Shanghaï Kid II

I saw this movie only to accompany my children, but I absolutely loved it! Had never seen a Jackie Chan movie, but now I want to see Shanghai Noon too, so we will rent that one. There were several adult references and I don't mean sexually, but funny references only adults would remember. Be sure to stay for the credits as the outtakes are great. I want to see it again!

Well, a Lifetime Achievement Oscar may be the only category that's open to the aging but impish martial arts virtuoso, Jackie Chan, whose latest series-sequel, "Shanghai Knights" is...excellent, fun, entertaining.

My kid got into Jackie Chan films a while back and we have a half-shelf of $5.99 videotapes of the young Chan. Poorly shot with howlingly funny dubbing they nonetheless catch a Kung-Fu master at the height of his considerable prowess.

Hollywood and Jackie's sincere but imperfect effort at learning English led to a series of films that are high budget such as "Rush Hour" with its sequel and "Shanghai Noon," now followed by this film. Each has a sidekick for the irrepresible Chan but "Shanghai Knights " is the first where the faithful companion is a strong character in his own right.

"Shanghai Knights" begins with the Peking (not Beijing, it's the end of the nineteenth century) murder of Chan's dad and the theft of the Imperial Seal (a device to mark documents, not a pet). Chan is a Nevada sheriff who upon learning of the homicide and theft sets off to New York City to find his pal, played formidably and with evident relish by Owen Wilson.

The duo head for London where an unending series of misadventures brings the heroes, along with Chan's gorgeous and martial arts-skilled sister (Fann Wong) into the path of such diverse characters as little Charlie Chaplin, Her Majesty Queen Victoria, Jack the Ripper and others. Of course all ends well and if the martial arts terpsichore is less breathtakingly complex than its predecessors - well, let's cut Jackie some slack.

The film is PG-13 but Wilson provides a measured but running dose of raunch aided by a bevy of scantily clad beauties. There's no doubt HE had a terrific time making the movie.

Director David Dobkin keeps the pace moving and pays humorous tribute to films and stars from the Gilded Age of the cinema. I won't spoil the amusing surprises but listen to the music as the intrepid trio (sister now a full-fledged partner) waft to and fro in a caricature of nineteenth century London. Sad to say most moviegoers won't recognize the well-executed takeoffs of some great moments in film.

As always, a special Chan treat are the outtakes before the end credits, scenes that prove making these films may not be good for the health of the no-longer-young star or his cast but they all have a blast (literally).

And here's good news for the many who will enjoy this movie. I don't know if there will be a "Rush Hour III" but last week I couldn't get within 150 feet of the venerable Yonah Schimmel's on the Lower East Side's Houston Street. Chan and crew were filming a sequel to this new release - a flunky stopping pedestrian traffic told me the title would be "Shanghai Knish!" I can't wait.

7/10.

Fresh out after his box-office bomb The Tuxedo, Jackie Chan is back, again playing the role of Chon Wang. In this sequel to Shanghai Noon, Wang and Roy O'Bannon (Owen Wilson) are in different parts of the country: Chon in Nevada, Roy in New York. However, after Chon's father is killed by Lord Rathbone (Aidan Gillen), he must go to London to find Rathbone to avenge the death of the father. Along the way, Chon's sister Lin (Fann Wong) comes in. Guess who is smitten by her?

Another reason why Chon has to kill Rathbone is that he has a sacred Seal of the Emperor. That's just thrown in to make the plot make more sense. Mucho fight scenes and hilarity ensues.

Chan does better in buddy action comedies like this, instead of straight action. He's noted for using props around him in his fight scenes; this movie is no exception. Chan just takes any old prop he sees and does, what looks like, improv. It's hard to imagine all of these scenes choreographed perfectly; they seem so slipshod (in a good way). All of the fight scenes have Chan's usual charm and wit, you can't help but smile whenever he does seemingly impossible stunts.

Many of the characters were one-dimensional. Rathbone doesn't really have any depth, except that everyone likes him. However, in movies like this, you don't really need twists and turns. Lin's beautiful, but what is her background? Someone working for Rathbone has no depth whatsoever and just pops in. And, of course, there's the little pickpocket (Aaron Johnson) whose name is quite funny. He just comes and goes.

The opening credits were almost exactly like the ones for Shanghai Noon, with sweeps over Chinese letters. Something I enjoyed was how they incorporated famous figures, though a little bit goes a long way. About halfway through, it takes one of those obligatory buddy turns, where they end up hating each other. However, this time, the roles are reversed from Shanghai Noon and it lasts for about two minutes, which leaves you wondering why it was even put in. They took the cliché light-heartedly. At times, it did get heavy-handed (especially at the beginning), but managed to pull through.

