week earlier given it the miss in favour of lighter fare). Two hours later I emerged having enjoyed one of the most entertaining popcorn films I'll probably see all year. The plot is more than able to fill the running time and, although the action scenes often have large gaps between them, there are no moments where I was bored even if there are a few moments where the film slightly slows. The complexity of the hero is the main thing he is an unwilling hero and the strain shows well on him. Even the potentially ponderous thread with Mary-Jane plays pretty well for the most part.
The villain of the piece is similar to the Green Goblin of the first film in that he is a scientist driven to madness by 'voices' who we want to lose as well as feeling for more tragic than evil. Where Dafoe was great as the Goblin, the silly costume hindered the actor, here Molina has no such obstacle and does very well carrying off the 'voices' scene without it looking silly it is only a shame that he has so little screen time as a person (he has little time anyway but the vast majority of it is throwing cars around). With these complex people as the fronts it is any wonder that the script has no problem being surprisingly strong for a summer action movie. You could read meaning into most of it but it is hard to not see the New York people on the train carrying the prone body of Spiderman backwards as having a bigger significance a surprisingly poignant movie after a big effects-driven scene. The script also throws in a real mix of emotions perfect for a film that is more about being an exciting ride than a piece of art. Plenty of it is very funny, some of it is touching, some of it is about character and some of it, well, some of it is about cars being thrown through windows! And of course the latter is what we have come for.
In terms of action, the several big action sequences are very enjoyable and put the skirmishes from the first movie very much in the shade. Part of this is down to the increased intensity of the fights due to the close combat nature of the character but it is hard not to be impressed by the impact of the vastly improved effects. In the first movie I struggled occasionally to get past the fact that some of it (not all but some) looked very much like an average playstation game. Here the effects are great; sure, you can still tell when a mid-shot of a character is real or CGI but they are much more convincing and they are used a lot better making it easier to accept them as real for the purposes of the film. Of course what really makes the action sequences is Raimi's great direction. He is very able in the smaller moments but he is fantastic in the massive action scenes that he pulls together. At times his direction is very clever and my favourite 'reference' scene is also the one that surprised me that it was rated PG. In a very clear reference to Evil Dead, doctors are hammered by Dr Octopus' arms for the first time dragged screaming (ED's trees) and tackling it with bone saws (Ash's chain saw). It was a very intense scene and, with it being in a PG, it acts as proof that the BBFC are not as strict as the moaners would have us believe.
Working with this direction, the cast all do really well. Maguire takes the pratfalls, the moral questions, the romance and the action equally as well. He is very much the likable everyman that the film needs Spiderman to be and he is good throughout. Dunst has talked about her desire to do more than just this type of film and, from this, I can see why. Although she has some good scenes, generally she is sidelined and it is to her credit that she does as well as she does with comparatively little to work with. Molina is given too little time and lacks a really strong scene of emotion in the same way that Dafoe did in front of the mirror but he still does well. I didn't feel his pain as much as I really should have done but that was more down to his low screen time rather than his performance. Franco is good but a bit too one-dimensional; given that the third film will be very dependent on him I'm hoping he can step up to the plate more than he did here. Of the support cast, once again it is a wonderfully OTT Simmons who steals every scene he is in he is so good that I never once saw him as his Oz character an association I never thought he'd be able to break but he did and he did it hilariously. Cameos from Campbell, Raimi and Dafoe are all enjoyable and add to their scenes.
Overall this is not a perfect film and I am bemused by its appearance in the top 250 list here but it does basically everything it sets out to do and does it in a manner that puts this years' other blockbusters in the shade. The script is clever, interesting and involving; the characters are complex and pretty well drawn while the film delivers laughs as frequently as it does action. With improved effects and some very impressive action scenes this is definitely the movie to sue in a summer full of misses and average thrills.
Which Actors Almost Played Spider-Man?
Which Actors Almost Played Spider-Man?
Le saviez-vous
- Anecdotes(at around 24 mins) When Peter flips over an oncoming car, Tobey Maguire performed the stunt himself. A stuntman also performed it, but Sam Raimi thought Maguire's looked more natural so he used his instead.
- Gaffes(at around 1h 19 mins) When Peter Parker saves the child from the burning building, she is old enough to stand and help him up. However, when he hands the child to the parents after exiting the building, the fake bundle he hands them is the size of the infant.
- Citations
Henry Jackson: Hi, Peter!
Peter Parker: Hey, Henry! You've grown tall.
May Parker: You'll never guess who he wants to be... Spider-Man!
Peter Parker: Why?
May Parker: He knows a hero when he sees one. Too few characters out there, flying around like that, saving old girls like me. And Lord knows, kids like Henry need a hero. Courageous, self-sacrificing people. Setting examples for all of us. Everybody loves a hero. People line up for them, cheer them, scream their names. And years later, they'll tell how they stood in the rain for hours just to get a glimpse of the one who taught them how to hold on a second longer. I believe there's a hero in all of us, that keeps us honest, gives us strength, makes us noble, and finally allows us to die with pride, even though sometimes we have to be steady, and give up the thing we want the most. Even our dreams.
- Crédits fousIn the extended cut, opening title says "Spider-Man 2.1" instead of "Spider-Man 2".
- Versions alternativesOn some US TV versions, there is some alternate dialogue between Peter and Mary Jane when he takes out the garbage after his birthday party that wasn't in the theatrical or DVD releases. The most notable is a two-line addition after Mary Jane says, "I'm seeing somebody now." Peter responds, "Oh, therapy." Mary Jane answers, "No, a man." That part of the dialogue especially gives the whole scene a less optimistic feel.
- ConnexionsEdited into Profanations (2006)
- Bandes originalesSpecial Delivery
Written and Produced by John Debney
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- El hombre araña 2
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 200 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 374 337 514 $US
- Week-end de sortie aux États-Unis et au Canada
- 88 156 227 $US
- 4 juil. 2004
- Montant brut mondial
- 784 561 571 $US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1