Immortel (ad vitam)

Director Enki Bilal is a supremely skilled comic book artist from the same stylistic school as Moebius (who influenced the visual style of Blade Runner and designed part of Alien).

Bilal's comics are invariably sombre, textured, exquisitely drawn worlds with strong internal logic.

"Immortel" is the film adaptation of the "Nikopol" trilogy of comics by Bilal. This trilogy of comics I highly recommend.

The film opens with some lovely CGI sequences: Nice environment and craft - gritty, textured, dystopia, a catchy steam punk take on the Blade Runner aesthetic.

The main characters work well in this setting, especially the fetchingly beautiful Linda Hardy (a former Miss France).

But without warning the quality drops jarringly -- as a host of secondary CGI characters are introduced.

What you thought was a movie, suddenly turns into something resembling a video game cut-scene: The amateurishly animated, dated CGI characters would be booed out of Tron. The voice acting is awful. The lip sync a joke.

To really grind it in, the CGI actors get lots of close-ups. Painful.

The plot progresses through a series of surreal events in a New York of the future. If you haven't read the comic, things won't make too much sense on first viewing.

Stick around for the ride, for there are a number of very successful scenes in this movie -- a hauntingly beautiful museum sequence, some fine sci-fi thrills, a gritty symbolist apartment in which a dreamlike love story takes place. Atmospheric music, too.

The really good stuff is invariably bookended by poor scenes, including the worst CGI explosions you'll ever see, awful dialog, and tinny sound effects that suddenly intrude on an otherwise coherent sound design.

This has got to be most uneven movie I've ever seen.

But give the comic books a go.

I've read the comments on this movie, and my opinion is that most commenters did not really get this movie.

This is an Enki Bilal movie, which means it is a Graphic Novel (i deliberately do not use the word "comic book") in cinematic form. If you get the chance to check out some of Bilal's work, you will understand this movie all the better.

The movie is a mix of live action and lots of CGI, which may make it confusing for some at times. If you must, think of it as an animated movie using live actors.

The movie is an audiovisual treat, but, like much of Bilal's work, is heavy on symbolism and portrays a very bleak vision of the future.

If you want to see a mainstream scifi spectacle, don't see this film. If you want to see something that is out of the box, go see it, rent it,or even better, buy it!

As a whole, the movie best compares to Japanese anime, more specific movies such as Ghost in the Shell.

I absolutely adored it. The Baudelaire poetry was an unexpected surprise (in retrospect, however, it should not have been)

As a result of seeing this film, I went out to buy some of Bilal's graphic novels.

If you:

loved the ambiance of The Fifth Element adore the darker side of Japanese anime wanted to walk through the streets in Blade Runner want more out of a movie than simply action love the work of Charles Baudelaire want to see that even Egyptian gods are flawed

See this film!!

Some points of notice:

At times, the amount of visual information is staggering. i had to rewind a couple of times to get everything. It compares to reading the page of a graphic novel a couple of times to get everything.

The mixture of CGI and live actors is strange at first, but you get used to it.

My one negative point about this movie: the Egyptian gods were too static. they should have been a bit more lifelike. As it is, they look like barely animated statues. It adds to the graphic environment, but comes off strange in a movie. I would have liked to see more of them as well.

Well, first of all this film is supposed to be a loose adaptation of the comics (almost more "inspired by"...). Second, I think that those who criticize the CGI graphics quality or even compare it to the horrific (!!) "Final Fantasy", are a bit besides the point.., While the Final Fantasy CGI graphics where technically amazing, the story (what story ?) was absolutely idiotic, and there was a total lack of poetry or atmosphere. Of course the CGI in "Immortals" could have been much better!... But the fact that you can make an accurate picture of a French landscape does not make it better than a Monet painting, does it ?... The use of computer imagery does not mean that everything has to be fully realistic... artful images are often created, as in painting, with a non photo-realistic depiction of reality. I think this concept worked well with this movie, creating a very moody atmosphere and adding weight to the story. Certainly "Immortals" is not a statement about creating photo-realistic computer graphics - it is simply art made with people and computers. That said, I agree that for those who are not familiar with the comics series this movie may not leave the same impression - I am biased by being a Bilal fan. However, I would recommend anyone with an interest in Science Fiction that goes a bit beyond point-and-shoot action and photo-realistic CGI to go and see this movie - they might enjoy it!...

7/10

Enki Bilal's film version of his excellent comic from more than 20 years ago, is a more coherrent and better structured story than what we read in the graphic novels.

The same images are here, in the film, as in the comic. That's very good, and works well. Some scenes are almost taken directly from the comic, as when Horus help Nikopol for the first time in the subway.

The world is more detailed in the film and the story is now more tightly spun around Jill, Horus and Jill's friend John - plus of course Nikopol who serve as the spider in this web.

Many here complain over the computer animations. Especially when it comes to some of the cast. I can only say that it is was a sad decision to create the senator and his two friends as computer animations, since live actors would probably been a wiser decision. It had helped the movie flow a little bit more, and we hadn't been so hung up on that they actually were computer animated. However, after a while, it works and we don't care too much about it. They have so little screen time anyway.

Horus is also animated, but since he's a God, it doesn't matter. And he's better done too. All the other animations are just splendid and work wonders for this graphical and visually stunning film.

Immortel is a very nice film with a better story than I thought. I was expecting a difficult and completely un-logical version of the comic - since I've read the reviews - but what we have here is actually a nice and very good movie, told beautifully.

If you haven't read the graphic novels, I suggest you find a copy or two and read them. They are a good introduction to this weird sci-fi world, and it is probably easier to understand the overall theme if you have read them. However, don't get disappointed when some story elements don't show up in the film. (I especially missed the hockey-game!)

I sincerely hope that Enki Bilal makes more movies like this one, or even a sequel. I would really like to know what happens next... Enki Bilal's mind is beautiful - and this film will be a classic within a few decades. For now, it's just a little bit too before its time to be taken the way it should. But soon, people will discover it and see the nice little details that lay inside the world of future New York.

I give it a 7 of 10. I would have given it higher if it wasn't for some bad animations and that I didn't like the way they plotted the sharp-teethed alien that I never remember the name of. :-)

This movie combines dreamlike landscapes, fascinating characters, a haunting soundtrack, and commanding performances by its three main human actors into a delight for the senses. I will go along with those who say the plot is a bit weak and spotty in places, but the film is still a masterpiece. I had never even heard of Nikopol, or didn't remember it anyway. I knew Enki Bilal was familiar, but had to go look it up to see where I knew the name. Turns out I had seen his stuff in Heavy Metal magazine back when it came out in the late 70s. Since I loved the art and stories of that mag, it didn't surprise me that I was drawn to this movie after stumbling upon it accidentally on sat TV. It has a bleak yet sublime futuristic look and feel to it that makes "Blade Runner" seem hum-drum. Linda Hardy is disturbed and disturbing, enigmatic and beautiful, and very, very sexy. Kretschmann is irreverent, witty, and funny. The graphics characters also have their own personalities and fit in wonderfully, I think. I agree with others who have remarked that the point here is art, not slavish duplication of reality. Both the "real" and the Eugenics-created Dayaks are masterfully done and equally creepy. Really a pleasure to watch.