The sets were very authentic. Unlike the first, where they could just use cheap facades, they had to create a whole new world, and they did so. You could really believe that the clan was in England. I also liked the transitions in between scenes. They were all `swishes', but as the movie progressed and got more `complex', so did the transitions, from going out on both sides to diagonal. It may seem rather juvenile to put it in, and even more so to mention it, but I thought they were quite cool.

I do wish, however, that they had spent more time in the West. If they had had more about the horse from the first one (also, whatever happened to Chon's wife, Falling Leaves?), it would have been better. However, it almost immediately left the West for the East. Like The Tuxedo, Chan allows himself to be pushed around and beaten.

Chan is great, as usual. He's a great diversion from the real life. He can make us believe that what is done can be done. Technically, he can, because he does his own stunts. Wilson is in top comedic form here, as usual, also. He's quickly becoming an item in Hollywood, and his name's getting out there. Then again, he did do I Spy.

I laughed a lot during Shanghai Knights. Many came from the fight scenes, and others were from Wilson's one-liners. I love how the writers can merge action and comedy seamlessly. I hope for a Shanghai Five, where they go to Hawaii, or some sequel, since this franchise is going somewhere.

My rating: 7.5/10

Rated PG-13 for action violence and sexual content.

This second part is a follow-up to ¨Shangai noon¨with the likeable starring(Jackie Chan and Owen Wilson) . When the killers murder Chon's estranged father he flees. He goes London to retrieve a brilliant royal object that Jackie Chan's father guarded in the forbidden city Pekin when he was murdered by some Chinese rebels . Roy also escapes to England, and he and Chon make their way to London with revenge on their minds. And Chon's sister, Lin, has the same idea. They meet Victoria queen (Gemma Jones) and a roguish street boy called Charles Chaplin . They'll confront the villains (Aidan Gillen and Donnie Yen) which want to overthrow the British and China thrones and nasty Chinese Boxers and even Jack the Ripper (Oliver Cotton). Meanwhile, Owen Wilson falls in love with Chan's sister (Fam Wong).

Jackie Chan and Owen Wilson give a jolly and perfect couple . It's usual in Chan films create duos , a ¨buddy movie¨ type , as male : Chris Tucker (Rush hour I and II) , as female : Jennifer Love Hewitt (the Tuxedo) and Claire Forlani (The medallion) and here magnificently with Wilson . Here they uncover a worldwide conspiracy to murder the royal family but almost no one will believe them . The choreographic fights are excellent , they are made as musical numbers, there are remembrances to ¨singing in the rain¨dancing as well as Harold Lloyd , Keistone cops and to author Arthur Conan Doyle with his Sherlock Holmes creation . It's an agreeable picture but uneven comedy, works better when Jackie Chan goes into the action . It's a Chan vehicle for the continuous struggles in leaps and bounds .The final confrontation among the starring and the enemies on the Thames river with fireworks background and in the Big clock tower are overwhelming and breathtaking . Cinematography (Adrian Biddle) and music (Randy Edelman) are spectacular and atmospheric. Production set is extraordinary, it's very well designed along London epoch . The picture was rightly directed by David Dobkin. Rating : Nice and bemusing .

Shanghai Knights boasts an adequate story, interesting characters -loved the Scotland Yard inspector-, good acting -especially from the villains-, some funny moments, solid action scenes, cute movie and historical references, and strong production. So you can watch it confidently, knowing you're not going to get a horrid piece of junk.

That's the positive side. On the negative side, the movie is thoroughly unremarkable. I only watched it last night and I'm racking my brain trying to remember something memorable about it. After a while, I can only come up with two things. The name of the Jackie Chan character cracked me up: Chon Wang -pronounced "John Wayne". The same as in the first part, of course, but I haven't watched that since it came out.

The other thing that cracked me up ***minor spoiler start*** is that Roy blew all their money from part I by investing in zeppelins instead of cars. I thought that was pretty clever. But then there's the head-scratching moment when Roy confesses he lied, he actually lost the money publishing his book... a book that so happens to be a hit all over the country and is even well-known in England. Huh? I guess the script called for a "confession moment" and there was nothing else he could confess to right then ***minor spoiler end***.

How does this movie compare to Shanghai Noon? Can't tell, I don't remember. As for Rush Hour (not to mention early Jackie Chan films), I found the latter to be funnier, more original and an altogether better film. But Shanghai Knights is still OK, if you're tired of rewatching old Jackie films.