Night Watch

"Night Watch" is far more entertaining than many of its American counterparts in the "secret underground world of vampires and good vs. evil" genre. Unlike "Underworld" and "Constantine" it kept my attention throughout, but still this Russian smash is severely flawed.

First, let's applaud the good parts. "Night Watch" is distinctly Russian. Moscow is presented as a vibrant mix of modern metropolis and Gothic-style throwback to the middle ages. The plot, heavily steeped in its own fabricated mythology from a series of popular books, also serves on some level as an allegory for the fall of Communism and the rise of Capitalism. In my mind, the forces of "dark" forced underground are the Communists, while the forces of "light" (whose HQ is fronted by the City Electric Company) are the Capitalists, who often get caught up in their own bureaucracy in their vain attempts to keep the peace and not violate the truce. Some of the special effects and modern riffs on vampirism are highly imaginative and disarming (I loved "The Gloom" aspect). The American distributors also deserve some credit for their creative use of subtitles which often become part of the scene without ever distracting from the visuals.

Unfortunately, the director is clearly a veteran of music videos, and he makes the action sequences hyper kinetic and often incoherent. When he does manage to create an alluring visual, he quick-cuts, and you wish he would've had the patience to hold some of the shots longer. This hectic visual style is evident in the plotting as well, which clearly is setting up for sequels with the introduction of many characters, though some of the subplots (especially involving the cursed virgin woman and her evil vortex) seemed unnecessary. Likewise, the rushed finale seemed oddly anti-climatic and didn't pack the wallop I feel the filmmakers intended.

Despite the flaws, I will eagerly await the American distribution of the sequels, and I suppose that is the greatest compliment a film like this can receive.

A thousand years ago two forces met on the battle field, the warriors of light and the army of darkness. As the battle raged, the two forces proved to be exactly balanced, and so a decision was made maintain that balance and the two sides came to an agreement that neither side would breach. And to enforce the agreement two watches were formed: the Day Watch and the Night Watch. The Night Watch is composed of the forces of good who work keep the forces of evil from breaching the agreement and vice versa. The watches continue today... Warriors of virtue (some are shape changers, others have less definable talents) who fight against rogue vampires, witches, etc. Both sides are usually invisible to normal people unless they choose to be seen, except for a few "others" who can see and interact with the immortals. And therein lies the instability, because the "others" also have the potential to become immortals and they can go toward either side. Plus, there is a prophecy of a "Great One" who will shift the balance, plunging the world into an era of light or darkness.

Great action, good use of CGI and practical effects. Excellent soundtrack. It reminded me quite a bit of Jeunet's directional style (CITY OF LOST CHILDREN), but more than anything the movie reminded me of the recent Bollywood sci-fi actioner RUDRAKSCH.

This one is definitely recommended if you are tired of the same old Hollywood formula crap. Especially if you are a fan of Horror/Action with a dash of Sci-Fi.

I enjoyed this movie quite a lot; if you are into Jeunet-type fantasy, I would recommend that you see it. Overall, I would give it a rating of 7 out of 10. The reason for the Jeunet comparison (e.g. Delicatessen, City of Lost Children) is that it has the same dark antiutopian/surrealistic ambiance to it, and is very imaginative. It is also very elaborate in its style, which lends most of the appeal to the movie. This being said, the biggest disappointment of the movie is the plot, which is overly straightforward and simple-minded, but at least it does not devolve into some technical meaningless psycho-babble as many Hollywood fantasy movies do, and maintains its fairy-tale quality.

It is unfortunate that modern Russian cinematography seems to be chasing the success of Hollywood (which is ironic, given the country's negative attitude towards US in general and Hollywood in particular), but this movie benefits from Hollywood-style special effects, and is free of annoying clichés (unlike the atrociously pretentious "Barber of Siberia" - another recent style-heavy Russian blockbuster; sorry Mikhalkov).

To sum up, this movie is quite original, imaginative, stylish and at times visually stunning, which in my book constitutes success, but don't expect any depth of ideas.

Hundred of years ago, the forces of light and darkness faced each other in a very violent battle on a bridge. In order to avoid the total slaughter, their leaders agree to have an armistice. Along the centuries, the two balanced sides are divided and the forces of light watch and control the vampires, a.k.a. as the forces of night. Among the humans lives "The Others", i.e., persons with supernatural powers including witches, sorcerers and vampires and with the free will to choose which side to join. The legend says that the two forces will be unbalanced by "The Great Other", and the side this powerful being selects will win the battle. In 1992, in Moscow, Anton Gorodetsky (Konstantin Khabensky) joins the forces of the light while hiring a witch for a black magic. In the present days, he faces the consequences of his act.

"Nochnoy Dozor" is an original and refreshing dark tale of the eternal battle in the world, between the good and the evil. The unpredictable story has great special effects and is very engaging, and it is interesting to see how the distinction between good and evil is actually very blurred in the present days. Unfortunately I found the screenplay very confused in spite of having understood the whole plot. Maybe watching a second time, this movie may be better and better. My vote is six.

Title (Brazil): "Guardiões da Noite" ("Guardians of the Night")

"Night Watch" is one of the most expensive Russian film production ever and enjoyed in it's home country the best movie start of all time (15 million US $ in its first month), but is it any good? Yes and no. First of all, let me say that this is a special effects film and even though for a Russian production this has a comparatively huge budget for CGI and makeup f/x, the results are decidedly mixed. Most of it is OK, with single drops into the ridiculous. The direction by former ad director Bekmambetov is stylish enough, without forgetting to portray the grittiness of Russian life circumstances. The actors are competent, though leading man Konstantin Khabensky is lacking in the charisma department. The story ultimately is the measurement of what is good and bad about "Night Watch" and it does contain both. The novels, on which this film is based, are pretty complex, making this the first in a trilogy, with "Day Watch" and "Dusk Watch" to come. The presented battle between good and evil supernatural beings is reminiscent of other genre efforts, but unlike, say "Underworld", "Night Watch" takes its elements seriously. This is a mixed blessing. On one hand you have a real mythology underlying events instead of a starting point for subway machine gun battles of longhairs, on the other there is no humor in the picture and the reverent and dead serious tone in spite of the bizarre events is sometimes overdone and a little laughable. The idea of supernatural police forces observing and checking each other is a nice one, as are numerous quirky little ideas, but overall there are two lame stereotypes for every good and fresh idea. Most disappointing is the double climax letdown. The 'grudge' storyline is extremely well built up with lots of suspense but ends with a whimper instead of a bang. The climax of the 'kid' storyline is muddled as well, but does offer a nice full circle resolution to one aspect of the story and features an interesting cliffhanger.

Overall, the shortcomings are (just slightly) outweighed by a fresh, different and decidedly un-Hollywood take on fantasy movie standards. This is an interesting and worthy effort, though strictly for fans of the fantasy/mystery genre.

6/10