Beat Battle

Former drumline member here. Well damn, I guess I'll be the first drummer to say I liked the movie a lot. I swear, half of these reviews I'm reading are annoying - people bashing it because it's an all black movie, people bashing it because the band has dancers instead of a color guard, people calling the drumming rudimentary because they played in a drumline that did better blah blah blah.

What do you guys want, a documentary on marching band? If I was to make a Hollywood movie about the drumline I would have done the same exact things with the drum sequences - put in a gang of stick tricks and showmanship that would translate well to the screen. Nobody wants to watch flam taps for 90 minutes.

That being said, the last drum battle is one of my favorite things to watch. I love when the bass drum cadence comes in, the basses march in a circle, the quads toss each other their sticks between bars, and the snares have an orgy of backsticking and other stick tricks on a level you rarely see performed in real life. And the movie is only cliche as far as its kid w/ bad attitude needs to put his pride away plot goes. I don't watch Nickelodeon so I haven't seen one of those types of movies since I was... hmmm since I was 5. Far as what isn't cliche about it, there's a lot to like. One of the best things is that it immerses itself in Afro-American culture w/out any cliches at all - just life as it is down south at an all-black university. No guns, drugs, none of that stuff that you'd expect from a character who walks and talks like Nick Cannon's character does. I also liked the way they handled the white character in the band. The dialogue where they ask him why he went to the all-black college. His first reply is a wink at the audience, which would expect Hollywood to trivialize race relations like that. Then he goes, nah for real though, and gives a sincere answer that makes sense.

Drumline is a great movie -- but you have to see it for what it is ... not what your preconceived notions lead you to believe it might be.

This movie is all about exposing people to the world of Black College marching bands. You couldn't have a movie that was 2 hours of nothing but band performances so you HAD to wrap a formulaic story around it. "Boy meets girl/boy loses girl/boy gets girl back and learns the value of teamwork in time for the big showdown" is a formula that has worked for years -- and it works here!

Another poster remarked that the band camp scenes were unrealistic because they were too "militaristic" ... he didn't believe that (among other things) that the students would be made to run around holding their drums and so forth. Well, believe it!

I marched in one of these bands (Southern University in Louisiana) 20 years ago and back then, band camp was FAR MORE INTENSE than anything you see on the screen in this movie. YES, it is that competitive. YES, it is that grueling. YES, it is that disciplined. Black College marching band is serious business and this film gives you only a small sample of what it takes to "make the band."

The actual band performances are AWESOME and will definitely be an eye-opener to anyone who has never seen this type of thing before. More importantly, there is no sex, violence, drug use, and very little bad language (just the requisite "d*mns" and "h@lls" - nothing any more intense than prime-time television.) Equally important, the movie features strong male figures who resolve differences without resorting to pathological violence.

One last point -- the movie grossed 13+ million dollars in its opening weekend. And this was against Star Trek (18.7 M) and the Jennifer Lopez (19 M) movie. Although it finished in third place, it was shown in about 1,000 fewer theaters than those two. It had (by far) the highest "revenue per theater" for the weekend!

Do yourself a favor -- open your mind and see this movie -- you and your family will enjoy it!

I'm not one of those people who moans and groans that "movies today are so full of trashy language" (or sex or violence or whatever), and that there's not enough "wholesome" (that word gives me a pain) entertainment for the family. For all those who do (and even those who don't), here's an energetic film that manages to entertain while eschewing content that could conceivably offend anyone (unless they find even the tiniest amount of innocuous, lightweight hip-hop too much to take).

The thematic ground here - young hotshot learns to sacrifice for the good of the team; underdogs strive for triumph - has been covered countless times before, so DRUMLINE wisely boils the plot down to its barest elements, for the most part sidestepping the obligatory contrived obstacles and setbacks, and plays to its strength: the music.

This is a story about college marching bands, focusing in particular on the members of the percussion section, and a good 50% - if not more - of the film concentrates on the lively and elaborate performances of the bands, which are complimented by equally lively cinematography and editing.

No, it's not deep and, yes, it's old fashioned. In, fact, it doesn't take a lot of imagination to see Mickey and Judy in the roles of Devon and Laila (though probably with different names!). I mean, these are the cleanest livin' kids you'll see in any recent picture! But it's solid and it all works. Oh, and don't be scared off by the idea of so much college marching band music. Not being a football fan, my exposure to such things is limited to the Rose Parade, and I don't have a clue as to what state-of-the-art is for halftime entertainment these days, but, for what it's worth, this is the best college marching band stuff I've ever seen, and I wasn't bored for a minute.

The "talented young smart-ass goes to college and learns there's more to life than being skillful or clever" theme is an old one and it's been done better many times in the past. Robert Young learned about teamwork in "Navy Blue and Gold." More recently Rob Lowe learned the lesson in "Oxford Blues." The difference between Drumline and these and other older films on the same theme is that the lead characters evoked more sympathy. Nick Cannon's Devon Miles character is a self-centered, posturing, swaggering jackass who evokes immediate dislike and though you see him grow up a little in the course of the film, you never really learn to like or respect him.

Drumline also suffers from an identity crisis of its own. You're never really sure what sort of story it wants to tell. Is is a "coming of age" story, a drama, a comedy, a romance? It tries to be all of these at once and never seals the deal on any of them.

Drumline could have told a good story about a New York kid learning that there's more than one way to be black in this world. There are a couple of hints of that in Devon's relationship with Laila. Her comment to Devon: "Southern sisters don't date...we have boyfriends," could have been an opening to a good subplot about differences in black culture between different parts of the US, but, as with so many other possible plots, the story touches it lightly, and then flits off to something else. An arrogant young freshman such as Devon would have had many lessons to learn while finding his way in this environment, but the film misses nearly every opportunity to show us the relationships between the characters in any depth, so the performances come off as predictable and mechanical.

All the same, I've seen Drumline several times and enjoyed it for what it does very well. The presentation of the music and and the work that goes into running a big university marching band are very good. I could have done with more of both. The all-too-brief glimpses of life at a black southern university are well done. Again, I could have done with more of that as well. Drumline also had moments of humor, and some visually engaging camera work, especially in the music scenes.

I like this movie. I just wish it had been better done.

Sure, the script could have been better -- in fact, it was downright predictable -- but in this age of godawful black-oriented shows on WB and UPN, how refreshing to see a positive portrayal of black culture that did not feature one single bug-eyed stereotype. And Orlando Jones (a guy who knows how to bug his eyes) can act! Who knew? And man, those band performances were hot! I really enjoyed it. Not a classic, but still a needed movie at a time when the bar is set way too low.