Spider-Man
- 2002
- Tous publics
- 2h 1min
Mordu par une araignée génétiquement modifiée, un lycéen nerveux, timide et maladroit acquiert des capacités semblables à celles d'une araignée qu'il doit utiliser pour combattre le mal en t... Tout lireMordu par une araignée génétiquement modifiée, un lycéen nerveux, timide et maladroit acquiert des capacités semblables à celles d'une araignée qu'il doit utiliser pour combattre le mal en tant que super-héros après qu'une tragédie s'abatte sur sa famille.Mordu par une araignée génétiquement modifiée, un lycéen nerveux, timide et maladroit acquiert des capacités semblables à celles d'une araignée qu'il doit utiliser pour combattre le mal en tant que super-héros après qu'une tragédie s'abatte sur sa famille.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 2 Oscars
- 17 victoires et 65 nominations au total
Avis à la une
The simple plot of good vs. evil begins when Peter Parker is bitten by a spider while touring a local museum with his high school class. The plot thickens when he develops webs and the ability to soar over rooftops and vehicles with ease--as well as climbing walls. Toby Maguire plays the nerdy teen-ager with a wholesome air of innocent charm, his open-eyed expression never concealing the delight he takes in the role. As his girlfriend, Mary Jane, Kirsten Dunst does a likable enough job even if the costume department decided to dress her like a teen hooker.
Everyone else is in fine form. William Dafoe deserves top praise for his Green Goblin--evil enough to frighten the wits out of the faint-hearted. J. Jonah Jameson is excellent as the bombastic newspaper editor who takes advantage of his most famous client. Rosemary Harris and Cliff Robertson, in quieter roles, are warm and human. James Franco is believable as Peter's best friend.
Admirers of the comic book tales should have no trouble liking the movie with its amazing CGI effects. It's heart-warming and funny, with some terror thrown in for good measure. Good escapist entertainment even if the message seems a little vague. Message??
Tobey Maguire takes on the role as Peter Parker a.k.a. Spider-Man, a product of being bitten by a mutant spider while on a school field trip. He is in love with the girl next door, Mary Jane Watson (Dunst; Bring it On) who is a kind sole but barely notices him. Peter lives with his Aunt May (Harris) and Uncle Ben (Robertson)(fans, like myself, of the comic will know why he's in this living situation). At first Parker is confused by his new skills but soon he begins to use them to his advantage.
Parker uses his new skills to fight in a wrestling match to get money for various things, one being a way to impress Mary Jane. After the match however tragedy strikes and Parker fully realizes that "With Great Power, Comes Great Responsibility" and through this "Spider-Man" is born.
Spidey's nemesis in the round is Norman Osborne (Dafoe; Shadow of the Vampire), a somewhat mad/determined scientist who needs to prove that his experiments work. After testing them on himself, something goes wrong and the Green Goblin is born.
I was quite surprised how much Tobey Maguire filled into the role; he not only makes it his own but manages to give it a little character behind the mask. He has that innocent, everyday man quality about him that makes you believe in him. It's a performance that has much more depth than you would expect, especially from a comic book movie.
The supporting cast takes a back seat to Spider-Man, lavish sets and ultimately some nice special effects, but they get the job done. Willem Dafoe has gotten back into my good graces after the atrocious Speed 2. He does a good job as the Green Goblin and doesn't overdo it. Now, it's not as memorable or great as Nicholson's Joker, but he makes a formable foe to Spider-Man. What I liked about his performance was that he didn't over-shadow the hero, much like the Joker did in Batman. Dafoe is given the right amount of screentime to establish his character but not too much to the point where it becomes a movie about him rather than Peter/Spider-Man
The other two notable cast mates are Kirsten Dunst and James Franco. Franco had actually gone in to the audition for the role of Peter Parker but ended up playing Harry Osborne, the villain's son. I liked Franco as Peter Parker's roommate and best friend and love the idea of the continuity aspect of the plot.(You'll see when you view the film)
Kirsten Dunst is even a good casting choice. What could've easily been an eye-candy role is taken to another level. She's very likable in the role and her chemistry with Maguire is natural and not forced.
This is good transition into the screenwriting by one of my favorites, David Koepp, who was the master behind films like Stir of Echoes and Panic Room. He brings Spider-Man to life with the help of Maguire and director Sam Raimi (A Simple Plan). The plot even over-shadows the great CGI in my opinion. The storyline is slightly more developed than most movies of this nature and is driven by its characters. I liked that aspect of the film very much.
Spider-Man also features some funny moments like a cameo by Bruce Campbell (of Evil Dead fame) as a Vince McMahon type ring master who gave Parker the name of "The Amazing Spider-Man" and Peter Parker having fun swinging from building to building. The J Jonah Jameson character is also very funny. He makes the transition from comic to screen very well. Dead on representation.
Spider-Man is the ultimate comic book movie that not only looks like it came from the comics, but adds in the sounds and some dialogue. From the opening credits to the last shot, you could see it in an issue of "Spider-Man". Like X-Men, the film is bright with colorful characters and big time action scenes. It reaches the level of my favorite comic book movie, Batman, and maybe after more viewings it could surpass it.
Overall, Spider-Man is a fun romp of comic book action. With a great story, acting, special effects, and a lot of heart Spider-Man is a perfect start to the summer season and i'm glad it's leading the pack.
I had the privilege of seeing the film last night, 4-30-02, in SF with the press and 300+ other folks for its "Bay Area Premiere".
The acting is the finest portion of the film with the leads giving us depth that I was unsure would be allowed by the style of story chosen. Maguire was outstanding at being a guy who can rarely catch a break, but attract difficulty with ease and aplomb. He is awkward with the woman he loves, but eloquent when dealing with the familiar, just as most teenagers are even today. He gave us wonderful joy at the prospect of "web swinging" and kicking some much deserved ass! Dafoe is wonderfully scary as the man who has succumbed to the power games of the corporate world that drives a decent man mad striving for perfection in himself while trying to hard to please all the wrong people to no avail and then being consumed by guilt that has built over the years of family neglect which finally helps to push him over the edge when an opportunity to make a huge mistake presents itself.
The rest of cast is nearly as spectacular with the J.K. Simmons turning in the best performance in the film as J. Jonah Jamason. When he appeared on screen things lite up even more and he was on fire making everyone in the audience laugh and myself nearly p** my pants. Harris as Aunt May and Robertson as Uncle Ben were excellent choices and gave the film a great deal of its credibility and finesse. Letting what happens to Ben and Peter (I am not telling) was wonderful and the best punctuation to what makes Peter do what he does and brings complete credibility to the story. I am not a huge Dunst fan, but she was just fine as the love of Peter Parker's life and a person much like Peter only neither was conscious of the fact. This to me is a more real version of "true love".
The script was far stronger than I expected with some wonderful dialog; verbal exchanges, solid plot points and pacing. Many a good parenting lesson can be found in this film as well as interesting thoughts about the choices that we make in life that we might think are no big deal when in the heat of passion, but may well come back to haunt us if we don't think before we act/speak: which is the trust of the film in my humble opinion.
The direction from Raimi was also much better than I anticipated coming from someone who is known (and loved) for his over the top camp and action. Many of the fight and action sequences where more "over done" than I like, but they were solid and much like a comic of the Silver Age from whence the story comes so it fit the film fine. Nice cinematography without the CGI taking over and detracting from the realism, in fact it made much of the web swinging truly believable. A few points made things a bit hard to "believe", but over all I think most folks will be able to suspend their disbelief.
Danny Elfman. Need I say more? He is the man when it comes to "super hero" music and is the closest thing to John Willams and the late great Bernard Herman there is today. He subtly sets the mood and most of the audience probably doesn't even realize it. Tomorrow is my day off and I will be purchasing the score to add to my collection!
Which Actors Almost Played Spider-Man?
Which Actors Almost Played Spider-Man?
Le saviez-vous
- AnecdotesThe first film to gross $100 million in its opening weekend alone. At the time, no movie had done so, even when adjusted for inflation.
- Gaffes(at around 18 mins) After Parker wakes up the morning after getting bitten, a boom mic is seen at the top of the mirror as he is looking at himself.
- Citations
[last lines]
Peter Parker: [voiceover] Whatever life holds in store for me, I will never forget these words: "With great power comes great responsibility." This is my gift, my curse. Who am I? I'm Spider-Man.
- Crédits fousAt the end of the closing credits the theme song from L'Araignée (1967) is played.
- Versions alternativesIn the version that showed on Cartoon Network, there were many cuts for time, violence, and swearing. All uses of ass, hell, and damn were scrubbed from the movie (i.e. Goblin says "we're gonna have [an interesting] time" as opposed to a "hell of a time"). References to religion were also trimmed. There is also an alternate angle of Norman getting impaled that is less violent.
- ConnexionsEdited from L'Au-delà (1981)
- Bandes originalesWhen It Started
Written by Julian Casablancas
Performed by The Strokes
Courtesy of The RCA Records Label, a unit of BMG Music and Rough Trade Records Ltd. (UK and Eire)
Under license from BMG Special Products
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- El hombre araña
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 139 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 407 774 549 $US
- Week-end de sortie aux États-Unis et au Canada
- 114 844 116 $US
- 5 mai 2002
- Montant brut mondial
- 825 820 712 $US
- Durée
- 2h 1min(121 min)
- Couleur
- Mixage